One trophy made from a can attached to a wooden base issued to SCIRT as a thank you for participating in Canstruction Christchurch. Features a custom printed label which celebrates teamwork in place of the usual nutritional information.
A photograph of an exhibition sign next to the 'Quilt for Christchurch', in the Canterbury Quakes exhibition at the Canterbury Museum. The quilt was created by members of the public who sent squares to The Breeze radio station in Auckland.
20131231_8484_EOS M-22 Quake City exhibit Another city walk around, this time with my brother-in-law from Auckland. Also went to the Quake City exhibition in the city organised by the Canterbury Museum. First fine day for a while. #4502
20131231_8503_EOS M-22 From Cashel Street Another city walk around, this time with my brother-in-law from Auckland. Also went to the Quake City exhibition in the city organised by the Canterbury Museum. First fine day for a while. #4504
This article examines the representation of Christchurch, New Zealand, student radio station RDU in the exhibition Alternative Radio at the Canterbury Museum in 2016. With the intention of ‘making visible what is invisible’ about radio broadcasting, the exhibition articulated RDU as a point of interconnection between the technical elements of broadcasting, the social and musical culture of station staff and volunteers, and the broader local and national music scenes. This paper is grounded in observations of the exhibitions and associated public programmes, and interviews with the key participants in the exhibition including the museum's exhibition designer and staff from RDU, who acted as independent practitioners in collaboration with the museum. Alternative Radio also addressed the aftermath of the major earthquake of 22 February 2011, when RDU moved into a customised horse truck after losing its broadcast studio. The exhibition came about because of the cultural resonance of the post-quake story, but also emphasised the long history of the station before that event, and located this small student radio station in the broader heritage discourse of the Canterbury museum, activating the historical, cultural, and personal memories of the station's participants and audiences.
A photograph of a quilt on display in the Canterbury Quakes exhibition at the Canterbury Museum. The quilt was created by members of the public who sent squares to The Breeze radio station in Auckland to be part of the 'Quilt for Christchurch'.
One white hard hat with a SCIRT logo at the front.
One orange High Viz vest with a SCIRT logo on the front.
A photograph of an exhibition sign about a skateboard video filmed on Christchurch's damaged streets. The video was part of the Canterbury Quakes exhibition at the Canterbury Museum.
One interactive model which demonstrates how different types of pipes perform in an earthquake.
20131231_8511_EOS M-22 Forsyth Barr building for sale, under the archway Another city walk around, this time with my brother-in-law from Auckland. Also went to the Quake City exhibition in the city organised by the Canterbury Museum. First fine day for a while. #4507
Lyttelton was hit harder than most by the Christchurch earthquakes - particularly the Lyttelton Museum. But now it's back - triumphantly, we may say! - with a little help from its friends, past and present. Key historical figures in Lyttelton's history are brought back to life in a new exhibition by Julia Holden - Lyttelton Redux - which has just opened at Canterbury Museum.
One framed certificate issued to SCIRT in 2013 to mark winning The Press Champion Canterbury Supreme Award in the Medium-Large Enterprise category.
20131231_8509_EOS M-22 Forsyth Barr building with remains of PWC just behind the green fence (across river) Another city walk around, this time with my brother-in-law from Auckland. Also went to the Quake City exhibition in the city organised by the Canterbury Museum. First fine day for a while. #4506
One silver medal awarded to SCIRT in October 2013 from the Institution of Civil Engineers in the United Kingdom in recognition of the excellent in civil engineering. Includes storage case and explanation sheet.
One green and yellow soft sculpture kakapo with wire feet, stuffed body and black plastic eyes. Has an attached card naming the bird Little Ra and explaining it is part of the 'Journey - The Kakapo of Christchurch' project by artist Sayraphim Lothian.
Museums around the world are often affected by major catastrophes, and yet planning for these disasters is an often neglected aspect of museum practice. New Zealand is not immune from these events, as can be seen in the recent series of serious earthquakes in Christchurch in 2010 and 2011. This dissertation considers how prepared the New Zealand museum sector is to handle unexpected events that negatively affect its buildings, staff, operations and treasured collections. The central research question was: What is the overall state of emergency planning in the New Zealand museum sector? There was a significant gap in the literature, especially in the local context, as there has been only one other comparable study conducted in Britain, and nothing locally. This dissertation makes a valuable contribution to the field of museum studies by drawing on theory from relevant areas such as crises management literature and by conducting original empirical research on a topic which has received little attention hitherto. The research employed a number of methods, including a review of background secondary sources, a survey and interviews. After contextualising the study with a number of local examples, Ian online survey was then developed an which enabled precise understanding of the nature of current museum practices and policies around emergency planning. Following this I conducted several interviews with museum professionals from a variety of institutional backgrounds which explored their thoughts and feelings behind the existing practices within the industry. The findings of the research were significant and somewhat alarming: almost 40% of the museum and galleries in New Zealand do not have any emergency plan at all, and only 11% have what they considered ‘complete’ plans. The research revealed a clear picture of the current width and depth of planning, as well as practices around updating the plans and training related to them. Within the industry there is awareness that planning for emergencies is important, but museum staff typically lack the knowledge and guidance needed to conduct effective emergency planning. As a result of the analysis, several practical suggestions are presented aimed at improving emergency planning practices in New Zealand museums. However this study has implications for museum studies and for current museum practice everywhere, as many of the recommendations for resolving the current obstacles and problems are applicable anywhere in the world, suggesting that New Zealand museums could become leaders in this important area.
One green koru shaped trophy issued to SCIRT in 2013 to mark winning The Press Champion Canterbury Supreme Award in the Medium-Large Enterprise category. Includes storage box, envelope and leaflet.
One limited edition poster with tube and information sheet. The poster has initial letters of the cities of New Zealand arranged to form an outline of the country. All are printed in black, except the 'C' of Christchurch which stands out in red. "United We Stand, 22 Feb 2011, 12.51pm" is printed in black. Poster commemorates the 2011 Christchurc...
20131231_8504_EOS M-22 Looking up Cashel Street Another city walk around, this time with my brother-in-law from Auckland. Also went to the Quake City exhibition in the city organised by the Canterbury Museum. First fine day for a while. For 36 years I worked in a now gone building where that red car is parked (on the left). and would have wa...
20131231_8513_EOS M-22 The chocolate double decker Another city walk around, this time with my brother-in-law from Auckland. Also went to the Quake City exhibition in the city organised by the Canterbury Museum. First fine day for a while. This bus is used as a chocolate restaurant, and is parked next to the Pallet Pavilion on the site of th...
One polyester, pink and purple patterned tie left as an earthquake tribute at the Canterbury Television site and collected on 21 October 2013.
A PDF copy of pages 336-337 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Green Frame Exhibition'.
One circular metal and plastic badge featuring an image of a girl and the words 'We [heart] you Weng'. This personalised badge featuring an image of a girl and a personal message of love, was left at the site of the Canterbury Television (CTV) building after the 22 February 2011 earthquake. It was most likely left in commemoration of someone wh...
One black wristband with the words ‘Band 4 Hope’ machine inscribed. These wristbands were designed as a fundraiser following the 22 February 2011 earthquake. This wristband was left as a tribute at the Canterbury Television (CTV) building which collapsed during the 22 February 2011 earthquake killing 115 people. It is one of three identical bla...
One black wristband with the words ‘Band 4 Hope’ machine inscribed. These wristbands were designed as a fundraiser following the 22 February 2011 earthquake. This wristband was left as a tribute at the Canterbury Television (CTV) building which collapsed during the 22 February 2011 earthquake killing 115 people. It is one of three identical bla...
One black wristband with the words ‘Band 4 Hope’ machine inscribed. These wristbands were designed as a fundraiser following the 22 February 2011 earthquake. This wristband was left as a tribute at the Canterbury Television (CTV) building which collapsed during the 22 February 2011 earthquake killing 115 people. It is one of three identical bla...
One red cap with Hawkes Bay softball logo at centre front; cap has been has been decorated with signatures and messages from the Hawkes Bay Under-19s Softball Team. This red cap, featuring the logo of the Hawkes Bay under 19s softball team, has been decorated with signatures and messages. The cap was left at the Canterbury Television (CTV) site...
One red wristband with the words ‘Band 4 Hope’ machine inscribed. These wristbands were designed as a fundraiser following the 22 February 2011 earthquake. This wristband was left as a tribute at the Canterbury Television (CTV) building which collapsed during the 22 February 2011 earthquake killing 115 people. It is the only red wristband left ...
One pair of Mizuno track and field shoes, size UK 9 1/2, in blue, yellow and grey. Amongst the items left at the site of the Canterbury Television (CTV) building, which collapsed during the 22 February 2011 earthquake, was this pair of shoes. They may have been left in remembrance of someone who died in the building or perhaps for someone to us...