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Images for China; more images...

Images, UC QuakeStudies

A photograph of boxes of broken china stored in a bedroom.Crack'd for Christchurch comments, "May 2011, Crack'd has been going for a month. The china begins to collect in our spare room. It often arrived covered in liquefaction and broken glass, food and mud, and it was incredibly bulky. It had to be cleaned, sorted, but not broken down, before it was stored."

Images, UC QuakeStudies

A photograph of members of Crack'd for Christchurch in their workshop in the Christchurch central city. In the background there are boxes of broken china.Crack'd for Christchurch comments, "From left: Shirley Walden and Marie Hudson."

Images, UC QuakeStudies

A photograph of members of Crack'd for Christchurch, who have been breaking up pieces of china.Crack'd for Christchurch comments, "September 2011. Another cracking day, one year after the first earthquake. From left: Marie Hudson, Robyn Black, and Sharon Wilson."

Images, UC QuakeStudies

A photograph of a workstation in Crack'd for Christchurch's workshop. The workstation includes pieces of broken china, a pair of cutters for breaking up china, a plastic container to hold china pieces, and two mosaic plans. One of the plans has a piece of mesh laid over the top. The other is being used to lay out the mosaic.Crack'd for Christchurch comments, "Marie begins the very first flower. It is so difficult and time consuming that we are all in despair. Will this take forever? No-one is getting paid and we all have jobs and lives in some chaos thanks to the earthquakes."

Images, UC QuakeStudies

A photograph of Helen Campbell and Sigal Golan making mosaic leaves out of pieces of broken china.Crack'd for Christchurch comments, "In March an Israeli mosaicker travelling through New Zealand stayed with Helen for a week and gave us her time for free. Thank you Sigal Golan."

Research papers, Lincoln University

Memorial design in the West has been explored in depth (Stevens and Franck, 2016; Williams, 2007), and for landscape architects it presents opportunities and challenges. However, there is little in the English language literature about memorial design in China. How have Chinese designers responded to the commemorative settings of war and disaster? This study will adopt the method of case study to analyse two of the most representative memorials in China: Nanjing Massacre Memorial Hall (war) and Tangshan Earthquake Memorial Hall (disaster). Both landscapes have undergone three or four renovations and extensions in the last four decades, demonstrating the practical effects of the Chinese landscape theory. These examples of responses to trauma through memorial landscape interventions are testimonies to the witnesses, victims, abusers, ordinary people, youth and the place where the tragedy took place. This study will explore the reconstruction and expansion of the two memorials under the background of China's policies on memorial landscapes in different periods, as well as their functions of each stage. The research will examine how existing Chinese memorial theories exhibit unique responses at different times in response to the sadness and needs experienced by different users. Key Words：memorial landscape; memorial language; victims; descriptive; architecture; experence; disaster; memorial hall; landscape development; Chinese memorial; war.