A photograph of street art on the rear wall of Wicked Campers on Ferry Road, taken from Leeds Street. AMI stadium is visible in the background. The photographer believes that the artist may be '007'.
A photograph of street art on Dyers Pass Road at the Bromley Silvan Salvage wood and demolition yard. The artwork shows a tree in front of blue waves. In the upper left corner are the words: "P.E.E.E.P Trust".
A photograph of street art by the DTR crew between Aldwins Road and Linwood Avenue. The artwork depicts an orange cityscape behind purple tag art. A bike rack and traffic signal are positioned in front of the wall.
A photograph of street art on the rear wall of Wicked Campers on Ferry Road, taken from Leeds Street. AMI stadium is visible in the background. The photographer believes that the artist may be '007'.
A photograph of street art. The artwork is on the wall surrounding Waltham Pool and faces towards Wilsons Road. Behind the pool gate is a pile of building material covered in a tarpaulin and weighted down with tyres.
A photograph of street art on a transformer building in Waltham.
A photograph of street art on a transformer building in Waltham.
A photograph of street art on a transformer building in Waltham.
A photograph of street art on a transformer building in Waltham.
A photograph of street art on Dyers Pass Road at the Bromley wood and demolition yard, Silvan Salvage. The artwork depicts a tree on the left and tag writing on the right. The blue text says "Teaching old logs new tricks" and the white text says "The Silvan Salvage".
A photograph of street art by the DTR crew between Aldwins Road and Linwood Avenue. The artwork depicts an orange city behind purple tag art with DTR's mark on it. The wall with the artwork, is hidden behind a billboard for CPIT, and a bike rack.
A photograph of street art by the DTR crew between Aldwins Road and Linwood Avenue. The artwork depicts an orange cityscape behind purple tag art. The wall with the artwork on it is hidden behind billboards for Smart Real Estate and CPIT. A car is passing through an intersection in front of the artwork.
A photograph of street art on Dyers Pass Road at the Bromley wood and demolition yard, Silvan Salvage. The artwork depicts a tree on the left and tag writing on the right. The blue text says "Teaching old logs new tricks" and the white text says "The Silvan Salvage".
A photograph of colourful street art by the DTR crew between Aldwins Road and Linwood Avenue. The artwork depicts an orange cityscape behind purple tag writing. The wall with the artwork on it is hidden behind a billboard for Smart Real Estate, a roadside bench, and a power box with an Elvis poster on it.
A photograph of colourful street art by the DTR crew between Aldwins Road and Linwood Avenue. The artwork depicts an orange cityscape behind purple tag art. The wall with the artwork on it, is hidden behind billboards for Smart Real Estate and CPIT. Street lights and a car with a "V" advertisement on it are in the foreground.
A photograph of a construction site near the intersection of Black Street and Raven Quay in Kaiapoi.
A photograph of street art on the side of the toilet block at Waltham Park and Pool. The artwork is part of Project Legit.
A photograph of street art on the side of a building at Waltham Park and Pool. The artwork is part of Project Legit.
A photograph of street art on the side of a building at Waltham Park and Pool. The artwork is part of Project Legit.
A photograph of street art on the side of the toilet block at Waltham Park and Pool. The artwork is part of Project Legit.
A photograph of street art at Waltham Park. The artwork is on the outside of the public toilets on Waltham Road.
A photograph of street art on a wall of the Southcore Limited building on Isabella Place.
A photograph of street art on a wall of the Southcore Limited building on Isabella Place.
A research project which presents the traffic and transport planning that has been undertaken to achieve the overarching goal of rebuilding Christchurch, whilst keeping the traffic moving.
A photograph of a section of a piece of street art on a wall of the Southcore Limited building on Isabella Place.
A photograph of a section of a piece of street art on a wall of the Southcore Limited building on Isabella Place.
A photograph of a section of a piece of street art on a wall of the Southcore Limited building on Isabella Place.
The New Zealand city of Christchurch suffered a series of devastating earthquakes in 2010-11 that changed the urban landscape forever. A new rebuilt city is now underway, largely based on the expressed wishes of the populace to see Christchurch return to being a more people-oriented, cycle-friendly city that it was known for in decades past. Currently 7% of commuters cycle to work, supported by a 200km network of mostly conventional on-road painted cycle lanes and off-road shared paths. The new "Major Cycleways" plan aims to develop approximately 100km of high-quality cycling routes throughout the city in 5-7 years. The target audience is an unaccompanied 10-year-old cycling, which requires more separated cycleways and low-volume/speed "neighbourhood greenways" to meet this standard. This presentation summarises the steps undertaken to date to start delivering this network. Various pieces of research have helped to identify the types of infrastructure preferred by those currently not regularly cycling, as well as helping to assess the merits of different route choices. Conceptual cycleway guidelines have now been translated into detailed design principles for the different types of infrastructure being planned. While much of this work is based on successful designs from overseas, including professional advice from Dutch practitioners, an interesting challenge has been to adapt these designs as required to suit local road environments and road user expectations. The first parts of the new network are being rolled out now, with the hope that this will produce an attractive and resilient network for the future population that leads to cycling being a major part of the local way of life.
A photograph of street art in the central city. The artwork depicts an excited blue alien positioned next to the letters "DTR!". Next to that, is artwork depicting Doctor Who and his Tardis. Above, is pink tag text with a Dalek in it. A section of the path in front of the artwork is sectioned off by road barriers.
This article reports on research conducted in Christchurch, New Zealand, after the 22 February 2011 earthquake. This quake and thousands of subsequent aftershocks have left the city of Christchurch with serious infrastructure damage to roads, sewage supply, housing and commercial buildings. The emergence of a vibrant art and craft movement in the Christchurch region post earthquake has been an unexpected aspect of the recovery process. The article begins with a review of the literature on traditional responses to disaster recovery illustrating how more contemporary approaches are community-focused. We review the links between crafting and well-being, and report on qualitative research conducted with five focus groups and nine individuals who have contributed to this movement in Christchurch. The findings illustrate the role crafting has played post earthquake, in terms of processing key elements of the disaster for healing and recovery, creating opportunities for social support; giving to others; generating learning and meaning making and developing a vision for the future. The data analysis is underpinned by theory related to post-traumatic growth and ecological concerns. The role of social work in promoting low-cost initiatives such as craft groups to foster social resilience and aid in the recovery from disaster trauma is explored. This discussion considers why such approaches are rare in social work.