A photograph of a half-finished flower mosaic design made by a member of Crack'd for Christchurch.Crack'd for Christchurch comments, "September 2013, three years after the first quake. Shirley Walden working on an early flower design in Helen's kitchen."
A photograph of the earthquake damage to Asko Design and Mod's Hairdressing on Victoria Street.
A photograph of furniture outside the Asko Design store on Victoria Street.
A PDF copy of a design for a bus panel from the All Right? 'Compliments' campaign. The design reads, "You're a wee Canterbury Gem. Let's remember it's often the simple things that bring the most joy." The design also includes the web address of the All Right? Facebook page.
A PDF copy of a billboard design depicting the 'Canterbury Rollercoaster'. The design reads, "Life's full of ups and downs. Where are you, your friends, and your whanau at? Visit allright.org.nz". The 'Canterbury Rollercoaster' was designed to raise awareness about emotional literacy in Canterbury.
Though generally considered “natural” disasters, cyclones and earthquakes are increasingly being associated with human activities, incubated through urban settlement patterns and the long-term redistribution of natural resources. As society is becoming more urbanized, the risk of human exposure to disasters is also rising. Architecture often reflects the state of society’s health: architectural damage is the first visible sign of emergency, and reconstruction is the final response in the process of recovery. An empirical assessment of architectural projects in post-disaster situations can lead to a deeper understanding of urban societies as they try to rebuild. This thesis offers an alternative perspective on urban disasters by looking at the actions and attitudes of disaster professionals through the lens of architecture, situated in recent events: the 2010 Christchurch earthquake, the 2010 Haiti earthquake, and the 2005 Hurricane Katrina. An empirical, multi-hazard, cross-sectional case study methodology was used, employing grounded theory method to build theory, and a critical constructivist strategy to inform the analysis. By taking an interdisciplinary approach to understanding disasters, this thesis positions architecture as a conduit between two divergent approaches to disaster research: the hazards approach, which studies the disaster cycles from a scientific perspective; and the sociological approach, which studies the socially constructed vulnerabilities that result from disasters, and the elements of social change that accompany such events. Few studies to date have attempted to integrate the multi-disciplinary perspectives that can advance our understanding of societal problems in urban disasters. To bridge this gap, this thesis develops what will be referred to as the “Rittelian framework”—based on the work of UC Berkeley’s architecture professor Horst Rittel (1930-1990). The Rittelian framework uses the language of design to transcend the multiple fields of human endeavor to address the “design problems” in disaster research. The processes by which societal problems are addressed following an urban disaster involve input by professionals from multiple fields—including economics, sociology, medicine, and engineering—but the contribution from architecture has been minimal to date. The main impetus for my doctoral thesis has been the assertion that most of the decisions related to reconstruction are made in the early emergency recovery stages where architects are not involved, but architects’ early contribution is vital to the long-term reconstruction of cities. This precipitated in the critical question: “How does the Rittelian framework contribute to the critical design decisions in modern urban disasters?” Comparative research was undertaken in three case studies of recent disasters in New Orleans (2005), Haiti (2010) and Christchurch (2010), by interviewing 51 individuals who were selected on the basis of employing the Rittelian framework in their humanitarian practice. Contextualizing natural disaster research within the robust methodological framework of architecture and the analytical processes of sociology is the basis for evaluating the research proposition that architectural problem solving is of value in addressing the ‘Wicked Problems’ of disasters. This thesis has found that (1) the nuances of the way disaster agents interpret the notion of “building back better” can influence the extent to which architectural professionals contribute in urban disaster recovery, (2) architectural design can be used to facilitate but also impede critical design decisions, and (3) framing disaster research in terms of design decisions can lead to innovation where least expected. This empirical research demonstrates how the Rittelian framework can inform a wider discussion about post-disaster human settlements, and improve our resilience through disaster research.
The research presented in this thesis investigated the environmental impacts of structural design decisions across the life of buildings located in seismic regions. In particular, the impacts of expected earthquake damage were incorporated into a traditional life cycle assessment (LCA) using a probabilistic method, and links between sustainable and resilient design were established for a range of case-study buildings designed for different seismic performance objectives. These links were quantified using a metric herein referred to as the seismic carbon risk, which represents the expected environmental impacts and resource use indicators associated with earthquake damage during buildings’ life. The research was broken into three distinct parts: (1) a city-level evaluation of the environmental impacts of demolitions following the 2010/2011 Canterbury earthquake sequence in New Zealand, (2) the development of a probabilistic framework to incorporate earthquake damage into LCA, and (3) using case-study buildings to establish links between sustainable and resilient design. The first phase of the research focused on the environmental impacts of demolitions in Christchurch, New Zealand following the 2010/2011 Canterbury Earthquake Sequence. This large case study was used to investigate the environmental impact of the demolition of concrete buildings considering the embodied carbon and waste stream distribution. The embodied carbon was considered here as kilograms of CO2 equivalent that occurs on production, construction, and waste management stage. The results clearly demonstrated the significant environmental impacts that can result from moderate and large earthquakes in urban areas, and the importance of including environmental considerations when making post-earthquake demolition decisions. The next phase of the work introduced a framework for incorporating the impacts of expected earthquake damage based on a probabilistic approach into traditional LCA to allow for a comparison of seismic design decisions using a carbon lens. Here, in addition to initial construction impacts, the seismic carbon risk was quantified, including the impacts of seismic repair activities and total loss scenarios assuming reconstruction in case of non-reparability. A process-based LCA was performed to obtain the environmental consequence functions associated with structural and non-structural repair activities for multiple environmental indicators. In the final phase of the work, multiple case-study buildings were used to investigate the seismic consequences of different structural design decisions for buildings in seismic regions. Here, two case-study buildings were designed to multiple performance objectives, and the upfront carbon costs, and well as the seismic carbon risk across the building life were compared. The buildings were evaluated using the framework established in phase 2, and the results demonstrated that the seismic carbon risk can significantly be reduced with only minimal changes to the upfront carbon for buildings designed for a higher base shear or with seismic protective systems. This provided valuable insight into the links between resilient and sustainable design decisions. Finally, the results and observations from the work across the three phases of research described above were used to inform a discussion on important assumptions and topics that need to be considered when quantifying the environmental impacts of earthquake damage on buildings. These include: selection of a non-repairable threshold (e.g. a value beyond which a building would be demolished rather than repaired), the time value of carbon (e.g. when in the building life the carbon is released), the changing carbon intensity of structural materials over time, and the consideration of deterministic vs. probabilistic results. Each of these topics was explored in some detail to provide a clear pathway for future work in this area.
A photograph of the site of the demolished Coastal Living and Design Store on London Street in Lyttelton.
A photograph of AMG design agency on Bedford Row. The building has been fenced off and there are empty building sites on either side.
A photograph of steps left at the site of the demolished Coastal Living and Design Store on London Street in Lyttelton.
A photograph of building rubble on Manchester Street. The Design and Arts College and the Octagon Live Restaurant can be seen behind.
A PDF copy of image designed to be used along the side of a Zhongtong bus. The design depicts the 'Canterbury Rollercoaster' and reads, "Life's full of ups and downs. Where are you, your friends, and whanau at? Visit allright.org.nz". The 'Canterbury Rollercoaster' was designed to raise awareness about emotional literacy in Canterbury.
A PDF of an image designed to be used along the side of a Zhongtong bus. The design depicts the 'Canterbury Rollercoaster' and reads, "Life's full of ups and downs. Where are you, your friends, and whanau at? Visit allright.org.nz". The 'Canterbury Rollercoaster' was designed to raise awareness about emotional literacy in Canterbury.
A PDF copy of a page on the EQ Recovery Learning site which linked to a YouTube video. This short video provides an insight into the design and location of the Canterbury Earthquake Memorial, due to be completed in February 2017. We meet its designer Grega Vezjak, who shares his vision for the Memorial
A photograph of the Design and Arts College on Worcester Street. Cordon fencing has been placed around the building and many of the windows have been boarded up with plywood.
A PDF copy of a design for the side of an escalator near a Glassons store. The file includes the precise measurements and specifications. The design depicts the 'Canterbury Rollercoaster' and reads, "Life's full of ups and downs. Where are you, your friends, and your whanau at? Visit allright.org.nz". The 'Canterbury Rollercoaster' was designed to raise awareness about emotional literacy in Canterbury.
A PDF copy of a design for the side of an escalator near a Hoyts movie theatre. The file includes the precise measurements and specifications. The design depicts the 'Canterbury Rollercoaster' and reads, "Life's full of ups and downs. Where are you, your friends, and your whanau at? Visit allright.org.nz". The 'Canterbury Rollercoaster' was designed to raise awareness about emotional literacy in Canterbury.
A photograph of the earthquake damage to the Asko Design building on Victoria Street. Mod's Hair can be seen to the right. The top of the facade of Asko Design has crumbled and fallen into the street, taking the awning with it. The side wall has also collapsed, exposing the inside of the building. Wire fencing and tape have been used to cordon the buildings off.
A photograph of the earthquake damage to the Asko Design building on Victoria Street. Mod's Hair can be seen to the right. The top of the facade of Asko Design has crumbled and fallen into the street, taking the awning with it. The side wall has also collapsed, exposing the inside of the building. Wire fencing and tape have been used to cordon the buildings off.
Photograph captioned by BeckerFraserPhotos, "Design and Arts College of NZ, Kaplan House, 116 Worcester Street".
An entry from Deborah Fitchett's blog for 3 March 2011, posted to Livejournal. The entry is titled, "In which vegemite jars have a design flaw".The entry was downloaded on 14 April 2015.
An entry from Deborah Fitchett's blog for 3 March 2011, posted to Dreamwidth. The entry is titled, "In which vegemite jars have a design flaw".The entry was downloaded on 17 April 2015.
A PDF copy of a panel designed for use at Northlands Shopping Centre. The panels depict a section of the Canterbury Rollercoaster, which was designed to raise awareness around emotional literacy in Canterbury.
A PDF copy of a panel designed for use at Northlands Shopping Centre. The panels depicts the Canterbury Rollercoaster, which was designed to raise awareness around emotional literacy in Canterbury.
A PDF copy of the design for the 'Canterbury Rollercoaster' poster that was available from the All Right? website. The 'Canterbury Rollercoaster' was designed to raise awareness about emotional literacy in Canterbury.
A photograph of Jenny Cooper laying out mosaic designs on the floor of Crack'd for Christchurch's workshop.Crack'd for Christchurch comments, "August 2013. Some of the motifs designed by Jenny Cooper."
A paper which outlines SCIRT's approach to asset assessment, design and repair of damaged retaining walls, and presents a case study of a retaining wall rebuild, on Cunningham Terrace, Lyttelton.
A photograph of plywood taped to the broken glass of Coco's Hair Design on Colombo Street. A green sticker in the window indicates that the building has been inspected and is safe to enter.
A PDF copy of a design for an All Right? Body Festival t-shirt. The front of the t-shirt features the All Right? Body Festival slogan "It's all right to dance". The back features the dates of The Body Festival and logos and websites for each organisation.
<b>Ōtautahi-Christchurch faces the future in an enviable position. Compared to other New Zealand cities Christchurch has lower housing costs, less congestion, and a brand-new central city emerging from the rubble of the 2011 earthquakes. ‘Room to Breathe: designing a framework for medium density housing (MDH) in Ōtautahi-Christchurch’ seeks to answer the timely question how can medium density housing assist Ōtautahi-Christchurch to respond to growth in a way that supports a well-functioning urban environment? Using research by design, the argument is made that MDH can be used to support a safe, accessible, and connected urban environment that fosters community, while retaining a level of privacy. This is achieved through designing a neighbourhood concept addressing 3 morphological scales- macro- the city; meso- the neighbourhood; and micro- the home and street. The scales are used to inform a design framework for MDH specific to Ōtautahi-Christchurch, presenting a typological concept that takes full advantage of the benefits higher density living has to offer.</b> Room to Breathe proposes repurposing underutilised areas surrounding existing mass transit infrastructure to provide a concentrated populous who do not solely rely on private vehicles for transport. By considering all morphological scales Room to Breathe provides one suggestion on how MDH could become accepted as part of a well-functioning urban environment.