An old advertising sign for Polson's decorators and signwriters exposed on the side of a building on Manchester Street.
Wooden supports holding up the mud brick chimney of Deans Cottage, which is badly cracked.
Information board and hazard notices for the Riccarton House earthquake repairs and strengthening project.
The building which formerly housed the Coffee Club on High Street, standing alone after surrounding buildings have been demolished.
Heritage buildings on Hereford Street, still standing.
Containers stacked in front of the Odeon Theatre on Tuam Street to protect the road in case it falls.
Detail of damage to the Odeon Theatre.
An old advertisement for McCormick Reapers and Binders on the side of a building has been exposed by the demolition of the adjoining building.
A blog post from Moya Sherriff about her second month as Intern for the Canterbury Cultural Collections Recovery Centre (CCCRC). This blog post was downloaded on 18 November 2014.
Heritage buildings on Hereford Street, still standing.
The information board for the Riccarton House earthquake repairs and strengthening project.
A blog post from Moya Sherriff about her first month as Intern for the Canterbury Cultural Collections Recovery Centre (CCCRC). This blog post was downloaded on 18 November 2014.
Wooden supports holding up the mud brick chimney of Deans Cottage, which is badly cracked.
The badly-damaged McKenzie and Willis building, with bracing for support.
The facade of the Isaac Theatre Royal, protected by shipping containers, awaits restoration.
Seen through the cordon fence on Tuam Street, shipping containers support the facade of the Excelsior Hotel, the only part of the hotel still standing.
Group case study report prepared for lecturers Ton Buhrs and Roy Montgomery by students of ERST 635 at Lincoln University, 2013.The New Zealand Government’s decision to establish a unitary authority in the Auckland Region has provided much of the context and impetus for this review of current governance arrangements in the Canterbury region, to determine whether or not they are optimal for taking the communities of greater Christchurch into the future. A number of local governance academics, as well as several respected political pundits, have prophesised that the Auckland ‘Super City’ reforms of 2009 will have serious implications and ramifications for local governance arrangements in other major cities, particularly Wellington and Christchurch. Wellington councils have already responded to the possibility of change by undertaking a series of reports on local governance arrangements, as well as a major review led by Sir Geoffrey Palmer, to investigate options for governance reform. Alongside these developments, the Christchurch earthquakes beginning in September 2010 have raised a myriad of new and complex governance issues, which may or may not be able to be addressed under the status quo, while the replacement of Regional Councillors’ with centrally-appointed Commissioners is suggestive of government dissatisfaction with current arrangements. With these things in mind, the research group has considered local government in Canterbury and the greater Christchurch area in the wider governance context. It does not limit discussion to only the structure of local government in Canterbury but rather, as the brief (Appendix 1) indicates, considers more broadly the relationship between central, regional, and local tiers of government, as well as the relationship between local government and local communities.
A photograph of local artist Jason Ware (left) and others playing handmade instruments at the launch of Sound Garden, during FESTA 2013. Sound Garden was a Greening the Rubble project created by local artist-musicians from recycled materials.
A photograph of local musician Gemma Syme playing an instrument constructed from old street signs, at Sound Garden. Sound Garden was a Greening the Rubble project created by local artist-musicians and launched as part of FESTA 2013.
A photograph of local musician Gemma Syme playing an instrument constructed from empty fire extinguisher canisters, at Sound Garden. Sound Garden was a Greening the Rubble project created by local artist-musicians and launched as part of FESTA 2013.
A PDF copy of pages 156-157 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Ortszeit/Local Time'. Photos: Gap Filler
Local comedian Keith Preene arriving at the Pallet Pavilion Talent Show on a pallet.
This study followed two similarly affected, but socio-economically disparate suburbs as residents responded to and attempted to recover from the devastating 6.3 magnitude earthquake that struck Christchurch, New Zealand, on February 22, 2011. More specifically, it focuses on the role of local churches, community-based organisations (CBOs) and non-governmental organisations (NGOs), here referred to broadly as civil society, in meeting the immediate needs of local residents and assisting with the longer-term recovery of each neighbourhood. Despite considerable socioeconomic differences between the two neighbourhoods, civil society in both suburbs has been vital in addressing the needs of locals in the short and long term following the earthquake. Institutions were able to utilise local knowledge of both residents and the extent of damage in the area to a) provide a swifter local response than government or civil defence and then help direct the relief these agencies provided locally; b) set up central points for distribution of supplies and information where locals would naturally gather; c) take action on what were perceived to be unmet needs; and d) act as a way of bridging locals to a variety of material, informational, and emotional resources. However the findings also support literature which indicates that other factors are also important in understanding neighbourhood recovery and the role of civil society, including: local leadership; a shared, place-based identity; the type and form of civil society organizations; social capital; and neighbourhood- and household-level indicators of relative vulnerability and inequality. The intertwining of these various factors seems to influence how these neighbourhoods have coped with and taken steps in recovering from this disaster. It is recommended that future research be directed at developing a better understanding of how this occurs. It is suggested that a model similar to Yasui’s (2007) Community Vulnerability and Capacity model be developed as a useful way to approach future research in this area.
A photograph of a public artwork titled, 'Halfspace'. The artwork is by local sculpture artist Jason Ware.
A photograph of the lens of the Townsend Telescope. The lens is the most crucial component of the telescope. Despite damage to the surrounding parts, the lens was unharmed during the 22 February 2011 earthquake. Because of this, the telescope can be restored.
An electronic copy of the February 2013 edition of the Burnside Barometer newsletter.
An electronic copy of the November 2013 edition of the Burnside Barometer newsletter.
An electronic copy of the August 2013 edition of the Burnside Barometer newsletter.
An electronic copy of the May 2013 edition of the Burnside Barometer newsletter.
A copy of a media release announcing Hugo Kristinsson's decision to run for Christchurch Mayor in the 2013 Christchurch Local Body Elections.