The "Tree of Hope" at the River of Flowers event held in Riccarton Bush, commemorating the second anniversary of the 22 February earthquake. The photographer comments, "Luggage labels and pens were supplied, and people were encouraged to write a message of hope for Christchurch and tie it to the tree. Although the turn-out this year was just as big as last year's, there were not as many messages tied to the tree - perhaps we're all feeling less hopeful this year".
A photograph of members of the Wellington Emergency Management Office Emergency Response Team standing in front of an earthquake-damaged building on Lichfield Street. A section of the roof and the façade on the top storey of the building have collapsed and the bricks and other rubble have spilled onto the footpath and street below. USAR codes have been spray-painted on one of the bottom-storey windows and the front door.
A photograph of the Wellington Emergency Management Office Emergency Response Team posing for a photograph on Lichfield Street. In the background is the earthquake-damaged John Burns & Co. Ltd Building. The top storey of the side wall of the building has collapsed and the rubble has spilled into the car park below. Several cars which were crushed by the falling rubble have been stacked next to the building.
A photograph of the earthquake damage to the Iconic Bar and the former Christchurch City Council offices on Manchester Street. The outer walls of the Council offices and the top storey of Iconic have collapsed, exposing the insides of the buildings. The bricks and other rubble have been cleared from the footpath in front. USAR codes have been spray-painted next to the entrance of Iconic.
A photograph of the earthquake-damaged Stone Chamber of the Canterbury Provincial Council Buildings on Durham Street North. Large sections of the Chamber have collapsed and the masonry and other rubble has spilled onto the footpath in front. To the left scaffolding constructed up the side of the building has also collapsed and twisted out of shape. Wire fences have been placed along the side of the building as a cordon.
A photograph of the earthquake damage to The Volcano Café on London Street. The brick wall on the left side of the building has crumbled, and the bricks have spilt onto the footpath. A red sticker on the door indicates that the building is no longer safe to enter. Plywood has been used to board up the windows and wire fencing has been placed around the building as a cordon.
A photograph of the earthquake damage to the Iconic bar on the corner of Manchester and Gloucester Streets. Large sections of the outer walls have collapsed, the bricks and masonry spilling onto the footpath below, crushing several cars. USAR codes have been spray-painted near the door and a red sticker has been taped above. The red sticker indicates that the building is unsafe to enter.
A photograph of the earthquake-damaged Our City O-Tautahi Building on the corner of Worcester Street and Oxford Terrace. Steel bracing has been placed against the building to secure the brick walls. The bracing is supported by large concrete blocks. Wire fences have also been placed around the bottom of the building as a cordon. Scaffolding has been erected around the tower to the right.
People write messages for the "Tree of Hope" at the River of Flowers event held in Riccarton Bush, commemorating the second anniversary of the 22 February earthquake. The photographer comments, "Luggage labels and pens were supplied, and people were encouraged to write a message of hope for Christchurch and tie it to the tree. Although the turn-out this year was just as big as last year's, there were not as many messages tied to the tree - perhaps we're all feeling less hopeful this year".
The University of Canterbury's E-Learning team's temporary office in the James Hight building. The photographer comments, "First looks at our new temporary (maybe) office space. Our group will stay here until April or May 2011, then will move to another floor in the Central Library. Foyer lifts etc. Female toilets are off the foyer to the left. These lifts start at Level 2 of the Library, and are heavily used by students. (Once the building is repaired after the earthquake; several floors are still in a mess)".
A photograph of a map used by emergency management personnel to inspect buildings after the 22 February 2011 earthquake. The map is of central Christchurch. Almost all of the blocks outside four streets (Moorhouse Avenue, Oxford Terrace, Kilmore Street, and Barbadoes Street) have been highlighted in yellow. Latimer Square has also been highlighted. A message written at the top of the map reads, "Query pile checked by dogs".
A photograph of the earthquake damage to Café Valentino on Colombo Street. The façade of the closest section of the building has collapsed and the bricks have spilled onto the awning below. The same section of the awning has broken under the weight of the bricks and is resting against the ground. Bricks and other rubble cover the other sections of the awning and have spilled onto the footpath and street in the distance.
A photograph of the earthquake damage to the Carlton Hotel on the corner of Papanui Road and Bealey Avenue. The wall of the top storey of the building has crumbled, and bricks have fallen onto the footpath. Wire fencing, road cones, and cordon tape have been placed around the building as a cordon. Scaffolding and steel bracing can be seen against the front of the building.
Abstract This study provides a simplified methodology for pre-event data collection to support a faster and more accurate seismic loss estimation. Existing pre-event data collection frameworks are reviewed. Data gathered after the Canterbury earthquake sequences are analysed to evaluate the relative importance of different sources of building damage. Conclusions drawns are used to explore new approaches to conduct pre-event building assessment.
During the 21st century, New Zealand has experienced increasing public concern over the quality of the design and appearance of new developments, and their effects on the urban environment. In response to this, a number of local authorities developed a range of tools to address this issue, including urban design panels to review proposals and provide independent advice. Following the 2010 and 2011 Canterbury earthquake sequence, the commitment to achieve high quality urban design within Christchurch was given further importance, with the city facing the unprecedented challenge of rebuilding a ‘vibrant and successful city’. The rebuild and regeneration reinforced the need for independent design review, putting more focus and emphasis on the role and use of the urban design panel; first through collaboratively assisting applicants in achieving a better design outcome for their development by providing an independent set of eyes on their design; and secondly in assisting Council officers in forming their recommendations on resource consent decisions. However, there is a perception that urban design and the role of the urban design panel is not fully understood, with some stakeholders arguing that Council’s urban design requirements are adding cost and complexity to their developments. The purpose of this research was to develop a better understanding on the role of the Christchurch urban design panel post-earthquake in the central city; its direct and indirect influence on the built environment; and the deficiencies in the broader planning framework and institutional settings that it might be addressing. Ultimately, the perceived role of the Panel is understood, and there is agreement that urban design is having a positive influence on the built environment, albeit viewed differently amongst the varying groups involved. What has become clear throughout this research is that the perceived tension between the development community and urban design well and truly exists, with the urban design panel contributing towards this. This tension is exacerbated further through the cost of urban design to developers, and the drive for financial return from their investments. The panel, albeit promoting a positive experience, is simply a ‘tick box’ exercise for some, and as the research suggests, groups or professional are determining themselves what constitutes good urban design, based on their attitude, the context in which they sit and the financial constraints to incorporate good design elements. It is perhaps a bleak time for urban design, and more about building homes.
A photograph of Celia Wade-Brown, Mayor of Wellington, speaking at a graduation ceremony for more than 40 new civil defence volunteers in the Wellington Town Hall. Members of the Wellington Emergency Management Office team were presented certificates of appreciation during this event. The certificates were presented to the members to honour their involvement in the emergency response to the 22 February 2011 earthquakes in Christchurch.
A photograph of the earthquake damage to the Country Theme store on the corner of Manchester and St Asaph Streets. Sections of the second storey walls have crumbled, and the bricks have fallen onto the footpath below. Wire fences have been placed around the building as a cordon. Red stickers on the front door and the wire fence indicate that the building is not safe to enter.
On the 22nd of February, 2011 the city of Christchurch, New Zealand was crippled by a colossal earthquake. 185 people were killed, thousands injured and what remained was a city left in destruction and ruin. Thousands of Christchurch properties and buildings were left damaged beyond repair and the rich historical architecture of the Canterbury region had suffered irreparably. This research will conduct an investigation into whether the use of mixed reality can aid in liberating Christchurch’s rich architectural heritage when applied to the context of destructed buildings within Christchurch. The aim of this thesis is to formulate a narrative around the embodiment of mixed reality when subjected to the fragmentary historical architecture of Christchurch. Mixed reality will aspire to act as the defining ligature that holds the past, present and future of Christchurch’s architectural heritage intact as if it is all part of the same continuum. This thesis will focus on the design of a memorial museum within a heavily damaged historical trust registered building due to the Christchurch earthquake. It is important and relevant to conceive the idea of such a design as history is what makes everything we know. The memories of the past, the being of the now and the projection of the future is the basis and fundamental imperative in honouring the city and people of Christchurch. Using the technologies of Mixed Reality and the realm of its counter parts the memorial museum will be a definitive proposition of desire in providing a psychological and physical understanding towards a better Christchurch, for the people of Christchurch. This thesis serves to explore the renovation possibilities of the Canterbury provincial council building in its destructed state to produce a memorial museum for the Christchurch earthquake. The design seeks to mummify the building in its raw state that sets and develops the narrative through the spaces. The design intervention is kept at a required minimum and in doing so manifests a concentrated eloquence to the derelict space. The interior architecture unlocks the expression of history and time encompassed within a destructive and industrialised architectural dialogue. History is the inhabitant of the building, and using the physical and virtual worlds it can be set free. This thesis informs a design for a museum in central Christchurch that celebrates and informs the public on past, present and future heritage aspects of Christchurch city. Using mixed reality technologies the spatial layout inside will be a direct effect of the mixed reality used and the exploration of the physical and digital heritage aspects of Christchurch. The use of technology in today’s world is so prevalent that incorporating it into a memorial museum for Christchurch would not only be interesting and exploratory but also offer a sense of pushing forward and striving beyond for a newer, fresher Christchurch. The memorial museum will showcase a range of different exhibitions that formulate around the devastating Christchurch earthquake. Using mixed reality technologies these exhibitions will dictate the spaces inside dependant on their various applications of mixed reality as a technology for architecture. Research will include; what the people of Canterbury are most dear to in regards to Christchurch’s historical environment; the use of mixed reality to visualise digital heritage, and the combination of the physical and digital to serve as an architectural mediation between what was, what is and what there could be.
Background: Up to 6 years after the 2011 Christchurch earthquakes, approximately one-third of parents in the Christchurch region reported difficulties managing the continuously high levels of distress their children were experiencing. In response, an app named Kākano was co-designed with parents to help them better support their children’s mental health. Objective: The objective of this study was to evaluate the acceptability, feasibility, and effectiveness of Kākano, a mobile parenting app to increase parental confidence in supporting children struggling with their mental health. Methods: A cluster-randomized delayed access controlled trial was carried out in the Christchurch region between July 2019 and January 2020. Parents were recruited through schools and block randomized to receive immediate or delayed access to Kākano. Participants were given access to the Kākano app for 4 weeks and encouraged to use it weekly. Web-based pre- and postintervention measurements were undertaken. Results: A total of 231 participants enrolled in the Kākano trial, with 205 (88.7%) participants completing baseline measures and being randomized (101 in the intervention group and 104 in the delayed access control group). Of these, 41 (20%) provided full outcome data, of which 19 (18.2%) were for delayed access and 21 (20.8%) were for the immediate Kākano intervention. Among those retained in the trial, there was a significant difference in the mean change between groups favoring Kākano in the brief parenting assessment (F1,39=7, P=.012) but not in the Short Warwick-Edinburgh Mental Well-being Scale (F1,39=2.9, P=.099), parenting self-efficacy (F1,39=0.1, P=.805), family cohesion (F1,39=0.4, P=.538), or parenting sense of confidence (F1,40=0.6, P=.457). Waitlisted participants who completed the app after the waitlist period showed similar trends for the outcome measures with significant changes in the brief assessment of parenting and the Short Warwick-Edinburgh Mental Well-being Scale. No relationship between the level of app usage and outcome was found. Although the app was designed with parents, the low rate of completion of the trial was disappointing. Conclusions: Kākano is an app co-designed with parents to help manage their children’s mental health. There was a high rate of attrition, as is often seen in digital health interventions. However, for those who did complete the intervention, there was some indication of improved parental well-being and self-assessed parenting. Preliminary indications from this trial show that Kākano has promising acceptability, feasibility, and effectiveness, but further investigation is warranted. Trial Registration: Australia New Zealand Clinical Trials Registry ACTRN12619001040156; https://www.anzctr.org.au/Trial/Registration/TrialReview.aspx?id=377824&isReview=true
In the wake of the Canterbury earthquakes, one of the biggest threats to our heritage buildings is the risk of earthquakes and the associated drive to strengthen or demolish buildings. Can Small Town NZ balance the requirements of the EQPB legislation and economic realities of their places? The government’s priority is on safety of building occupants and citizens in the streets. However, maintaining and strengthening privately-owned heritage buildings is often cost prohibitive. Hence, heritage regulation has frequently been perceived as interfering with private property rights, especially when heritage buildings occupy a special place in the community becoming an important place for people (i.e. public benefits are larger than private). We investigate several case studies where building owners have been given green light to demolish heritage listed buildings to make way for modern developments. In two of the case studies developers provided evidence of unaffordable strengthening costs. A new trend that has emerged is a voluntary offer of contributing to an incentive fund to assist with heritage preservation of other buildings. This is a unique example where private owners offer incentives (via council controlled organisations) instead of it being purely the domain of the central or local governments.
A photograph of Fred Mecoy, the Wellington City Council's Emergency Preparedness Manager, speaking at a graduation ceremony for more than 40 new civil defence volunteers in the Wellington Town Hall. Members of the Wellington Emergency Management Office team were presented certificates of appreciation during this event. The certificates were presented to the members to honour their involvement in the emergency response to the 22 February 2011 earthquakes in Christchurch.
A photograph looking east down Gloucester Street from near the Manchester Street intersection. Members of the Wellington Emergency Management Office Emergency Response Team and construction workers are walking down the street. To their right is the new Press House building with many broken windows. In the foreground, the Coachman building has sustained earthquake damage to the façade. Wire fences have been placed around the building as a cordon.
A photograph of members of the Wellington Emergency Management Office Emergency Response Team examining an earthquake-damaged building on Acton Street. The closest section of the outer wall has collapsed, and the bricks and other rubble have fallen onto the pavement in front. A boat which was being stored inside has toppled over and is now sticking out of the building. Several cars, also stored inside the building, are visible.
A scanned copy of a photograph of the garden of Di Madgin's former home in the Red Zone, taken before the earthquakes. She describes the scene in the photograph as, "This is the courtyard that we made, to have an eating place at the back of the house. The tree in the neighbours' was a tree that Pete's brother stole on a school trip up in the mountains from a national park. They planted this red beech in the garden. It became the neighbourhood bird tree and the sound was fantastic in the evenings."
An aerial photograph looking west over the Arts Centre and Christ's College towards Hagley Park. The photograph has been captioned by BeckerFraserPhotos, "At the centre of this photo is a group of heritage stone buildings. Canterbury Museum and Christ's College were extensively earthquake strengthened prior to the EQs and re-opened to the public relatively quickly. The Arts Centre is undergoing extensive renovations. Hagley Park and the Botanic Gardens provide a richly colourful surrounding to these historic buildings".
A photograph of the earthquake damage to R&R Sport on the corner of Colombo and Tuam Streets. Most of the side wall has crumbled, the bricks spilling onto the footpath below. Plywood and plastic sheeting has been used to weather proof the building. Wire fencing and road cones have been placed around the building as a cordon. A cherry picker is parked on the footpath in between the building and the fence.
A photograph of a block of earthquake-damaged rooms at Stonehurst Accommodation on Gloucester Street. The bottom storey of the block has collapsed and the remaining rooms are now resting on an incline. The front walls of these rooms have also collapsed and the rubble has spilled in to the courtyard in front. Cordon tape has been draped across the courtyard in front of the rubble. To the left there is a car parked amongst the rubble.
A photograph of a make-shift toilet in the Christchurch Art Gallery. A sign behind it reads, "Portaloos Department. We know that 80,000 people need loos. We have 900-1800 available or coming, We don't need to be told people need loos. Thank you. We're number one with your number twos!". Signs below this read, "Toilet Occupied", "Toilet Vacant" and, "In Tray". The Art Gallery was used as the temporary headquarters for Civil Defence after the 22 February 2011 earthquake.
A photograph of a map used by emergency management personnel to inspect buildings after the 22 February 2011 earthquake. The map is of the block bordered by Barbadoes Street, Worcester Street, Gloucester Street, and Fitzgerald Avenue. Many of the buildings have been highlighted in blue, with some smaller buildings highlighted in orange. Two blocks of buildings have been outlined in dark-blue felt-tip pen. Numbers and messages have been written on the map with biro.
A photograph of the earthquake-damaged buildings and rubble on Colombo Street near the intersection of St Asaph Street. The walls of the top storey of the buildings to the left have crumbled, and bricks and other rubble have fallen onto the footpath and road below. Wire fencing and police tape have been placed across the street as a cordon. An excavator from Daniel Smith Industries Ltd is parked in front of the fence.