Detail of spray painted codes on a gate outside a house, left after it had been cleared by a USAR team. This system was used following the February earthquake to mark buildings that have been checked.
A photograph of a sign on a shop window reading, "We're open! Spruce up underway, not quake related! Exciting new paint job coming soon!". The photograph is captioned by BeckerFraserPhotos, "New Regent Street".
The damaged Sumner Surf Lifesaving Club building. The rear of the building has been demolished, and spray-painted notices on the walls read "No entry, not safe" and "No parking, not safe".
Damage to a block of flats, with silt from liquefaction around the footpath, and road cones outside the property. The fence has been spray painted with the words "All units damaged. Keep out".
A faded sign reading, 'McCormic Reapers & Binders' painted onto the side of a brick building, revealed by the demolition of the adjoining building. Wooden pallets have been placed at the front of the building.
Damage to the front entrance of the Knox Church. The building has been spray-painted with USAR codes. In the background is a row of damaged buildings where the front walls have fallen onto the footpath.
The entrance to the CMS House on Victoria Street has been spray painted after it was cleared by a USAR team. This system was used following the February earthquake to mark buildings that have been checked.
The window of Kum Pun Thai Restaurant on Victoria Street has been spray painted after it was cleared by a USAR team. This system was used following the February earthquake to mark buildings that have been checked.
A man stands next to a garage spray painted with codes left after the property was cleared by a USAR team. This system was used following the February earthquake to mark buildings that have been checked.
Damage to a block of flats, with silt from liquefaction around the footpath, and road cones outside the property. The fence has been spray painted with the words "All units damaged. Keep out".
A brick fence has been spray painted after the building was cleared by a USAR team. This system was used following the February earthquake to mark buildings that have been checked. Seen through the cordon fence.
A demolition site with the words "No Go" spray painted on a fence that has been mostly demolished. Demolition rubble is still contained within the grounds. A portaloo can be seen on the footpath.
A photograph of Julia Holden's egg with the first layers of paint, situated at her temporary studio in Sumner. The egg is to be part of the Whittaker's Big Egg Hunt.
A photograph of a portrait of Rebecca Harris, painted by Julia Holden. The portrait was from a 'selfie' provided by Rebecca, and was part of Julia Holden's exhibition, 'its like now'.
A photograph of a portrait of Sarah Anderson, painted by Julia Holden. The portrait was from a 'selfie' provided by Sarah, and was part of Julia Holden's exhibition, 'its like now'.
A photograph of a portrait of Felicity Milburn, painted by Julia Holden. The portrait was from a 'selfie' provided by Felicity, and was part of Julia Holden's exhibition, 'its like now'.
A photograph of a portrait of Eve Barlow, painted by Julia Holden. The portrait was from a 'selfie' provided by Eve, and was part of Julia Holden's exhibition, 'its like now'.
A photograph of a portrait of Natalia Saegusa, painted by Julia Holden. The portrait was from a 'selfie' provided by Natalia, and was part of Julia Holden's exhibition, 'its like now'.
A photograph of a portrait of Chris Archer, painted by Julia Holden. The portrait was from a 'selfie' provided by Chris, and was part of Julia Holden's exhibition, 'its like now'.
A photograph of a portrait of Neil Dawson, painted by Julia Holden. The portrait was from a 'selfie' provided by Neil, and was part of Julia Holden's exhibition, 'its like now'.
A photograph of a portrait of Liv Worsnop, painted by Julia Holden. The portrait was from a 'selfie' provided by Liv, and was part of Julia Holden's exhibition, 'its like now'.
A photograph of a portrait of Bridget Kelly, painted by Julia Holden. The portrait was from a 'selfie' provided by Bridget, and was part of Julia Holden's exhibition, 'its like now'.
A photograph of a portrait of Alex Wootton, painted by Julia Holden. The portrait was from a 'selfie' provided by Alex, and was part of Julia Holden's exhibition, 'its like now'.
A photograph of a portrait of Rosalee Jenkin, painted by Julia Holden. The portrait was from a 'selfie' provided by Rosalee, and was part of Julia Holden's exhibition, 'its like now'.
A photograph of a portrait of Michael Purdie, painted by Julia Holden. The portrait was from a 'selfie' provided by Michael, and was part of Julia Holden's exhibition, 'its like now'.
A photograph of a portrait of Vicki Piper, painted by Julia Holden. The portrait was from a 'selfie' provided by Vicki, and was part of Julia Holden's exhibition, 'its like now'.
A photograph of a portrait of Philip Trusttum, painted by Julia Holden. The portrait was from a 'selfie' provided by Philip, and was part of Julia Holden's exhibition, 'its like now'.
A photograph of a train painted on a concrete block in a retaining wall, alongside the words, "The gravy train". The photograph is captioned by BeckerFraserPhotos, "Cunningham Terrace, Lyttelton".
A photograph of an opera singer singing the words "Cera, cera", painted on a concrete block in a retaining wall. The photograph is captioned by BeckerFraserPhotos, "Cunningham Terrace, Lyttelton".
A photograph of a portrait of Audrey Baldwin, painted by Julia Holden. The portrait was from a 'selfie' provided by Audrey, and was part of Julia Holden's exhibition, 'its like now'.