The "Lyttelton Review" newsletter for 5 November 2012, produced by the Lyttelton Harbour Information Centre.
An entry from Deb Robertson's blog for 8 January 2013 entitled, "Venturing into the central city....".
An entry from Ruth Gardner's Blog for 20 June 2014 entitled, "Doctor's Discussion".
A copy of the CanCERN online newsletter published on 10 February 2012
An entry from Deb Robertson's blog for 20 February 2012 entitled, "Looking back...".
Replica chimney comprising a chimney pot atop a lightweight brick chimney. The chimney is contextualised by a portion of slate roof, guttering and bricked house exterior below.
A white painted woven circular basket that flares out gently towards the top where it joins a woven oval shaped handle. A clear plastic sheet has been tied to the interior of the basket.
Two pink and two purple artificial fabric roses with plastic stems and fabric leaves tied together with pink metallic string. The pink flowers have additional plastic leaves with white bead like additions.
A pink and two purple artificial fabric roses with plastic stems and fabric leaves tied together with pink metallic string. The purple flowers has additional plastic leaves with white bead like additions.
A pink and a purple artificial fabric flowers with plastic stems and fabric leaves tied together with pink metallic string. The purple flower has additional plastic leaves with white bead like additions.
A model of the ChristChurch Transitional Cathedral made predominantly out of laser cut and engraved coloured acrylic as well as timber dowels to represent the cardboard tubes.
Glass vase with scalloped rim which flares out from base. The lower portion of the vase is cut in with vertical lines and the upper portion decorated in relief with leaves and flowers. Vase is dirty.
One white hard hat with a SCIRT logo at the front.
One orange High Viz vest with a SCIRT logo on the front.
This study uses 44 high quality liquefaction case histories taken from 22 locations affected by the 2010-2011 Canterbury earthquake sequence to evaluate four commonly used CPT-VS correlations (i.e., Robertson, 2009; Hegazy and Mayne, 2006; Andrus et al., 2007; McGann et al., 2015b). Co-located CPT soundings and VS profiles, developed from surface wave testing, were obtained at 22 locations and case histories were developed for the Mw 7.1, 4 September 2010 Darfield and Mw 6.2, 22 February 2011 Christchurch earthquakes. The CPT soundings are used to generate VS profiles using each of four CPT-VS correlations. These correlated VS profiles are used to estimate the factor of safety against liquefaction using the Kayen et al. (2013) VS-based simplified liquefaction evaluation procedure. An error index is used to quantify the predictive capabilities of these correlations in relation to the observations of liquefaction (or the lack thereof). Additionally, the error indices from the CPT-correlated VS profiles are compared to those obtained using: (1) the Kayen et al. (2013) procedure with surface wave-derived VS profiles, and (2) the Idriss and Boulanger (2008) CPT-based liquefaction evaluation procedure. Based on the error indices, the evaluation procedures based on direct measurements of either CPT or VS provided more accurate liquefaction triggering estimates than those obtained from any of the CPT-VS correlations. However, the performance of the CPT-VS correlations varied, with the Robertson (2009) and Hegazy and Mayne (2006) correlations performing relatively poorly for the Christchurch soils and the Andrus et al. (2007) and McGann et al. (2015b) correlations performing better. The McGann et al. (2015b) correlation had the lowest error indices of the CPT-VS correlations tested, however, none of the CPT-VS correlations provided accurate enough VS predictions to be used for the evaluation of liquefaction triggering using the VS-based liquefaction evaluation procedures.
It is no secret that there is a problem with the suburb of Aranui. Developed in the 1950s, Aranui and neighbouring Wainoni are an example of the large-scale, state-funded subdivisions of the time, yet, unlike similar developments in the North Island, they have received little to no attention from researchers. In light of the recent Canterbury earthquakes, this dissertation aims to trace the evolution of these suburbs until the 1970s and act as the first stage of a more comprehensive review of state housing and the Aranui/Wainoni area. By critically reviewing existing literature on state housing and housing policy in New Zealand, as well as undertaking archival research, this dissertation addresses the international influences on state housing in New Zealand generally and the development of the Aranui and Wainoni area more specifically in order to provide a foundation for answering the question, "What went so wrong?"
The organisation was founded after the Canterbury earthquake to mobilise students to help with the clean up. A student based initiative at the University of Canterbury, that supports and contributes volunteer work to all spheres of the community through disaster relief and community projects. Includes history, events, information on projects, how to become involved and how one can support.
Lyttelton was hit harder than most by the Christchurch earthquakes - particularly the Lyttelton Museum. But now it's back - triumphantly, we may say! - with a little help from its friends, past and present. Key historical figures in Lyttelton's history are brought back to life in a new exhibition by Julia Holden - Lyttelton Redux - which has just opened at Canterbury Museum.
This article explores the scope of small-scale radio to create an auditory geography of place. It focuses on the short-term art radio project The Stadium Broadcast, which was staged in November 2014 in an earthquake-damaged sports stadium in Christchurch, New Zealand. Thousands of buildings and homes in Christchurch have been demolished since the February 22, 2011, earthquake, and by the time of the broadcast the stadium at Lancaster Park had been unused for three years and nine months, and its future was uncertain. The Stadium Broadcast constructed a radio memorial to the Park’s 130-year history through archival recordings, the memories of local people, observation of its current state, and a performed site-specificity. The Stadium Broadcast reflected on the spatiality of radio sounds and transmissions, memory, postdisaster transitionality, and the impermanence of place.
A photograph captioned by BeckerFraserPhotos, "Damage to the Crichton Cobbers Youth and Community Club on Fitzgerald Avenue".
An entry from Jennifer Middendorf's blog for 4 September 2011 entitled, "One Year On".
An entry from Jennifer Middendorf's blog for 19 March 2012 entitled, "Time to catch up".
A story submitted by Michelle Paterson to the QuakeStories website.
A photograph captioned by BeckerFraserPhotos, "Damage to the Crichton Cobbers Youth and Community Club on Fitzgerald Avenue".
A photograph captioned by BeckerFraserPhotos, "Damage to the Crichton Cobbers Youth and Community Club on Fitzgerald Avenue".
Transcript of Jessica Lovell's earthquake story, captured by the UC QuakeBox project.
Transcript of Libi Carr's earthquake story, captured by the UC QuakeBox project.
Transcript of Gabrielle Moore's earthquake story, captured by the UC QuakeBox project.
Transcript of Sharon Heads's earthquake story, captured by the UC QuakeBox project.
Transcript of R C Norman's earthquake story, captured by the UC QuakeBox project.