A photo of Julia Holden standing next to her Big Egg artwork, 'A Shell of Her Former Self', in Cathedral Square. The egg is part of the Whittaker's Big Egg Hunt.
A photograph of Julia Holden's egg artwork, 'A Shell of Her Former Self', in progress at her temporary studio in Sumner. The egg is to be part of the Whittaker's Big Egg Hunt.
A photograph of Julia Holden's egg artwork, 'A Shell of Her Former Self', at her temporary studio in Sumner. The egg is to be part of the Whittaker's Big Egg Hunt.
A photo of Julia Holden standing next to her Big Egg artwork, 'A Shell of Her Former Self', in Cathedral Square. The egg is part of the Whittaker's Big Egg Hunt.
A photograph of Julia Holden's egg artwork, 'A Shell of Her Former Self', at her temporary studio in Sumner. The egg is to be part of the Whittaker's Big Egg Hunt.
A photograph of Julia Holden's egg artwork, 'A Shell of Her Former Self', in progress at her temporary studio in Sumner. The egg is to be part of the Whittaker's Big Egg Hunt.
A photograph of Julia Holden's egg artwork, 'A Shell of Her Former Self', at her temporary studio in Sumner. The egg is to be part of the Whittaker's Big Egg Hunt.
A photograph of Julia Holden's egg artwork, 'A Shell of Her Former Self', at her temporary studio in Sumner. The egg is to be part of the Whittaker's Big Egg Hunt.
A photograph of Julia Holden's egg artwork, 'A Shell of Her Former Self', in progress at her temporary studio in Sumner. The egg is to be part of the Whittaker's Big Egg Hunt.
A photograph of Julia Holden's egg artwork, 'A Shell of Her Former Self', in progress at her temporary studio in Sumner. The egg is to be part of the Whittaker's Big Egg Hunt.
A photograph of Julia Holden's egg artwork with the first outline layer of paint, situated at her temporary studio in Sumner. The egg is to be part of the Whittaker's Big Egg Hunt.
A photograph of Julia Holden's egg artwork, 'A Shell of Her Former Self', in progress at her temporary studio in Sumner. The egg is to be part of the Whittaker's Big Egg Hunt.
A photograph of Julia Holden's egg artwork, 'A Shell of Her Former Self', in progress at her temporary studio in Sumner. The egg is to be part of the Whittaker's Big Egg Hunt.
A photograph of Julia Holden's egg artwork, 'A Shell of Her Former Self', in progress at her temporary studio in Sumner. The egg is to be part of the Whittaker's Big Egg Hunt.
A photograph of Julia Holden's egg artwork, 'A Shell of Her Former Self', in progress at her temporary studio in Sumner. The egg is to be part of the Whittaker's Big Egg Hunt.
A photograph of Julia Holden's egg artwork with the first layers of paint, situated at her temporary studio in Sumner. The egg is to be part of the Whittaker's Big Egg Hunt.
A photograph of Julia Holden's egg artwork with the first layers of paint, situated at her temporary studio in Sumner. The egg is to be part of the Whittaker's Big Egg Hunt.
A photograph of Julia Holden's egg artwork, 'A Shell of Her Former Self', in progress at her temporary studio in Sumner. The egg is to be part of the Whittaker's Big Egg Hunt.
A photograph of Julia Holden's egg artwork, 'A Shell of Her Former Self', at her temporary studio in Sumner. The egg is to be part of the Whittaker's Big Egg Hunt.
A photograph of Julia Holden's egg artwork, 'A Shell of Her Former Self', at her temporary studio in Sumner. The egg is to be part of the Whittaker's Big Egg Hunt.
A photograph of Julia Holden's egg artwork, 'A Shell of Her Former Self', at her temporary studio in Sumner. The egg is to be part of the Whittaker's Big Egg Hunt.
A photograph of Julia Holden's egg artwork, 'A Shell of Her Former Self', in progress at her temporary studio in Sumner. The egg is to be part of the Whittaker's Big Egg Hunt.
A photo of a friend of Julia Holden's standing with Holden's Big Egg artwork, 'A Shell of Her Former Self', in Cathedral Square. The egg is part of the Whittaker's Big Egg Hunt.
A photo of a friend of Julia Holden's standing with Holden's Big Egg artwork, 'A Shell of Her Former Self', in Cathedral Square. The egg is part of the Whittaker's Big Egg Hunt.
A photo of a friend of Julia Holden's standing with Holden's Big Egg artwork, 'A Shell of Her Former Self', in Cathedral Square. The egg is part of the Whittaker's Big Egg Hunt.
A photograph of Julia Holden's Whittaker's Big Egg Hunt artwork on display at the Auckland Museum. The artwork was on display during a black tie auction where it was auctioned to raise money for the Starship Foundation.
A photograph of painted artworks from the Whittaker's Big Egg Hunt on display at the Auckland Museum. The eggs were on display during a black tie auction where they were sold to raise money for the Starship Foundation.
A photograph of painted artworks from the Whittaker's Big Egg Hunt on display at the Auckland Museum. The eggs were on display during a black tie auction where they were sold to raise money for the Starship Foundation.
The Canterbury earthquake and aftershock sequence in New Zealand during 2010-2011 subjected the city’s structures to a significant accumulated cyclic demand and raised significant questions regarding the low-cycle fatigue demands imposed upon the structures. There is a significant challenge to quantify the level of cumulative demand imposed on structures and to assess the percentage of a structure's fatigue life that has been consumed as a result of this earthquake sequence. It is important to be able to quantify the cumulative demand to determine how a building will perform in a subsequent large earthquake and inform repair and re-occupancy decisions. This paper investigates the cumulative fatigue demand for a structure located within the Christchurch Central Business District (CBD). Time history analysis and equivalent cycle counting methods are applied across the Canterbury earthquake sequence, using key events from September 4th 2010 and February 22nd , 2011 main shocks. The estimate of the cumulative fatigue demand is then compared to the expected capacity of a case study reinforced concrete bridge pier, to undertake a structure-specific fatigue assessment. The analysis is undertaken to approximate the portion of the structural fatigue capacity that has been consumed, and how much residual capacity remains. Results are assessed for recordings at the four Christchurch central city strong motion recording sites installed by the GeoNet programme, to provide an estimate of variation in results. The computed cyclic demand results are compared to code-based design methods and as assessment of the inelastic displacement demand of the reinforcing steel. Results are also presented in a fragility context where a de minimis (inconsequential), irreparable damage and full fatigue fracture are defined to provide a probabilistic assessment of the fatigue damage incurred. This methodology can provide input into the overall assessment of fatigue demands and residual capacity.
The devastating consequences of past events, such as the 2004 Indian Ocean and 2011 Tōhoku tsunamis, emphasise the need for continued improvement in resilience measures. Given that 80% of magnitude 8+ earthquakes occur on the Pacific Rim, New Zealand's tsunami risk is significant. This research develops a novel tsunami inundation model. The proposed model applies equations based on hydraulic principles, including energy conservation (friction loss). While it does not fully replicate hydrodynamic models, it maintains a two-dimensional approach and offers significant improvements over currently implemented simplified methods. It retains excellent computational efficiency (seconds to minutes) while achieving a significant increase in accuracy that is comparable to traditional hydrodynamic models, which typically take hours to days. Calibration of the roughness input variables to hydrodynamic modelling at Gisborne and Christchurch, New Zealand, optimised the model to achieve similarity index values of above 84% for inundation extent, while 77% of inundation depths were within ±1 m and over 93% within ±2 m. This research then produces the first nationally consistent tsunami exposure assessment for New Zealand using a physics-based modelling method. Using probabilistic shoreline wave amplitude data, the study generates high-resolution (10 m) inundation maps for seven return periods (50th and 84th percentiles). These maps are integrated with land cover and infrastructure data to quantify exposure and identify the most vulnerable locations. The results highlight exposure not only to the commonly studied cities but also to several provincial areas. The identification of exposure is the foremost step towards practical resilience efforts; however, understanding specific infrastructure impacts ensures that countermeasures and risk reduction practices are implemented. Therefore, a detailed evaluation of the NZTA Bridge Manual is conducted. Comparisons are made between the NZTA methodology and the rapid model developed in this research. The results reveal a significant overestimation of bridge and culvert exposure by NZTA methods. The study further highlights critical exposure locations for bridge and culvert assets. Flow depths calculated at bridge locations are significantly overestimated using the NZTA method compared to results derived from hydrodynamic modelling and the rapid model. This research then conducts component-level modelling of culvert assets, due to their identified vulnerability in the transportation network. At a 1:15 geometrical scale, laboratory experiments evaluated the response of different culvert set-ups to tsunami bores. The findings provide a detailed description into overtopping, flow regimes and pressure distributions and give laboratory experiments as validation studies for future numerical modelling and design improvements. Overall, this research performs a multi-modal tsunami inundation assessment, uniting macro-level exposure modelling with micro-level component responses by integrating modelling, exposure analysis, and experimental validation. The findings support refining current tsunami guidelines, improving infrastructure planning, and enhancing community preparedness. Overall, the study’s multi-model approach strengthens many elements of New Zealand’s ability to mitigate and respond to future tsunami events