
A digitally manipulated photograph of the foyer of the Christchurch Art Gallery. The photographer comments, "The Christchurch art gallery has been closed to the public since the February 2011 earthquake and its reopening seems to be in the distant future. I want to convey the feeling that if art is not looked at darkness starts to overcome it and the paint starts to peel off".
Transcript of Tony French's earthquake story, captured by the UC QuakeBox project.
A digitally manipulated image of a recruitment advertisement for the NZ Police, which depicted police officer Spence Kingi pulling a woman from the rubble. The photographer comments, "Using Scribbler Too I created my interperation of the police rescue during the 22 February earthquake in Christchurch".
A photograph of street art at the Addington Saleyards, taken before the Canterbury earthquakes.
A photograph of street art at the Addington Saleyards, taken before the Canterbury earthquakes.
A photograph of street art at the Addington Saleyards, taken before the Canterbury earthquakes.
A photograph of street art at the Addington Saleyards, taken before the Canterbury earthquakes.
A photograph of street art at the Addington Saleyards, taken before the Canterbury earthquakes.
A photograph of street art at the Addington Saleyards, taken before the Canterbury earthquakes.
Transcript of Lorraine's earthquake story, captured by the UC QuakeBox project.
Photograph captioned by Fairfax, "Briefing at the art gallery following Canterbury's earthquake".
The "Lyttelton Review" newsletter for 5 December 2011, produced by the Lyttelton Harbour Information Centre.
The "Lyttelton Review" newsletter for 19 March 2012, produced by the Lyttelton Harbour Information Centre.
A lack of affordable space after Christchurch's earthquake threatens to fracture the city's arts community.
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