Photograph captioned by BeckerFraserPhotos, "A family walking past Scorpio Books (now in Cashel Mall Re:Start) soon after the cordon opened up this piece of Hereford Street".
A view down Cashel Mall, which has been cordoned off from the public. Damaged buildings and rubble can be seen down the street. The Grand Chancellor Hotel can be seen in the background.
A view down Cashel Mall, which has been cordoned off from the public. Damaged buildings and rubble can be seen down the street. The Westpac building can be seen in the background.
A photograph of a temporary installation titled Highlight in the Re:START mall car park on Cashel Street. There are images projected onto the sides of the installation. Highlightwas created by students from Unitec Architecture Department for Canterbury Tales - a carnivalesque procession which was the main event of FESTA 2013.
An aerial photograph of the central city blocks bounded by Colombo Street, Hereford Street, Cashel Street, and High Street.
A photograph of Mike Hewson's artwork, 'Deconstruction', being installed on the walkway between Ballantyne's and the former bus exchange building.
A photograph of a mural painted on wooden boards erected on an empty site in central Christchurch. The mural is part of Art Beat.
A view down Cashel Street, with the Crossing building and the Westpac building in the background. Taken on a day when a walkway was opened up between Re:Start Mall and Cathedral Square to allow temporary public access.
A close-up photograph of a temporary installation titled Highlight in the Re:START mall car park on Cashel Street. There are images projected onto the sides of the installation. The installation was created by students from Unitec Architecture Department for Canterbury Tales - a carnivalesque procession which was the main event of FESTA 2013.
A photograph of a detail of Mike Hewson's installation 'View from the Studio' in Re:Start Mall. An outline of the cathedral's tower is sketched on plywood, accompanied by the words, "Mike Hewson 2012. 'View From Studio'. (We should try keep some part of the cathedral rather than just demo-ing it)".
Decribes the new Re:Start village project in the Cashel Mall, which housing business previously located in Christchurch’s central city. Includes a directory of retailers, events, photographs, information about parking and access, and Christchurch central city news.
Photograph captioned by BeckerFraserPhotos, "At the end of the day, these workers on the Hotel Grand Chancellor take a ride back to ground".
A view down Cashel Street. The Crossing building can be partially seen and the Westpac building is in the background. Taken on a day when a walkway was opened up between Re:Start Mall and Cathedral Square to allow temporary public access.
A view down Cashel Street. The Crossing building can be partially seen and the Westpac building is in the background. Taken on a day when a walkway was opened up between Re:Start Mall and Cathedral Square to allow temporary public access.
Page 4 of Section A of the Christchurch Press, published on Saturday 26 February 2011.
A PDF copy of pages 340-341 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Quake City'. Photos courtesy of Canterbury Museum
A photograph of The Knight, a large-scale puppet. The puppet is in the Re:START mall car park on Cashel Street. The puppet is part of Canterbury Tales, the main event of FESTA 2013.
Fallen potplants and jumbled paving bricks outside Stewart Dawsons in Cashel Mall. A public walkway down Colombo Street to a small viewing area in the Square was opened up for a few weekends to allow the public to see inside the Red Zone.
A PDF copy of pages 330-331 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Social Soup'. Photos: Joel Cocks
A close-up photograph of The Knight, a large-scale puppet. The puppet is in the Re:START mall car park on Cashel Street. The puppet is part of Canterbury Tales, the main event of FESTA 2013.
Photograph captioned by BeckerFraserPhotos, "Eleven merged images of Christchurch looking south from the roof of the Ibis Hotel in Hereford Street".
Photograph captioned by BeckerFraserPhotos, "Area around Colombo Street between Cathedral Square (lower right) and Moorhouse Avenue".
A PDF copy of pages 364-365 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Deconstruction'.
Photograph captioned by BeckerFraserPhotos, "Westpac building (centre), Radio Networks House (lower left), Pacific Tower (right) and Novotel hotel (extreme right) and Cathedral roof behind it".
One of the defining images of the Christchurch earthquake has been the photo of an ash covered Shane Tomlin, pulled alive from a bakery in Cashel Mall. His mother Doreen Tomlin, says she only realised her son had been rescued when she saw his photo on the front page of The Press.
A photograph submitted by Philip Broderick Willis to the QuakeStories website. The description reads, "We took this photo over a year after the quake. It was in a red-stickered restaurant in Cashel Mall. You can see exactly what the people in this building were doing on Feb 22.".
A snapshot from GPS Boomerang's SmartBird flight over the Christchurch red zone on 23 December 2012, looking over Hereford Street with the Re:Start container mall visible in the bottom right, Oxford Terrace to the left. The buildings at the end of Cashel Street near Oxford Terrace have been demolished.
A photograph of Mike Hewson's artwork, 'Deconstruction', on the walkway between Ballantyne's and the former bus exchange building. The photograph is taken from an angle such that the artwork gives the illusion that the walkway is transparent.
A photograph of Mike Hewson's artwork, 'Deconstruction', on the walkway between Ballantyne's and the former bus exchange building. The photograph is taken from beneath the walkway, so that the distorted perspective which enables the illusion can be seen.
A PDF copy of pages 32-33 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'View From the Studio'. Photo: Andrew Hewson