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Images for London; more images...

Images, UC QuakeStudies

A photograph of a sign on the window of a fish and chip shop on London Street in Lyttelton. The sign reads, "Sorry we can't open. I want to work but they tell me not safe and may be 6 months or more. I am sad I need to work. Everybody has big problem so sorry for you and me. Keep safe. Phyong fish and chip owner".

Images, UC QuakeStudies

The book launch for "The Shaken Heart Booklet", a collection of interviews with members of the Lyttelton Community put together by Sue-Ellen Sandilands (left), Bettina Evans (middle) and Jen Kenix (right). The event was held at the Lyttelton Pentanque Club, a Gap Filler project on the site of the Ground Culinary Centre on London Street. In the background, members of the public are also making wool medals to celebrate the achievements of the community after the earthquake.

Articles, UC QuakeStudies

Caption reads: "I lived in London all through the Blitz, you get used to these things. Living here after the earthquakes didn’t bother me. I had a small battery operated radio and the neighbour lent me her generator. Initially I used it to run the fridge but after a while I couldn’t get it started. I don’t want to move, to be quite honest. There’s nothing that will be able to replace the life I built here."

Videos, UC QuakeStudies

A video of an interview with Shaun Gladwell, a London-based artist, about the sculptures he designed for the Christchurch central city. Gladwell talks about how the sculptures are based on skateboard forms and have been designed to be used by skateboarders. He also talks about being inspired by YouTube videos of Christchurch skateboarders who used the damaged landscape in Christchurch as a skate park after the 22 February 2011 earthquake. The video includes clips from some of these YouTube videos.

Audio, Radio New Zealand

Professor Lucy Easthope is one of the world's foremost disaster planners. Her first major job in emergency planning was responding to 9/11 and since then, her career has covered almost every major disaster; the Boxing Day tsunami, the London bombings, the Christchurch earthquakes, the Fukushima nuclear disaster, Malaysia Airlines Flight 17 shot down over Ukraine, the Grenfell Tower fire, Covid-19 and many more. It's her job to help get the bodies identified, repatriate survivors, return personal effects, look after the bereaved, and advise governments for the future. She speaks to Kathryn about her memoir, When the Dust Settles: Stories of Love, Loss and Hope from an Expert in Disaster.

Audio, Radio New Zealand

Topics - The Parole Board has decided that Teina Pora should be released from prison. Pora has served 21 years of a life sentence for murdering and raping Susan Burdett in Auckland in 1992. He continues to protest his innocence, and he'll appear before the Privy Council in London at the end of the year in an effort to clear his name. A coroner's report criticises almost every aspect of the Fire Service's response to the CTV building collapse that killed 115 people in the February 2011 Christchurch earthquake. Gordon Matenga says more people, more resources, better communication and a better structure might have improved the chances of saving more lives that day.

Research papers, The University of Auckland Library

Between September 4, 2010 and December 23, 2011, a series of earthquakes struck the South Island of New Zealand including the city of Christchurch producing heavy damage. During the strongest shaking, the unreinforced masonry (URM) building stock in Christchurch was subjected to seismic loading equal to approximately 150-200% of code values. Post-earthquake reconnaissance suggested numerous failures of adhesive anchors used for retrofit connection of roof and floor diaphragms to masonry walls. A team of researchers from the Universities of Auckland (NZ) and Minnesota (USA) conducted a field investigation on the performance of new adhesive anchors installed in existing masonry walls. Variables included adhesive type, anchor diameter, embedment length, anchor inclination, and masonry quality. Buildings were selected that had been slated for demolition but which featured exterior walls that had not been damaged. A summary of the deformation response measured during the field tests are presented. AM - Accepted Manuscript

Research papers, Victoria University of Wellington

Urban Ensembles explores the way in which landscape and architecture can be employed together within the design of a steep, urban site. Lyttelton is a small port town on the border of Christchurch, settled in the foothills of a harbour formed by a major volcanic eruption. This rugged setting, with steeply sloping urban terrain, presents an interesting challenge when designing an urban development. The site was badly damaged in a series of earthquakes in 2010-2011, and many of the town’s oldest buildings, heritage structures dating back to the colonial settlement era, were destroyed. This has left a void in the heart of Lyttelton, and caused the loss of much of the tourism business that the town relies upon for its income. This thesis takes a methodological approach to the design of landscape architecture on such a challenging site. A range of techniques are explored, drawing from both landscape and architecture to explore the roles that each discipline plays in the design of urban spaces. The frequent imbalance between disciplines is addressed both through the literature review and design method, as this landscape architecture thesis draws on architectural design as a tool for generating spaces which fall somewhere in between the two ideals of interior and exterior. The final design proposal is an alternative rebuild plan for the central business area to the south of London St, and also addresses the relationships between that site and the surrounding context, both urban and environmental. The aim of this design is to create a series of interconnected spaces which have a strong relationship to the surrounding harbour setting, and also to facilitate development of the pedestrian spaces throughout the block and encouraging the development of activity at the street level, through the interface between buildings and landscape.