A photograph captioned by BeckerFraserPhotos, "A mound of liquefaction next to an angled street light on Liggins Street in the Horseshoe Lake area".
Photograph captioned by BeckerFraserPhotos, "Orari Street, Bexley. Look at the angles of the lamp-posts in this street and the size of that pot hole!".
A truck for carrying demolition rubble parked on Colombo Street, with the Forsyth Barr building visible in the background. Decorations from Christmas 2010 are still hanging from lamp posts.
A photograph of a sign on a lamp post on Bealey Avenue. The sign reads, "Attention Public, there is a cordon in effect. From the timings of 0600 to 1800 only personal with legitimate reasons and home owners are permitted to enter the cordon. Home owners, please have proof of address and identification ready for inspection. At 1800 to 0600 the cordoned area is under curfew. The only personnel permitted to enter are: health professionals, Canterbury Council staff, contractors, media. No exceptions. If you have any questions, please approach police or NZDF personnel. Thank you for your co-operation".
Contractors conferring on the Anzac Drive Bridge in New Brighton. In the background, an excavator is lifting a piece of metal to place on one of the bridge's lamp posts.
A view down Beresford Street in New Brighton, looking west towards the city at sunset. The photographer comments, "On the other side of the Avon river from New Brighton is the Bexley red zone. Here numerous earthquake damaged streets of houses will be flattened due to it being to uneconomical in the current climate to repair the land to be suitable for housing. There is a campaign at the moment to try and convert all this red zone land, which is mainly adjacent to the Avon river to a giant park".
In last week’s blog post, we talked about the use of light in Christchurch’s city streets and public spaces, from oil lamps to gas lights to electricity in the early 20th century. This week, we step out of the street and … Continue reading →
A residential street in New Brighton. Liquefaction still lines the street, and lampposts are leaning in different directions. The photographer comments, "This is the New Brighton red zone, which is parallel to the Avon River. The area suffered serious liquefaction during the numerous earthquakes/aftershocks and the land is being bought by the government. Although the houses do not look too bad in the background they have suffered badly. On the day I took this picture the council had just hours before cut the grass, which made the area look less abandoned".
A photograph of two people walking down a mostly cordoned off footpath along Colombo Street, just north of the town hall. Tape can be seen running across the footpath in front of many of the stores. A sign has been placed on a lamp post reading, "Strawberry Fare. Yes we are open! 114 Peterborough Street".
A photograph of a sign taped to the lamp post in front of Sonya Smith Atelier on Colombo Street. The sign reads, "Danger, keep out, restricted area". A yellow sticker on the front door also indicates that access to the building is restricted. A handwritten sign on the door reads, "Cannot open safely until structure is checked. Please ring Sonya if needing any more assistance. Sonya. Keep safe".
A photograph of a sign taped to the lamp post in front of Sonya Smith Atelier on Colombo Street. The sign reads, "Danger, keep out, restricted area". A yellow sticker on the front door also indicates that access to the building is restricted. A handwritten sign on the door reads, "Cannot open safely until structure is checked. Please ring Sonya if needing any more assistance. Sonya. Keep safe".
A photograph of the Thai Temple restaurant on the corner of Colombo and Peterborough Streets. A red sticker has been placed on the front door, indicating that the building is unsafe to enter. Tape has been placed around the building as a cordon. A sign reading, "Strawberry Fare, yes we are open, we are sorry for any inconvenience" has been tied to a lamp post in front.
Early Days Yet, directed by Shirley Horrocks, is a full-length documentary about New Zealand poet Allen Curnow, made in the last months of his life. The poet talks about his life and work, and visits the places of some of his most important poems. It includes interviews with other New Zealand poets about Curnow's significance as an advocate for New Zealand poetry. As Curnow famously mused in front of a moa skeleton displayed in Canterbury Museum: "Not I, some child, born in a marvellous year / Will learn the trick of standing upright here."