A photograph of an earthquake-damaged shop on the corner of Manchester Street and Struthers Lane, near Sol Square.
A photograph of an earthquake-damaged shop on the corner of Manchester Street and Struthers Lane, near Sol Square.
Photograph captioned by BeckerFraserPhotos, "Struthers Lane".
Photograph captioned by BeckerFraserPhotos, "A view of SOL Square from the top of the Alice in Videoland building on the corner of High Street and Tuam Street".
A photograph of the earthquake damage to a shop on the corner of Manchester Street and Struthers Lane, near Sol Square.
A photograph of the back of a building on SOL Square, seen from the intersection of Manchester Street and Tuam Street.
A photograph of the back of a building on SOL Square, seen from the intersection of Manchester Street and Tuam Street.
A photograph of the back of a building on SOL Square, seen from the intersection of Manchester Street and Tuam Street.
A photograph of the back of a building on SOL Square, seen from the intersection of Manchester Street and Tuam Street.
An aerial photograph captioned by BeckerFraserPhotos, "High, Lichfield, and Manchester Streets intersection".
Photograph captioned by BeckerFraserPhotos, "Struthers Lane".
A photograph looking north up an alleyway on Tuam Street. The alleyway leads to Sol Square. There is a road cone in the middle of the alleyway. The message 'keep out' has been spray-painted on the ground on each side of the cone. In the distance there are bricks from several earthquake-damaged buildings in the alleyway.
Photograph captioned by BeckerFraserPhotos, "Magnum bottle retrieved from Sol Square and on a bin on the Ruben Blades site, corner Lichfield and Manchester Streets".
Photograph captioned by BeckerFraserPhotos, "Magnum bottle retrieved from Sol Square and on a bin on the Ruben Blades site, corner Lichfield and Manchester Streets".
Damaged buildings in the alleyway leading from Tuam Street to Sol Square. Bricks have fallen from parapets, and one building is leaning out into the alleyway.
A photograph captioned by BeckerFraserPhotos, "A view looking towards the Odeon Theatre from the corner of Lichfield and Manchester Streets. SOL Square is on the right".
Photograph captioned by BeckerFraserPhotos, "Struthers Lane".
Photograph captioned by BeckerFraserPhotos, "Looking west across Manchester Street along Tuam Street from Alice in Videoland".
A photograph of the earthquake damage to a shop on the corner of Manchester Street and Struthers Lane, near Sol Square. The inside walls, now visible from the street, have been decorated with graffiti.
Photograph captioned by BeckerFraserPhotos, "Looking west across Manchester Street along Tuam Street from Alice in Videoland".
An aerial photograph captioned by BeckerFraserPhotos, "High and Tuam Streets intersection".
Photograph captioned by BeckerFraserPhotos, "At the entrance to Struthers Lane between 139 and 141 Manchester Street".
Photograph captioned by BeckerFraserPhotos, "A view of Real Groovy from the top of Alice in Videoland".
Photograph captioned by BeckerFraserPhotos, "The striped pole marks the entrance to Struthers Lane, off Manchester Street".
An aerial photograph captioned by BeckerFraserPhotos, "High, Lichfield, and Manchester Streets intersection".
Photograph captioned by BeckerFraserPhotos, "High Street viewed from Alice in Videoland".
An aerial photograph of High Street. The photograph has been captioned by BeckerFraserPhotos, "A detail of High Street between the Lichfield and Manchester Street intersection and the Tuam and Poplar Street intersection".
This thesis revisits the topic of earthquake recovery in Christchurch City more than a decade after the Canterbury earthquakes. Despite promising visions of a community reconnected and a sustainable and liveable city, significant portions of the city’s core – the Red Zone – remain dilapidated and “eerily empty”. At the same time, new developments in other areas have proven to be alienated or underutilised. Currently, the Canterbury Earthquake Recovery Authority’s plans for the rebuilding highlight the delivery of more residential housing to re-populate the city centre. However, prevalent approaches to housing development in Christchurch are ineffective for building an inclusive and active community. Hence, the central inquiry of the thesis is how the development of housing complexes can revitalise the Red Zone within the Christchurch city centre. The inquiry has been carried out through a research-through-design methodology, recognising the importance of an in-depth investigation that is contextualised and combined with the intuition and embodied knowledge of the designer. The investigation focuses on a neglected site in the Red Zone in the heart of Christchurch city, with significant Victorian and Edwardian Baroque heritage buildings, including Odeon Theatre, Lawrie & Wilson Auctioneers, and Sol Square, owned by The Regional Council Environment Canterbury. The design inquiry argues, develops, and is carried through a place-assemblage lens to housing development for city recovery, which recognizes the significance of socially responsive architecture that explores urban renewal by forging connections within the social network. Therefore, place-assemblage criteria and methods for developing socially active and meaningful housing developments are identified. Firstly, this thesis argues that co-living housing models are more focused on people relations and collective identity than the dominant developer-driven housing rebuilds, as they prioritise conduits for interaction and shared social meaning and practices. Secondly, the adaptive reuse of derelict heritage structures is proposed to reinvigorate the urban fabric, as heritage is seen to be conceived as and from a social assemblage of people. The design is realised by the principles outlined in the ICOMOS charter, which involves incorporating the material histories of existing structures and preserving the intangible heritage of the site by ensuring the continuity of cultural practices. Lastly, design processes and methods are also vital for place-sensitive results, which pay attention to the site’s unique characteristics to engage with local stakeholders and communities. The research explores place-assemblage methods of photographic extraction, the drawing of story maps, precedent studies, assemblage maps, bricolages, and paper models, which show an assembly of layers that piece together the existing heritage, social conduits, urban commons and housing to conceptualise the social network within its place.