A photograph of a model of the ChristChurch Cathedral built from LEGO by Sam Butcher, finished in September 2011.
A photograph of detail of a model of the ChristChurch Cathedral built from LEGO by Sam Butcher, finished in September 2011.
A photograph of detail of a model of the ChristChurch Cathedral built from LEGO by Sam Butcher, finished in September 2011.
A photograph of detail of a model of the ChristChurch Cathedral built from LEGO by Sam Butcher, finished in September 2011.
A photograph of components of a model of the ChristChurch Cathedral built from LEGO by Sam Butcher, finished in September 2011.
A photograph of components of a model of the ChristChurch Cathedral built from LEGO by Sam Butcher, finished in September 2011.
A photograph of detail of a model of the ChristChurch Cathedral built from LEGO by Sam Butcher, finished in September 2011.
A photograph of detail of a model of the ChristChurch Cathedral built from LEGO by Sam Butcher, finished in September 2011.
A photograph of detail of a model of the ChristChurch Cathedral built from LEGO by Sam Butcher, finished in September 2011.
A photograph of detail of a model of the ChristChurch Cathedral built from LEGO by Sam Butcher, finished in September 2011.
A photograph of detail of a model of the ChristChurch Cathedral built from LEGO by Sam Butcher, finished in September 2011.
A photograph of detail of a model of the ChristChurch Cathedral built from LEGO by Sam Butcher, finished in September 2011.
A photograph of detail of a model of the ChristChurch Cathedral built from LEGO by Sam Butcher, finished in September 2011.
A photograph of detail of a model of the ChristChurch Cathedral built from LEGO by Sam Butcher, finished in September 2011.
A photograph of detail of a model of the ChristChurch Cathedral built from LEGO by Sam Butcher, finished in September 2011.
A photograph of detail of a model of the ChristChurch Cathedral built from LEGO by Sam Butcher, finished in September 2011.
A photograph of detail of a model of the ChristChurch Cathedral built from LEGO by Sam Butcher, finished in September 2011.
A guideline created for SCIRT Delivery Teams which outlines the requirements for working around heritage items.
A document which details Downer's approach to heritage management when repairing the Armagh Street bridge.
An authority granted by the New Zealand Historic Places Trust, providing the authority to carry out earthquake repair work that may affect archaeological sites within the Christchurch City area.
Looking south west across Cathedral Square showing the eastern side of Christchurch Cathedral (left), the Godley statue (centre left) with the (from left to right) Chief Post Office, the Regent Theatre Building (directly behind the statue on the corner of Worcester Street), the AMP Building, the Government Life Building and the Grand Theatre.
A photograph of the Observatory tower at the Christchurch Arts Centre, taken before the 2010 and 2011 Canterbury earthquakes.
On the 22nd of February, 2011 the city of Christchurch, New Zealand was crippled by a colossal earthquake. 185 people were killed, thousands injured and what remained was a city left in destruction and ruin. Thousands of Christchurch properties and buildings were left damaged beyond repair and the rich historical architecture of the Canterbury region had suffered irreparably. This research will conduct an investigation into whether the use of mixed reality can aid in liberating Christchurch’s rich architectural heritage when applied to the context of destructed buildings within Christchurch. The aim of this thesis is to formulate a narrative around the embodiment of mixed reality when subjected to the fragmentary historical architecture of Christchurch. Mixed reality will aspire to act as the defining ligature that holds the past, present and future of Christchurch’s architectural heritage intact as if it is all part of the same continuum. This thesis will focus on the design of a memorial museum within a heavily damaged historical trust registered building due to the Christchurch earthquake. It is important and relevant to conceive the idea of such a design as history is what makes everything we know. The memories of the past, the being of the now and the projection of the future is the basis and fundamental imperative in honouring the city and people of Christchurch. Using the technologies of Mixed Reality and the realm of its counter parts the memorial museum will be a definitive proposition of desire in providing a psychological and physical understanding towards a better Christchurch, for the people of Christchurch. This thesis serves to explore the renovation possibilities of the Canterbury provincial council building in its destructed state to produce a memorial museum for the Christchurch earthquake. The design seeks to mummify the building in its raw state that sets and develops the narrative through the spaces. The design intervention is kept at a required minimum and in doing so manifests a concentrated eloquence to the derelict space. The interior architecture unlocks the expression of history and time encompassed within a destructive and industrialised architectural dialogue. History is the inhabitant of the building, and using the physical and virtual worlds it can be set free. This thesis informs a design for a museum in central Christchurch that celebrates and informs the public on past, present and future heritage aspects of Christchurch city. Using mixed reality technologies the spatial layout inside will be a direct effect of the mixed reality used and the exploration of the physical and digital heritage aspects of Christchurch. The use of technology in today’s world is so prevalent that incorporating it into a memorial museum for Christchurch would not only be interesting and exploratory but also offer a sense of pushing forward and striving beyond for a newer, fresher Christchurch. The memorial museum will showcase a range of different exhibitions that formulate around the devastating Christchurch earthquake. Using mixed reality technologies these exhibitions will dictate the spaces inside dependant on their various applications of mixed reality as a technology for architecture. Research will include; what the people of Canterbury are most dear to in regards to Christchurch’s historical environment; the use of mixed reality to visualise digital heritage, and the combination of the physical and digital to serve as an architectural mediation between what was, what is and what there could be.
A brochure created for Beca Heritage Week 2014, outlining SCIRT's repair work on heritage structures in the Central City. It was handed out to members of the public at SCIRT's walk and talk tours.
A photograph of a window of the Observatory tower at the Christchurch Arts Centre.
A photograph of rubble from the Observatory tower in the South Quad of the Christchurch Arts Centre. The tower collapsed during the 22 February 2011 earthquake.
A close-up photograph of parts of the Townsend Telescope recovered from the rubble of the Observatory tower. The telescope was housed in the tower at the Christchurch Arts Centre. It was severely damaged when the tower collapsed during the 22 February 2011 earthquake.
A document which describes SCIRT's discoveries and processes regarding archaeological finds on worksites.
A photograph of components of a model of the ChristChurch Cathedral being built from LEGO by Sam Butcher. Sam comments "Fixing a large variety of bits that were wrong/annoying/cheating (not purist) about the last model. The new one is set AFTER the Feb 22 earthquake. This newer, and much stronger model is also completely modular for easier transport. Obviously still a WIP, I'm currently waiting for a pretty large bricklink order at the moment, and will probably need to place a couple more after that too. Here you can see a couple of aspects of how the model is put together. The technique used proved - from what I tried - to be the best and strongest way to do it".
A photograph of components of a model of the ChristChurch Cathedral being built from LEGO by Sam Butcher. Sam comments "Fixing a large variety of bits that were wrong/annoying/cheating (not purist) about the last model. The new one is set AFTER the Feb 22 earthquake. This newer, and much stronger model is also completely modular for easier transport. Obviously still a WIP, I'm currently waiting for a pretty large bricklink order at the moment, and will probably need to place a couple more after that too. Here you can see a couple of aspects of how the model is put together. The technique used proved - from what I tried - to be the best and strongest way to do it".