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Images for creative; more images...

Images, UC QuakeStudies

A photograph of children cutting The Worry Bug Project cake. Behind is Ciaran Fox and Sue Turner from All Right? (left), Deputy Mayor Vicki Buck (middle), and Julie Burgess-Manning and Sarina McCormick from Kotuku Creative (right). All Right? were supporters of The Worry Bug Project. Buck was the MC of the event. Kotuku Creative were the designers and publishers of The Worry Bug Project. The photograph was taken at The Worry Bug book launch at St Albans School on 8 July 2015.

Images, UC QuakeStudies

An image featuring quotes from Henry Jaiswal (General Manager for Canterbury Migrants Centre Trust), Suzanne Lemon (Manager the Westpac Upper Riccarton) and Mark Jenkins (Manager for Westpac The Palms). The image reads, "Five years on I feel... Awesome! Henry Jaiswal, Christchurch Migrant Centre Trust. Tired, but hopeful. Suzanne Lemon, Upper Riccarton. Optimistic. Mark Jenkins, Westpac (The Palms)." All Right? uploaded the image as a Facebook cover photo on 1 March 2016 at 3:02pm.

Audio, Radio New Zealand

The many arts organisations left homeless by the Christchurch earthquake, including the Christchurch Arts Festival and the Symphony Orchestra, have received good news this week from Creative New Zealand. We hear from CEO of Creative New Zealand Stephen Wainwright, manager of the Christchurch Arts Festival Steph Walker, and James Caygill from the Christchurch Symphony Orchestra.

Images, UC QuakeStudies

An image featuring a quote from Sera Thompson, Regional Advisor for the Ministry for Pacific Peoples. The image reads, "Five years on I feel... Tired, but hopeful// Sera Thompson, Ministry for Pacific Peoples." All Right? uploaded image as a Facebook cover photo on 17 February 2016 at 7:08am. To view the image, see All Right? Five Years On I Feel: Creative Material 1 (JPEG)

Images, UC QuakeStudies

An image featuring a quote by Donovan Ryan, Communications Advisor for All Right?. The image reads, "Five years on I feel... There's a long way to go! Donovan, St Albans." All Right uploaded the image as a cover photo on their Facebook page on 17 February 2016 at 2:37pm.To view the image, see All Right? Five Years On I Feel: Creative Material 2 (JPEG).

Images, UC QuakeStudies

An image featuring a quote by Anna Wilson, Physical Health Advisor for Sport Canterbury. The image reads, "Five years on I feel... Upset about what we've lost and gone through but excited for what may come// Anna Wilson, Sport Canterbury." All Right uploaded the image as a Facebook cover photo on 23 February 2016 at 9:37am.

Images, UC QuakeStudies

An image featuring a quote from Suzanne Lemon, Manager of Westpac Upper Riccarton. The image reads, "Five years on I feel... Braver and Kinder." All Right? uploaded the image as a Facebook cover photo on 21 February 2016 at 12:38pm. To view the image, see All Right? Five Years On I Feel: Creative Material 3 (JPEG)

Images, UC QuakeStudies

An image featuring a quote by Anna Wilson, Physical Health Advisor for Sport Canterbury. The image reads, "Five years on I feel... Upset about what we've lost and gone through but excited for what may come// Anna Wilson, Sport Canterbury." All Right uploaded the image as a Facebook cover photo on 23 February 2016 at 9:37am. The view the image, see All Right? Five Years On I Feel: Creative Material 4 (JPEG)

Images, UC QuakeStudies

A photograph of people holding balloons before they are released. Worries and wishes are written on the balloons. Included in the photograph are Tracey Chambers from The Canterbury Community Trust (left) and Sarina Dickson from Kotuku Creative (right). The photograph was taken at The Worry Bug book launch at St Albans School on 8 July 2015.

Research Papers, Lincoln University

This research investigates creativity in a post-disaster setting. The data explore creativity at the intersection of the affected community of Christchurch, New Zealand and the social processes that followed the earthquakes of 2010 - 2012. Personal and contextual influences on creative ideas implemented for community or commercial benefit are also examined. Viewed as creative, unique approaches to post-disaster problem solving were celebrated locally, nationally and internationally (Bergman, 2014; Wesener, 2015; Cloke & Conradson, 2018). Much has been written about creativity, particularly creativity in organisations and in business. However, little is known with regards to who creates after a disaster, why individuals choose to do so and what impact the post-disaster context has on their creative activity. This exploratory study draws on the literature from the fields of creativity, disasters, psychology, sociology and entrepreneurship to interpret first-hand accounts of people who acted on creative ideas in a physically and socially altered environment. A mixed method - albeit predominantly qualitative - approach to data gathering was adopted that included interviews (n=45) with participants who had been the primary drivers of creative ideas implemented in Christchurch after September 2010 – the first major (7.1 magnitude) earthquake in a prolonged sequence of thousands of aftershocks. Key findings include that a specific type of creativity results from the ‘collision’ between individuals and social processes activated by a disaster situation. This type of creativity could be best categorised as ‘little c’ or socially adaptive and emerges through a prosocial filter. There is wide consensus amongst creativity researchers - principally social psychologists - that for output to be considered creative it must be both novel and useful (Runco & Jaegar, 2012). There is greater tolerance for the novelty component after a disaster as novelty itself has greater utility, either as a distraction or because alternatives are few. Existing creativity models show context as input – an additional component of the creative process – but after a disaster the event itself becomes the catalyst for social processes that result in the creativity seen. Most participants demonstrated characteristics commonly associated with creativity and could be categorised as either a ‘free thinker’ and/or an ‘opportunist’. Some appear preadapted to create and thrive in unstable circumstances. Findings from participants’ completion of a Ten Item Personality Inventory (TIPI) showed an apparent reduced need for extraversion in relation to implementing creative ventures in society. This factor, along with higher levels of agreeableness may indicate a potentially detrimental effect on the success of creative ideas established after a disaster, despite earnest intentions. Three new models are presented to illustrate the key findings of this study. The models imply that disasters enhance both the perceived value of creativity and the desire to act creatively for prosocial ends. The models also indicate that these disaster influenced changes are likely to be temporary.