Demolition along Kilmore Street. A digger can be seen as well as a construction worker with a high hat and high-visibility vest. The rubble has been separated into different piles.
A digger being used to clear the rubble from the Convention Centre on Peterborough Street. In the background, the Town Hall can be seen, as well as the Forsyth Barr building.
A photograph of street art by the DTR crew at the Old Railway Goods Shed. The artwork depicts tag writing, as well as renditions of Ryu, Ken, Chun Li, and Guile, from the video game Street Fighter. The characters are in dramatic battle poses with lightning behind them.
Photograph captioned by BeckerFraserPhotos, "The Craig's Investment Partners House looking very dirty after forteen months without the glass being cleaned as well as demolitions happening around it".
An aerial photograph captioned by BeckerFraserPhotos, "A view looking north-west over the central city towards Hagley Park. Hereford Street can be seen in the foreground, as well as Worcester Street running towards the the Christ Church Cathedral. The empty site of the Press Building and Warners hotel can also be seen".
Photograph captioned by BeckerFraserPhotos, "The New York Sandwich Bar in New Regent Street with the door open. The shops in New Regent Street have fared relatively well in the earthquakes. Here, you can see there is still a lot of clean up work to do".
A photograph of residents walking down London Street in Lyttelton. In the background, the earthquake damage to the Ground Culinary Centre can be seen as well as a number of cordon fences.
Damaged buildings along Manchester Street next to Struthers Lane. The front wall of one building has collapsed, exposing the inside. Scaffolding has been erected in front, as well as fencing and road cones cordoning the building off.
A photograph captioned by BeckerFraserPhotos, "Hereford Street. The pamphlets have worn remarkably well for five months in the elements".
Photograph captioned by BeckerFraserPhotos, "The future of Calendar Girls is uncertain, because although it survived the earthquakes well, it is now within the zone called 'The Frame' and may not be deemed to be a suitable use for that zone".
A photograph of street art by DTR on a factory wall depicting two green blob monsters. There is also tag writing in shades of green, blue, and brown, as well as orange text that reads "So live". In front of the artwork, there is a car parked in a parking space.
A photograph of street art by DTR on a factory wall. The art depicts two green blob monsters. There is also tag writing in shades of green, blue, and brown, as well as orange text that reads "So live". In front of the artwork, there is a car parked in a parking space.
The exposed wall of a building on Colombo Street has been painted with a mural advertising Sedley Wells MusicWorks.
A photograph of the entrance way to SAMO Coffee Lounge on Canterbury Street in Lyttelton. A sign on the footpath is advertising the Cafe as well as the Loons.
A photograph of a damaged colourful brick wall at New Brighton mall. There are bricks in front of it spread in a pattern, as well as a coiled up power cable.
Photograph captioned by BeckerFraserPhotos, "The organ in St Bartholomew's Anglican Church in Kaiapoi, the oldest surviving church in Canterbury. The organ has survived the earthquakes well".
Damage to retail buildings on High Street. Shops shown include Burgers & Beers, as well as boutique clothing stores Embassy and Plush. All are cordoned off for safety. A collapsed ceiling is visible through the windows above Burgers & Beers.
The remains of Simply Catering Cafe on the corner of Salisbury and Madras Streets, which have been cordoned off by a safety fence. The business' owners have spray painted on the back wall of the building, "We'll be back". Behind the building an orange tarpaulin can be seen draped over a roof.
The remains of Simply Catering Cafe on the corner of Salisbury and Madras Streets, which have been cordoned off by a safety fence. The business' owners have spray painted on the back wall of the building, "We'll be back". Behind the building an orange tarpaulin can be seen draped over a roof.
A photograph of women sewing felt badges outside the Christchurch City Library in Lyttelton. The felt hearts were a healing outlet during the Canterbury earthquakes. The goal was to create beauty in the midst of chaos, to keep people's hands busy and their minds off the terrifying reality of the earthquakes, as well as to give a gift of love to workers and businesses who helped improve life in Lyttelton.
A photograph of women sewing felt badges outside the Christchurch City Library in Lyttelton. The felt hearts were a healing outlet during the Canterbury earthquakes. The goal was to create beauty in the midst of chaos, to keep people's hands busy and their minds off the terrifying reality of the earthquakes, as well as to give a gift of love to workers and businesses who helped improve life in Lyttelton.
A photograph taken from the top of the BNZ building. The photograph is captioned by BeckerFraserPhotos, "There are workers suspended from a cage about a third of the way up the Pacific Tower as well as a couple of workers on the top penthouse floor. It's hard to see where they are suspended from".
A pile of rubble from a demolished building on Worcester Street. In the background, the partially demolished Warners Hotel can be seen as well as the Novotel and the PricewaterhouseCoopers Building in the distance. A digger and long-reach excavator can also be seen.
Developing a holistic understanding of social, cultural, and economic impacts of disasters can help in building disaster risk knowledge for policy making and planning. Many methods can help in developing an understanding of the impacts of a disaster, including interviews and surveys with people who have experienced disaster, which may be invasive at times and create stress for the participants to relive their experiences. In the past decade, social media, blog posts, video blogs (i.e. “vlogs”), and crowdsourcing mechanisms such as Humanitarian OpenStreetMap and Ushahidi, have become prominent platforms for people to share their experiences and impacts of an event from the ground. These platforms allow for the discovery of a range of impact information, from physical impacts, to social, cultural, and psychological impacts. It can also reveal interesting behavioural information such as their decision to heed a warning or not, as people tend to share their experiences and their reactions online. This information can help researchers and authorities understand both the impacts as well as behavioural responses to hazards, which can then shape how early warning systems are designed and delivered. It can also help to identify gaps in desired behavioural responses. This poster presents a selection of cases identified from the literature and grey literature, such as the Haiti earthquake, the Christchurch earthquake, Hurricane Sandy, and Hurricane Harvey, where online platforms were widely used during and after a disaster to document impacts, experiences, and behavioural responses. A summary of key learnings and areas for future research is provided.