Pipes lead into a shipping container. The photographer comments, "In Christchurch containers are so very versatile: They are used as barricades, supports, homes, shops, art galleries, artworks, Malls, pubs and bars, Thai takeaways and now sewage works".
A photograph of a painting in Donna Allfrey's house at 406 Oxford Terrace. The painting depicts heritage buildings which were demolished in Christchurch, as well as the year or era in which they were built.
A pdf copy of panel 12 of Guy Frederick's 'The Space Between Words' exhibition. The panel includes text from an interview with Wendy Griffiths about her experiences of the 2010 and 2011 Canterbury earthquakes. Above this is an image of Griffiths on a beach.
The empty space where the Fishers' Building previously was, on the corner of Litchfield and Hereford Streets. In the background are cranes, and the Holiday Inn building (centre) with the Westpac building on the right. Also on the right is the 'Flour Power' artwork by Regan Gentry.
A pdf copy of panel 6 of Guy Frederick's 'The Space Between Words' exhibition. The panel includes text from an interview with Paul Jenkins about his experiences of the 2010 and 2011 Canterbury earthquakes. Above this is an image of Jenkins sitting in a room of his house.
A pdf copy of panel 8 of Guy Frederick's 'The Space Between Words' exhibition. The panel includes text from an interview with Gwenda Michael about her experiences of the 22 February 2011 earthquake. Above this is an image of Michael sitting on the patio of her house.
A pdf copy of panel 4 of Guy Frederick's 'The Space Between Words' exhibition. The panel includes text from an interview with Denny Anker about her experiences of the 2010 and 2011 Canterbury earthquakes. Above this is an image of Anker sitting in front of the front door of her house.
A pdf copy of panel 2 of Guy Frederick's 'The Space Between Words' exhibition. The panel includes text from an interview with Louis Harrison-Aydon about his experiences of the 22 February 2011 earthquake. Above this is an image of Harrison-Aydon sitting in a graveyard .
A pdf copy of panel 1 of Guy Frederick's 'The Space Between Words' exhibition. The panel includes text from an interview with Meredith Dyer about her experiences of the 22 February 2011 earthquake. Above this is an image of Dyer sitting on a path in the Botanical Gardens.
A pdf copy of panel 3 of Guy Frederick's 'The Space Between Words' exhibition. The panel includes text from an interview with Rose Laing about her experiences of the 2010 and 2011 Canterbury earthquakes. Above this is an image of Laing in her earthquake-damaged and overgrown garden.
A pdf copy of panel 9 of Guy Frederick's 'The Space Between Words' exhibition. The panel includes text from an interview with Maria Thackwell about her experiences of the 22 February 2011 earthquake. Above this is an image of Thackwell sitting in the entrance to the kitchen in her earthquake-damaged house.
A pdf copy of panel 11 of Guy Frederick's 'The Space Between Words' exhibition. The panel includes text from an interview with Bishnu Pokhrel about his experiences of the 22 February 2011 earthquake. Above this is an image of Bishnu Pokhrel sitting outside the main building of Hagley Community College.
A photograph of the As Far As Eye Can See exhibition. On the left is a crocheted image of an eye, created by a group of women from Adelaide, and on the right are woven fabric artworks created by Christchurch craft artists in response.
A photograph of Doug Sexton holding a memento of his house at 378 Oxford Terrace. The memento was created by artist Sarah Brown for the Shared Lines Sendai/Christchurch Art Exchange. Brown used found objects from Doug Sexton's house to create this artwork in a tobacco tin.
A pdf copy of panel 13 of Guy Frederick's 'The Space Between Words' exhibition. The panel includes text from an interview with Sophie Walton about her experiences of the 2010 and 2011 Canterbury earthquakes. Above this is an image of Walton on the walkway from Taylor's Mistake to Boulder Bay.
A pdf copy of panel 5 of Guy Frederick's 'The Space Between Words' exhibition. The panel includes text from an interview with Jolene Parker about her experiences of the 2010 and 2011 Canterbury earthquake. Above this is an image of Parker sitting in the site of her grandmother's house, which was demolished after the earthquakes.
A pdf copy of panel 10 of Guy Frederick's 'The Space Between Words' exhibition. The panel includes text from an interview with Dianne Smith about her experiences of the 2010 and 2011 Canterbury earthquakes. Above this is an image of Smith sitting in front of the rocks by the Waimakariri river in Kairaki.
An intermittent collaboration between the Centre of Contemporary Art and a series of local artists looking to present new work which explores the realities of the post-earthquake cultural landscape in Christchurch. The artworks by Ed Lust, Sam Eng, and Robyn Wester each utilise the empty window space of the window and carport of the damaged COCA building which is awaiting repair.
A pdf copy of panel 7 of Guy Frederick's 'The Space Between Words' exhibition. The panel includes text from an interview with Colleen McClure about her experiences of the 2010 and 2011 Canterbury earthquakes. Above this is an image of McClure sitting in front of the 'gratitude wall' in her house.
A pdf copy of panel 14 of Guy Frederick's 'The Space Between Words' exhibition. The panel includes text from an interview with Gerard Smythe about his experiences of the 2010 and 2011 Canterbury earthquakes. Above this is an image of Smythe sitting outside the Cathedral of the Blessed Sacrament.
A crane topples over on Victoria Street while taking glass up to some windows. No one was hurt and the glass never broke. Victoria Street was closed from 7:30am to later in the evening. This all happen on the Knox Plaza building site. Christchurch October 13, 2014 New Zealand.
A video of an interview with Julia Morison, a Christchurch-based artist, about her sculptures in a vacant site on the Christchurch central city. The artwork, titled 'Tree Houses for Swamp Dwellers', took over a year to make and will act as a centrepiece for the Scape Public Art festival, which begins on 27 September 2013. The sculpture was designed to provide a playground for children and a shady spot for workers on their lunch breaks. Morison also talks about how the sculpture was designed to be relocated and reconfigured so that it can be moved to a new location when construction begins on the vacant site.
A video about the restoration of the dome of the Isaac Theatre Royal. The video includes an interview with Vanessa Carswell, Associate at Warren and Mahoney, about the dimensions of the dome. Because the dome is not a perfect circle, the dome and the canvas that cover it have to be reinstalled in exactly the same way, and the dimensions have to be measured accurately so that the new steelwork fits correctly. The video also includes an interview with art restorer Carolina Izzo about restoring the canvas covering of the dome. Izzo says that the theatre lights have burnt the edges of the canvas, and some patches have been affected by mould. She also explains the process for cleaning the artwork.