A photograph of a temporary house in Rawhiti Domain.
An audio documentary created by Kris Vavasour about the multitude of challenge the musicians, performers and venue owners in Lyttelton face in the aftermath of the Canterbury earthquakes. All songs are from the 'Harbour Union' album (2011), in alphabetical order: 'Even Keel' (Lindon Puffin); 'Ghost of this Town' (Marlon Williams); 'How Lucky You Are' (Delaney Davidson & Marlon Williams); 'Human Enough' (Lindon Puffin); 'It's So Good' (Delaney Davidson); 'Little Mountain Town' (Marlon Williams); 'Rocking Bell' (Adam McGrath); 'The Waterside' (Adam McGrath).
A photograph of a street of temporary housing in Rawhiti Domain.
A photograph of a street of temporary housing in Rawhiti Domain.
A photograph of a street of temporary housing in Rawhiti Domain.
A PDF copy of pages 240-241 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'UCSA Events Centre'. Photos: Douglas Horrell
A photograph of a man and a child laying concrete at the site of the Gap Filler Community Chess project.
A photograph of students from the Student Volunteer Army and Entré with University of Canterbury Vice-Chancellor Rod Carr.
A PDF copy of pages 232-233 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'SVA - The Clean Up'. Photos: Peter Walker, Three Chairs Photography. With permission from Volunteer Army Foundation.
A photograph of the outdoor seating area of the Samo Lyttelton cafe.
A pdf copy of the third introductory panel of Guy Frederick's 'The Space Between Words' exhibition. The panel includes discussion on how Frederick and others in Canterbury responded to the 2010 and 2011 Canterbury earthquakes.
Seismic retrofitting of unreinforced masonry buildings using posttensioning has been the topic of many recent experimental research projects. However, the performance of such retrofit designs in actual design level earthquakes has previously been poorly documented. In 1984 two stone masonry buildings within The Arts Centre of Christchurch received posttensioned seismic retrofits, which were subsequently subjected to design level seismic loads during the 2010/2011 Canterbury earthquake sequence. These 26 year old retrofits were part of a global scheme to strengthen and secure the historic building complex and were subject to considerable budgetary constraints. Given the limited resources available at the time of construction and the current degraded state of the steel posttension tendons, the posttensioned retrofits performed well in preventing major damage to the overall structure of the two buildings in the Canterbury earthquakes. When compared to other similar unretrofitted structures within The Arts Centre, it is demonstrated that the posttensioning significantly improved the in-plane and out-of-plane wall strength and the ability to limit residual wall displacements. The history of The Arts Centre buildings and the details of the Canterbury earthquakes is discussed, followed by examination of the performance of the posttension retrofits and the suitability of this technique for future retrofitting of other historic unreinforced masonry buildings. http://www.aees.org.au/downloads/conference-papers/
A photograph of a woman standing in the entrance of a temporary house in Rawhiti Domain.
A photograph of University of Canterbury Vice-Chancellor Rod Carr writing a message on a brick pathway in Churchill Park.
A photograph of volunteers preparing the site for Foamapalooza.
I want to talk a bit about a media project that I started work on over the summer, which is part of a larger project the Faculty of Law at Canterbury is carrying out, investigating the many legal issues that have arisen from the earthquakes.
A photograph of a customer reading a newspaper in the Samo Lyttelton cafe.
A photograph of a staff member behind the counter at the Samo Lyttelton cafe.
A photograph of volunteers holding the foam blocks which will be used to create Foamapalooza.
A photograph of the 'Thinking Outside the Square' installation in the window of the Beggs Music building on Colombo Street.
A photograph of the 'Thinking Outside the Square' installation in the window of the Beggs Music building on Colombo Street.
A photograph of the 'Thinking Outside the Square' installation in the window of the Beggs Music building on Colombo Street.
A PDF copy of pages 130-131 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'CityView AR'. Photo with permission: HITLABNZ
A photograph of the seating area at the Samo Lyttelton cafe. In the background is a view of Lyttelton Harbour.
A photograph of students from the Student Volunteer Army and Entré with a sign reading, 'Churchill Park'.
A photograph of foam blocks and tires stacked on wooden pallets on the site of Foamapalooza.
A photograph of volunteers preparing the site for Foamapalooza. In the foreground, a sign describes the project.
A photograph of All Black Richie McCaw and Student Volunteer Army Founder Sam Johnson cutting vegetables.
A PDF copy of pages 342-343 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Christchurch: See Through My Eyes (UNICEF Children's Photographs)'. UNICEF Children's Photos as supplied by Canterbury Museum and Jacqui Southey
A photograph of a musician performing at the Lyttelton Petanque Club.