An image designed for use as a web button. The image depicts two 'All Righties' catching up over coffee. The image is usually accompanied by the text, "When was your last mate date?".
An image designed for use as a web button. The image depicts an 'All Rightie' listening to music and dancing. The image is usually accompanied by the text, "Had a good boogie lately?".
A PDF copy of a two posters designed for Christchurch's Samoan speaking communities. The posters are from phase 1 of All Right? Campaign, which sought to normalise emotional experiences in post-quake Christchurch.
A PDF copy of a poster designed for Christchurch's Mandarin speaking communities. The poster is from phase 1 of the All Right? campaign, which sought to normalise emotional experiences in post-quake Christchurch.
A PDF copy of a poster designed for Christchurch's Gaelic speaking communities. The poster is from phase 1 of the All Right? campaign, which sought to normalise emotional experiences in post-quake Christchurch.
A PDF copy of the designs for the 'Canterbury Rollercoaster' fridge magnets that were available from the All Right? website. The 'Canterbury Rollercoaster' was designed to raise awareness about emotional literacy in Canterbury.
A PDF copy of a poster designed for Christchurch's Korean speaking communities. The poster is from phase 1 of the All Right? campaign, which sought to normalise emotional experiences in post-quake Christchurch.
An image designed for use as a web button. The image depicts two 'All Righties' carrying a couch together. The image is usually accompanied by the text, "Shown a mate you care lately?".
While societal messages can encourage an unhealthy strive for perfection, the notion of embracing individual flaws and openly displaying vulnerabilities can appear foreign and outlandish. However, when fallibility is acknowledged and imperfection embraced, intimate relationships built on foundations of acceptance, trust and understanding can be established. In an architectural context, similar deep-rooted connections can be formed between a people and a place through the retention of layers of historical identity. When a building is allowed to age with blemishes laid bare for all to see, an architectural work can exhibit a sense of 'humanising vulnerability' where the bruises and scars it bears are able to visually communicate its contextual narrative. This thesis explores the notion of designing to capitalise on past decay through revitalisation of the former Wood Brothers Flour Mill in Addington, Christchurch (1891). Known as one of the city's last great industrial buildings, the 130-year-old structure remains hugely impressive due to its sheer size and scale despite being abandoned and subject to vandalism for a number of years. Its condition of obsolescence ensured the retention of visible signs of wear and tear in addition to the extensive damage caused by the 2010-12 Canterbury earthquakes. In offering a challenge to renovation and reconstruction as a means of conservation, this thesis asks if 'doing less' has the potential to 'do more'. How can an understanding of architecture as an ongoing process inform a design approach to celebrate ageing and patina? While the complex is undergoing redevelopment at the time of writing, the design project embraces the condition of the historic buildings in the immediate aftermath of the earthquakes and builds upon the patina of the mill and adjacent flour and grain store in developing a design for their adaptation as a micro-distillery. Research into the traditional Japanese ideology of wabi-sabi and its practical applications form the basis for a regenerative design approach which finds value in imperfection, impermanence and incompleteness. The thesis combines a literature review, precedent review and site analysis together with a design proposal. This thesis shows that adaptive reuse projects can benefit from an active collaboration with the processes of decay. Instead of a mindset where an architectural work is considered the finished article upon completion of construction, an empathetic and sensitive design philosophy is employed in which careful thought is given to the continued preservation and evolution of a structure with the recognition that evidence of past wear, tear, patina and weathering can all contribute positively to a building's future. In this fashion, rather than simply remaining as relics of the past, buildings can allow the landscape of their urban context to shape and mould them to ensure that their architectural experience can continue to be enjoyed by generations to come.
A PDF copy of pages 152-153 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'The Arcades Project'. Drawings and Photos: Andrew Just, F3 Design, LIVS
The Canterbury earthquakes of 2010 and 2011 caused significant damage and disruption to the city of Christchurch, New Zealand. A Royal Commission was established to report on the causes of building failure as a result of the earthquakes as well as look at the legal and best-practice requirements for buildings in New Zealand Central Business Districts. The Royal Commission made 189 recommendations on a variety of matters including managing damaged buildings after an earthquake, the adequacy of building codes and standards, and the processes of seismic assessments of existing buildings to determine their earthquake vulnerability. In response the Ministry of Business, Innovation and Employment, the agency responsible for administering building regulation in New Zealand, established a work programme to assist with the Canterbury rebuild and to implement the lessons learned throughout New Zealand. The five primary work streams in the programme are: • Facilitating the Canterbury Rebuild • Structural Performance and Design Standards • Geotechnical and structural guidance • Existing Building Resilience • Post Disaster Building Management This paper provides more detail on each of the work streams. There has been significant collaboration between the New Zealand Government and the research community, technical societies, and engineering consultants, both within New Zealand and internationally, to deliver the programme and improve the resilience of the New Zealand built environment. This has presented major challenges for an extremely busy industry in the aftermath of the Canterbury earthquakes. The paper identifies the items of work that have been completed and the work that is still in progress at the time of writing.
Designing a structure for higher- than-code seismic performance can result in significant economic and environmental benefits. This higher performance can be achieved using the principles of Performance-Based Design, in which engineers design structures to minimize the probabilistic lifecycle seismic impacts on a building. Although the concept of Performance-Based Design is not particularly new, the initial capital costs associated with designing structures for higher performance have historically hindered the widespread adoption of performance-based design practices. To overcome this roadblock, this research is focused on providing policy makers and stakeholders with evidence-based environmental incentives for designing structures in New Zealand for higher seismic performance. In the first phase of the research, the environmental impacts of demolitions in Christchurch following the Canterbury Earthquakes were quantified to demonstrate the environmental consequences of demolitions following seismic events. That is the focus here. A building data set consisting of 142 concrete buildings that were demolished following the earthquake was used to quantify the environmental impacts of the demolitions in terms of the embodied carbon and energy in the building materials. A reduced set of buildings was used to develop a material takeoff model to estimate material quantities in the entire building set, and a lifecycle assessment tool was used to calculate the embodied carbon and energy in the materials. The results revealed staggering impacts in terms of the embodied carbon and energy in the materials in the demolished buildings. Ongoing work is focused developing an environmental impact framework that incorporates all the complex factors (e.g. construction methodologies, repair methodologies (if applicable), demolition methodologies (if applicable), and waste management) that contribute to the environmental impacts of building repair and demolition following earthquakes.
A Gap Filler mini-golf site made out of recycled materials. This hole was situated on Manchester Street on an empty demolition site. Gap Filler volunteers and community groups designed and installed mini-golf holes on vacant sites around the central business district.
A plan which describes how SCIRT will manage the coordination of utility authority liaison and utility relocation or protection during the design and construction phases of the rebuild schedule. The first version of this plan was produced on 15 November 2011.
Page 2 of Section A of the Christchurch Press, published on Saturday 18 August 2012.
A PDF copy of The Star newspaper, published on Wednesday 8 August 2012.
Page 5 of Section A of the Christchurch Press, published on Tuesday 31 July 2012.
Page 2 of Section A of the Christchurch Press, published on Thursday 16 August 2012.
Page 4 of Section A of the Christchurch Press, published on Friday 17 August 2012.
Page 6 of Section A of the Christchurch Press, published on Tuesday 14 August 2012.
Page 3 of Section A of the Christchurch Press, published on Thursday 2 August 2012.
Page 1 of Section C of the Christchurch Press, published on Saturday 1 March 2014.
Page 2 of Section A of the Christchurch Press, published on Wednesday 12 March 2014.
Page 4 of Section A of the Christchurch Press, published on Friday 5 December 2014.
Page 4 of Section A of the Christchurch Press, published on Wednesday 18 July 2012.
Page 2 of Section A of the Christchurch Press, published on Friday 3 August 2012.
Page 7 of Section A of the Christchurch Press, published on Wednesday 8 August 2012.
Photos taken in Lyttelton on April 15 showing the demolition of the Volcano Cafe, the Lava Bar, Lyttelton Fisheries and the coastal living design store following the February 22 earthquake. File reference: CCL-2011-04-15-London-Street-Demolition-IMG_0156 From the collection of
Photos taken in Lyttelton on April 15 showing the demolition of the Volcano Cafe, the Lava Bar, Lyttelton Fisheries and the coastal living design store following the February 22 earthquake. File reference: CCL-2011-04-15-London-Street-Demolition-IMG_0157 From the collection of
Photos taken in Lyttelton on April 15 showing the demolition of the Volcano Cafe, the Lava Bar, Lyttelton Fisheries and the coastal living design store following the February 22 earthquake. File reference: CCL-2011-04-15-London-Street-Demolition-IMG_0158 From the collection of