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Images, UC QuakeStudies

A digitally manipulated photograph of broken windows on Shadbolt House. The photographer comments, "This was close to the start of the demolition of the earthquake damaged Shadbolt House building in the Port of Lyttelton, New Zealand. In the bright sun the glass reflected the blue sky, but the broken windows only reflected the blackness of the interior of the empty broken building".

Images, eqnz.chch.2010

The Christchurch Cathedral after loosing its tower and spire after the 6.3 quake hit Christchurch 22 February 2011. The February 22 quake cracked pillars, twisted walls, shattered stained glass, collapsed buttresses, fractured masonry and toppled the tower. The rose window in the west wall collapsed in the June aftershocks. Demolition of the Chr...

Images, Alexander Turnbull Library

Shows Property Investor Bob Jones with a shotgun on top of Christchurch cathedral on an island surrounded by ducks. The lake is labelled 'Lake Bob Parker'. Context: Bob Jones suggested the Christchurch CBD be replaced with a lake (The Listener 12-18 May 2012). Colour and black and white versions available Quantity: 2 digital cartoon(s).

Images, Alexander Turnbull Library

The cartoon shows a camping ground full of tents and caravans and people looking glum as the rain pours down. All except one family who laugh and enjoy themselves in spite of the weather - it is because they are from Christchurch and the weather is of no consequence when they can live for a few days without fear of earthquakes. Colour and black and white versions available Quantity: 2 digital cartoon(s).

Images, Alexander Turnbull Library

Two men discuss in a pub the problem that Christchurch has about how to house all the workers arriving to rebuild the city. One of them suggests the solution found for the workers on the Manapouri Dam which was housing them on cruise liners. Context: One solution has been provided by the Defence Force who are leasing 42 derelict NZDF houses next to Burnham Military Camp. Colour and black and white versions available Quantity: 2 digital cartoon(s).

Images, Alexander Turnbull Library

The top frame shows the barbed wire and watch tower of a prison. There is a comment about someone wanting the warmth of a prison cell. The second frame shows prison staff chatting at cross purposes about a petition from Christchurch with homes wrecked by earthquake pleading to be allowed to live in prison and the sentence imposed on the Bridgecorp directors who have been accused of defrauding investors. Colour and black and white versions available Quantity: 2 digital cartoon(s).

Images, Alexander Turnbull Library

Shows a helicopter spray painting Christchurch with the Canterbury colours of black and red. Someone in the helicopter yells that 'it's gotta be better than tint of TC3'. Context: Probably refers to the apology by Earthquake Recovery Minister Gerry Brownlee for offending Christchurch's TC3 residents after saying he was 'sick and tired' of their moaning. TC3 means 'technical category 3'. Land classified TC3 is the mostly badly quake-damaged considered economically repairable. Quantity: 1 digital cartoon(s).

Images, Alexander Turnbull Library

Shows Minister for Christchurch Earthquake Recovery Gerry Brownlee delighted with his plan to rebuild Christchurch and to have it paid for buy the PM's casino. Context: Refers to the Christchurch Central Development Unit that Minister for Christchurch Earthquake Recovery Gerry Brownlee has put in place. Refers also to the very controversial deal that Prime Minister John Key has made with Auckland's SkyCity to the effect that SkyCity will pay the full construction cost of a new convention centre - estimated at $350 million, in return for being allowed to add more gaming tables and machines, and extending its licence beyond 2021. Colour and black and white versions of this cartoon are available Quantity: 2 digital cartoon(s).

Research papers, Lincoln University

The scale of damage from a series of earthquakes across Christchurch Otautahi in 2010 and 2011 challenged all networks in the city at a time when many individuals and communities were under severe economic pressure. Historically, Maori have drawn on traditional institutions such as whanau, marae, hapu and iwi in their endurance of past crises. This paper presents research in progress to describe how these Maori-centric networks supported both Maori and non-Maori through massive urban dislocation. Resilience to any disaster can be explained by configurations of economic, social and cultural factors. Knowing what has contributed to Maori resilience is fundamental to the strategic enhancement of future urban communities - Maori and non-Maori.

Images, Alexander Turnbull Library

A worried Hekia Parata, Minister of Education, tells John Key, the Prime Minister, that schools in Canterbury are resisting being merged. John Key replies that the government will go through a 'consultation process' and then 'do what we like'. However the schools are claiming marae status and thus protection under the Treaty of Waitangi. The 'Hui report' which the Prime Minister is holding confirms this fear. The Ministry of Education, given the excuse of the Canterbury earthquakes, announced that many schools there will be merged or closed. Threatened schools, particularly the two Maori language schools, lodged complaints with the Waitangi Tribunal. 'Hui reports' refers to the claims and resulting hui over the water rights of the proposed partial privatisation of state assets. Colour and black and white versions available Quantity: 2 digital cartoon(s).

Research papers, Lincoln University

The 2010 and 2011 earthquakes of Canterbury have had a serious and ongoing effect on Maori in the city (Lambert, Mark-Shadbolt, Ataria, & Black, 2012). Many people had to rely on themselves, their neighbours and their whanau for an extended period in 2011, and some are still required to organise and coordinate various activities such as schooling, health care, work and community activities such as church, sports and recreation in a city beset by ongoing disruption and distress. Throughout the phases of response and recovery, issues of leadership have been implicitly and explicitly woven through both formal and informal investigations and debates. This paper presents the results of a small sample of initial interviews of Maori undertaken in the response and early recovery period of the disaster and discusses some of the implications for Maori urban communities.

Research papers, Lincoln University

An emerging water crisis is on the horizon and is poised to converge with several other impending problems in the 21st century. Future uncertainties such as climate change, peak oil and peak water are shifting the international focus from a business as usual approach to an emphasis on sustainable and resilient strategies that better meet these challenges. Cities are being reimagined in new ways that take a multidisciplinary approach, decompartmentalising functions and exploring ways in which urban systems can share resources and operate more like natural organisms. This study tested the landscape design implications of wastewater wetlands in the urban environment and evaluated their contribution to environmental sustainability, urban resilience and social development. Black and grey water streams were the central focus of this study and two types of wastewater wetlands, tidal flow (staged planning) and horizontal subsurface flow wetlands were tested through design investigations in the earthquake-affected city of Christchurch, New Zealand. These investigations found that the large area requirements of wastewater wetlands can be mitigated through landscape designs that enhance a matrix of open spaces and corridors in the city. Wastewater wetlands when combined with other urban and rural services such as food production, energy generation and irrigation can aid in making communities more resilient. Landscape theory suggests that the design of wastewater wetlands must meet cultural thresholds of beauty and that the inclusion of waste and ecologies in creatively designed landscapes can deepen our emotional connection to nature and ourselves.