It's five years since the earthquake, and for the first time I feel a sense that the rebuild is taking effect.
As the fourth anniversary of the earthquake which devastated Christchurch approaches, the slow pace of the rebuild has surprised many. But how quickly have other earthquake hit cities returned to their former glory? Radio New Zealand Christchurch reporter, Rachel Graham, visited Japan for an Insight documentary to compare the progress made in the Sendai area, almost four years after it was hit by a magnitude 9 earthquake and a mega tsunami. She also visited Kobe to look at the impact on that city, and the lessons learnt, 20 years after it was hit by a major earthquake.
A pdf copy of a presentation which SCIRT presented to Red Cross volunteers, telling them about what SCIRT is and what it does.
An article published in the August/September 2015 issue of BRANZ Build magazine. It summarises SCIRT's approach to innovation management and suggests some areas for improvement.
A photograph of a lamp post on the Mandeville Bridge in Kaiapoi. The lamp post has an intricate metal sign attached to it, which includes the name of the bridge.
A photograph of street art on the wall of S&S Warehouse between Brighton Mall and Hawke Street. It depicts a fantasy landscape.
Beware the darkness, children, for there be monsters We love to characterise the dark as something to be feared, the territory of nightmares, of ghouls and ghosts and things that go bump. In our collective psyche it belongs to the … Continue reading →
Regarded as Christchurch’s oldest home, this two storey farm cottage was built in 1851-2 for Mr. Parkerson, a surgeon. It was built with 600 mm thick scoria stone blocks quarried from Lyttelton and roofed with Welsh slate. The layout of this cottage … Continue reading →
So much of the archaeology that we deal with on a daily basis, particularly from an artefacts perspective, is associated with the everyday domestic lives of Christchurch’s 19th century residents that it becomes quite easy to forget about the other … Continue reading →
We’ve talked about food in the 19th century before on the blog, but we’ve mostly focused on the weird and wonderful (because, let’s face it, therein lies the fun stuff). In reality, a lot of food in the 19th century … Continue reading →
It's five years since the earthquake, and for the first time I feel a sense that the rebuild is taking effect. In this photo - the left hand building is on the way up, and the right hand building is on the way down.
Late in 2014 we were contacted by contractors working on a rebuild project in Christchurch’s city centre. It was reported that a number of bottles had been uncovered during routine earthworks and the area cordoned off until our arrival. The bottles … Continue reading →
An article from the Media Studies Journal of Aotearoa New Zealand Volume 14, Number 1. The article is titled, "www.useless.com: crisis communications on shaky ground". It was written by Kris Vavasour.
As the study of human history, it comes as no surprise that archaeology can be an exercise in contradictions. Humans are, after all, complex and paradoxical creatures. From a material culture perspective, one of the most obvious and frustrating incongruities … Continue reading →
When it comes to personal fragrance (continuing on from our post a couple of weeks ago), exactly which perfumes and deodorants we choose to wear can reveal a lot about us, as individuals and as a society. How we define … Continue reading →
An article from the Media Studies Journal of Aotearoa New Zealand Volume 14, Number 1. The article is titled, "Quake Aftermath: Christchurch journalists' collective trauma experience and the implications for their reporting". It was written by Sean Scanlon.
In writing an introduction to this post, I found myself straying unexpectedly into alliteration. This happens sometimes. I decided to run with it. So, as an aside from our accustomed analysis of antiquity, we’ve assembled an array of artefacts for the the … Continue reading →
A photograph of street art by the DTR crew at Waltham Park and Pool. The artwork depicts white and green tag writing, and the DTR Crew's signature below it.
An article from the Media Studies Journal of Aotearoa New Zealand Volume 14, Number 1. The article is titled, "Heroic Radio: a study of radio responses in the immediate aftermath of the September 2010 Earthquake in Christchurch, New Zealand". It was written by Ruth Zanker.
There has been little discussion of what archival accounting evidence can contribute to an understanding of a society’s response to a natural disaster. This article focuses on two severe earthquakes which struck New Zealand in 1929 and 1931 and makes two main contributions to accounting history. First, by discussing evidence from archival sources, it contributes to the literature on accounting in a disaster. This provides a basis for future theory building and for future comparative research related to the response to more recent natural disasters such as the 2010–11 Canterbury earthquakes. Secondly, it questions the conclusions of recently published research concerning the role of central and local government in this and recent earthquakes.
A photograph of street art on the side of a building between Brighton Mall and Hawke Street. At the base of the artwork is a block with the message "Sign of the Kiwi" painted on it.
It's five years since the earthquake, and for the first time I feel a sense that the rebuild is taking effect. 113/115 - Natural Framing. In the middle of the rebuild, wall murals are everywhere is Christchurch. The framing is wire fence around ballet dancer, although there is plenty of evidence of framing/boxing around the foundations.
A photograph of street artwork painted on a box on the corner of Madras Street and St Asaph Street. The artwork depicts a person in a beret hanging on to the edge of the painting, pulling it down to reveal a blue sky.
A photograph of street artwork painted on a box on the corner of Madras Street and St Asaph Street. The artwork depicts a person in a beret hanging on to the edge of the painting, pulling it down to reveal a blue sky.
A photograph of street artwork painted on a box on the corner of Madras Street and St Asaph Street. The artwork depicts a person in a beret hanging on to the edge of the painting, pulling it down to reveal a blue sky.
A photograph of street artwork painted on a box on the corner of Madras Street and St Asaph Street. The artwork depicts a person in a beret hanging on to the edge of the painting, bringing it down to reveal a blue sky.
A photograph of street art on the side of a house. The artwork shows plants, kowhai flowers, two tui, and their eggs. There is a stepladder on the right-hand side of the artwork and spray paint cans on the ground in front of it.
An article from the Media Studies Journal of Aotearoa New Zealand Volume 14, Number 1. The article is titled, "Against the Odds: community access radio broadcasting during the Canterbury earthquakes, some reflections on Plains FM 96.9". It was written by Brian Pauling and Nicki Reece.
A photograph of a woman wearing overalls covered in paint. She is holding a spray-paint can in each of her hands. There is a painted wall depicting two tui behind her, with four more spray-paint cans on the ground in front of it.
An article from the Media Studies Journal of Aotearoa New Zealand Volume 14, Number 1. The article is titled, "Social Media, Crisis Mapping and the Christchurch Earthquakes of 2011". It was written by Abi Beatson, Angi Buettner, and Tony Schirato.