Portaloos on the Pine Mound, part of Festival of Flowers. Each portaloo has been decorated with a small garden and footpath leading up to the entrance, and inside is a stuff figurine.
Portaloos on the Pine Mound, part of Festival of Flowers. Each portaloo was decorated with various floral features. This is the back of a portaloo and has been painted with some plantation.
Portaloos on the Pine Mound, part of Festival of Flowers. This portaloo has been decorated with a small garden and footpath leading up to the entrance, and inside is a stuff figurine.
A photograph of a decorated fence. A sign on the fence advertises Gap Filler's first project. Behind the fence, an excavator is demolishing a building on Colombo Street.
Ceramics have been decorated to commemorate a range of events, people and places since long before the 19th century. The practice is particularly tied to British royalty, with some rather intense results. While tankards, jugs, plaques, mugs and miniature wares … Continue reading →
Photograph captioned by Fairfax, "Owners of The Octagon hang models to decorate the structures holding up the tower of the building after earthquake damage. Chris Stead from Theme Pro".
Page 6 of Section A of the Christchurch Press, published on Thursday 23 February 2012.
A broken window decorated with a lizard emblem on a building on Hereford Street. The photographer comments, "Many of the buildings are waiting to be demolished. As this one has been abandoned it is probably on the list".
Photograph captioned by Fairfax, "Owners of the Octagon hang models to decorate the structures holding up the tower of the building after earthquake damage. Chris Stead (left) from Theme Pro and stone mason Andy Carmichael from Cut'n'Carve Stone".
Photograph captioned by Fairfax, "Owners of the Octagon hang models to decorate the structures holding up the tower of the building after earthquake damage. Chris Stead (left) from Theme Pro and stone mason Andy Carmichael from Cut'n'Carve Stone".
A pile of liquefaction silt in Parklands has been decorated with a Santa hat, Christmas decorations and a pair of jandals to form a silt 'snowman'. The photographer comments, "Not the most welcome Santa to find on your doorstep on Xmas Eve. This was made out of damp liquefaction in Parklands".
This is an ethnographic case study, tracking the course of arguments about the future of a city’s central iconic building, damaged following a major earthquake sequence. The thesis plots this as a social drama and examines the central discourses of the controversy. The focus of the drama is the Anglican neo-Gothic Christ Church Cathedral, which stands in the central square of Christchurch, New Zealand. A series of major earthquakes in 2010/2011 devastated much of the inner city, destroying many heritage-listed buildings. The Cathedral was severely damaged and was declared by Government officials in 2011 to be a dangerous building, which needed to be demolished. The owners are the Church Property Trustees, chaired by Bishop Victoria Matthews, a Canadian appointed in 2008. In March 2012 Matthews announced that the Cathedral, because of safety and economic factors, would be deconstructed. Important artefacts were to be salvaged and a new Cathedral built, incorporating the old and new. This decision provoked a major controversy, led by those who claimed that the building could and should be restored. Discourses of history and heritage, memory, place and identity, ownership, economics and power are all identified, along with the various actors, because of their significance. However, the thesis is primarily concerned with the differing meanings given to the Cathedral. The major argument centres on the symbolic interaction between material objects and human subjects and the various ways these are interpreted. At the end of the research period, December 2015, the Christ Church Cathedral stands as a deteriorating wreck, inhabited by pigeons and rats and shielded by protective, colourfully decorated wooden fences. The decision about its future remains unresolved at the time of writing.