The Town Hall viewed from Victoria Square. The Ferrier Fountain is no longer running and weeds have grown in its bed.
Photograph captioned by BeckerFraserPhotos, "The view along Cashel Street towards the All Seasons Hotel. The Hotel Grand Chancellor no longer dominates the view".
The demolition of an apartment building on Peterborough Street. A long-reach excavator is being used to tear the building down.
A photograph captioned by BeckerFraserPhotos, "Long summer grass surrounds the fallen stone on the south side of ChristChurch Cathedral".
A photograph of a sign on London Street in Lyttelton, reading, "It doesn't matter how slowly you go, as long as you don't stop!
A photograph captioned by BeckerFraserPhotos, "This long row of cones was screening a large truck parked on Avonside Drive".
A photograph captioned by BeckerFraserPhotos, "The Hotel Grand Chancellor, demolished to a level that it no longer dominates the skyline".
Colour close up photograph of windows and balconies on the Crowne Plaza; it can be seen that they are no longer perfectly aligned.
The Ferrier Fountain in front of the Town Hall. The fountain is no longer running and there are weeds in the water bed.
A pdf copy of a letter from One Voice Te Reo Kotahi to the Advisory Board on Transition to Long Term Recovery Arrangements.
A photograph of red-sticker placards on the garage door of a house on Avoca Valley Road. The stickers indicate that the building is no longer safe to enter.
A photograph of red-sticker placards on the garage door of a house on Avoca Valley Road. The stickers indicate that the building is no longer safe to enter.
A photograph of red-sticker placards on the garage door of a house on Avoca Valley Road. The stickers indicate that the building is no longer safe to enter.
A photograph of a red-stickered house on Avoca Valley Road. Weeds have began to grow in the driveway. The stickers indicate that the building is no longer safe to enter.
Shands Emporium standing alone on Hereford Street, the buildings on either side of it demolished. The photographer comments, "This lovely old building looks a little more broken every time I see it, after having been exposed to the elements for so long".
A photograph of the back page of a Christchurch City Council form. The form allowed contractors to apply for the authorisation to enter the Christchurch Red Zone after the 22 February 2011 earthquake. Information on the back reads, "What does this authorisation mean for me? I am wearing appropriate personal protection clothing and equipment. At all times DO NOT enter any red placarded building. You may enter a yellow placarded building for a period of time (no longer than 30 minutes) and follow the instruction of the escorts. A green placarded building may be accessed for longer periods. Please note: do not enter any buildings which are not for the purpose of your authorisation".
A photograph captioned by BeckerFraserPhotos, "You can recognise the houses where someone is still residing by their neat lawns amidst a street with mostly long grass verges. Jean Batten Place, Horseshoe Lake, Burwood".
Temporary office space set up in the NZi3 building. The photographer comments, "University of Canterbury administration all fits into one building! Well, sort of. A long view of the west end; Facilities, enrolments, student admin, then meeting areas. E-learning is the first bay to the east side of the stairs".
A photograph captioned by BeckerFraserPhotos, "A section of Avonside Drive shows how the infrastructure is no longer maintained to the same level, with regard to roading, sewage and water services. The houses behind show the crazy angles that the earth movement has left them at".
A photograph captioned by BeckerFraserPhotos, "A view from Cambridge Terrace towards Cathedral Square. The partially deconstructed Hotel Grand Chancellor no longer dominates the sky line. Here it appears between the PricewaterhouseCoopers building on the left and the Novotel Hotel on the right".
A photograph of a sign taped to a window. The sign includes a bullet pointed list of humorous observations about Christchurch following the February 2011 earthquake. The sign reads, "You know you're from Christchurch when: you use the term 'liquefaction' and 'seismic design' in casual conversation; digging a hole and shitting in your garden is no longer weird; your mayor describes the city as munted. If he means FUBARed, you agree; weaving through car size potholes on the street is no longer weird; a shower is heaven; you have a preference of which kind of silt you'd rather shovel, dry or wet; you see tanks...driving around town; you are always noting what you are under; due to frequent aftershocks during the night, you sleep like a baby - every 10 minutes you wake up and shit yourself".
Photograph captioned by BeckerFraserPhotos, "The All Saints Church in Sumner. The traditional building materials and style of this church makes it look older than 1963. At the moment it is hidden behind a long line of containers protecting the road from potential rock fall hazards".
A photograph captioned by BeckerFraserPhotos, "A view from Cambridge Terrace towards Cathedral Square. The partially deconstructed Hotel Grand Chancellor no longer dominates the sky line. Here it appears between the PricewaterhouseCoopers building on the left and the Novotel Hotel on the right".
A photograph of the earthquake damage to the Country Theme store on the corner of Manchester and St Asaph Streets. The brick façade has crumbled in various places, the bricks spilling onto the footpath below. A red sticker on the door indicates that the building is no longer safe to enter.
A pile of rubble from a demolished building on Worcester Street. In the background, the partially demolished Warners Hotel can be seen as well as the Novotel and the PricewaterhouseCoopers Building in the distance. A digger and long-reach excavator can also be seen.
This article is a critical commentary of how political documentary embodies the traits and functions of alternative journalism. I explore this notion through Obrero (‘worker’) my independent documentary project about the labour migration of Filipino workers to Christchurch, Aotearoa New Zealand, after the earthquake in 2011. This article maps out the points at where the theories and practices of alternative media and documentary intersect. Analysing political documentary as a format of alternative journalism has links to the long tradition of film and video production as a tool for social critique. As a form of practice-based research, Obrero falls under the rubric of alternative journalism—able to represent the politically marginal sectors of the polity and report on issues underreported in the mainstream press. This article concludes that a distribution plan that is responsive to fragmenting audiences works best when alternative journalism no longer targets a niche but transborder audiences.
A photograph of the earthquake damage to The Volcano Café on London Street. The brick wall on the left side of the building has crumbled, and the bricks have spilt onto the footpath. A red sticker on the door indicates that the building is no longer safe to enter. Plywood has been used to board up the windows and wire fencing has been placed around the building as a cordon.
Damage to the garden of a house in Richmond. Liquefaction is visible among the plants and on the driveway, and the driveway is badly cracked. The photographer comments, "These photos show our old house in River Rd. Water and silt have flattened the long grass in the back garden. The growth right of centre is suckers growing from the stump of a prunus tree we had felled last year. The section of fence between us and our neighbour fell down in the Sep 4 quake".
Mechanistic and scientific approaches to resilience assume that there is a “tipping point” at which a system can no longer absorb adversity; after this point, it is liable to collapse. Some of these perspectives, particularly those stemming from ecology and psychology, recognise that individuals and communities cannot be perpetually resilient without limits. While the resilience paradigm has been imported into the social sciences, the limits to resilience have often been disregarded. This leads to an overestimation of “human resourcefulness” within the resilience paradigm. In policy discourse, practice, and research, resilience seems to be treated as a “limitless” and human quality in which individuals and communities can effectively cope with any hazard at any time, for as long as they want and with any people. We critique these assumptions with reference to the recovery case in Ōtautahi Christchurch, Aotearoa New Zealand following the 2010-11 Canterbury earthquake sequence. We discuss the limits to resilience and reconceptualise resilience thinking for disaster risk reduction and sustainable recovery and development.
INTRODUCTION This project falls under the Flagship 3: Wellington Coordinated Project. It supports other projects within FP3 to create a holistic understanding of risks posed by collapsed buildings due to future earthquake/s and the secondary consequences of cordoning in the short, mid and long term. Cordoning of the Christchurch CBD for more than two years and its subsequent implications on people and businesses had a significant impact on the recovery of Christchurch. Learning from this and experiences from the Kaikōura earthquake (where cordons were also established around selected buildings, Figure 3) have highlighted the need to understand the effects of cordons and plan for it before an earthquake occurs