
A photograph of a child's painting attached to a cordon fence. The photograph is captioned by Paul Corliss, "Manchester and Tuam Streets, botanical preservation site".
A photograph of a child's painting attached to a cordon fence. The photograph is captioned by Paul Corliss, "Manchester and Tuam Streets, botanical preservation site".
'Cappuccino dreams'. Christchurch mayoral candidates Jim Anderton and incumbent mayor Bob Parker tell constituents that they will get respectively more transparency in 'financial dealings' and in 't-shirts'. As the earthquake strikes they continue their electioneering until they are told to 'clear orf' because 'these frames lack substance'. A front-end loader begins to dismantle the structure from which they are speaking. Refers to the local body elections to take place 9th October and the Canterbury earthquake of 4th September. Published in the Presto Quantity: 1 digital cartoon(s).
Three men chat in a pub. One of them reads a newspaper article about the Mayor of Christchurch, Bob Parker, who commented that he was scared of earthquakes when in Wellington. All three drinkers would rather be in Wellington than trapped beside Bob Parker at a dinner table. Context: Christchurch's Mayor has told the Emergency Management Conference he's scared to be in Wellington. He gave graphic descriptions of the Christchurch earthquakes, getting people to bang on the tables for 45 seconds so they could see what it felt like. Quantity: 1 digital cartoon(s).
A PDF copy of pages 58-59 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Port-A-Loos on the Pine Mound'. Photo: Elizabeth Peacock
A video of an interview with Julia Morison, a Christchurch-based artist, about her sculptures in a vacant site on the Christchurch central city. The artwork, titled 'Tree Houses for Swamp Dwellers', took over a year to make and will act as a centrepiece for the Scape Public Art festival, which begins on 27 September 2013. The sculpture was designed to provide a playground for children and a shady spot for workers on their lunch breaks. Morison also talks about how the sculpture was designed to be relocated and reconfigured so that it can be moved to a new location when construction begins on the vacant site.
The cartoon depicts a little plant with two tiny leaves; text reads 'THE GARDEN CITY'. A second version includes the words 'Begins to grow again'. Context - The earliest stages of the rebuilding of Christchurch after the earthquakes of 4 September 2010 and 22 February 2011. Quantity: 2 digital cartoon(s).
A PDF copy of pages 68-69 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Why is This Real Not That?'. Photo: Reuben Woods
Two people stare at a demolition scene. The man thinks there must have been an earthquake but the woman advises him that it was the city council. Refers to plans to demolish three buildings in Wellington's Willis Street without public consultation. The buildings due for demolition are owned by Singaporean Grand Complex Properties, which plans eventually to build a multimillion-dollar high-rise on the site, reports stuff.co.nz. The Canterbury earthquake happened 4th September and as a result there has been a lot of discussion about the need to preserve historic buildings if at all possible. Quantity: 1 digital cartoon(s).
A PDF copy of pages 72-73 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Now Panic and Freak Out'. Photo: Gaby Montejo
A photograph of children's paintings attached to a cordon fence. The photograph is captioned by Paul Corliss, "Manchester and Tuam Streets, botanical preservation site".
A digital copy of a painting by Hamish Allan. The painting is titled, 'Garden City III, Tunnel control' and was painted in 2013. The original painting is acrylic on linen and measures 400 by 400mm.
In the first frame an excited rugby player runs across a rugby field wearing a shirt with the words 'Rugby Cup venues' printed on it and carrying a ball that represents 'extra games'. In the second frame a huge arm that represents 'extra costs' smashes into the player. Context - Christchurch cannot host the five games allocated to it. Auckland Council has agreed to pick up the $2.9 million tab it will cost to host three additional Rugby World Cup games. The government supports claims that the three bonus games could boost spending in Auckland by at least $28 million. (Stuff 31 March 2011) Colour and black and white versions of this cartoon are available Quantity: 2 digital cartoon(s).
A crowd of Christchurch rugby fans wearing the red and black colours, gather to wish the Crusaders well as they leave for Australia. Someone shouts 'Red and black... It's one zone we ALL belong in!' Context - The Reds (Queensland) and Crusaders (Christchurch) played on the 11th July in the Final of the Investec Super Rugby competition at Suncorp Stadium, Brisbane. The Crusaders were narrowly beaten 18-13. The comment referring to 'one zone' relates to the dividing Christchurch, after the earthquakes, into zones labelled with different colours that indicates whether buildings have to be removed, or can be repaired or whether a decision has yet to be made or they are ok. Quantity: 1 digital cartoon(s).
Shows a doctor trying to test the heart of New Zealand who sits on a chair shaking uncontrolably. The doctor thinks it must be substance abuse or alcoholism. Context: refers to the Christchurch earthquakes and earthquakes elsewhere in New Zealand. Quantity: 1 digital cartoon(s).
A PDF copy of pages 334-335 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Pages Rd Fulton Hogan Site Mural'. Photos: Shaun Murphy
Shows a aerial representation of Christchurch's eastern suburbs with the course of the Avon River. The new river course spells the word 'munted'. Quantity: 1 digital cartoon(s).
Shows Minister for Christchurch Earthquake Recovery Gerry Brownlee delighted with his plan to rebuild Christchurch and to have it paid for buy the PM's casino. Context: Refers to the Christchurch Central Development Unit that Minister for Christchurch Earthquake Recovery Gerry Brownlee has put in place. Refers also to the very controversial deal that Prime Minister John Key has made with Auckland's SkyCity to the effect that SkyCity will pay the full construction cost of a new convention centre - estimated at $350 million, in return for being allowed to add more gaming tables and machines, and extending its licence beyond 2021. Colour and black and white versions of this cartoon are available Quantity: 2 digital cartoon(s).
Shows Minister for Earthquake Recovery, Gerry Brownlee, telling a Christchurch couple that NZ on Air is funding a six part television drama about the Christchurch earthquakes. Context: the series will be directed by Gaylene Preston. Quantity: 1 digital cartoon(s).
Part four of the audio that makes up Gap Filler's 29th project, the Transitional City Audio Tour. This part of the tour begins in the Re:Start Mall on Cashel Street and includes commentary on the performance Last Day of Mankind at the Bridge of Remembrance. The tour then moves up Oxford Terrace, along the banks of the Avon River, until it reaches Worcester Boulevard. Turning left, it travels down Worcester Boulevard, past the Christchurch Art Gallery, providing commentary on the new and old art in the area, and the Christchurch Arts Centre. Lastly, it moves up Montreal towards Cranmer Square.
Page 7 of Section A of the Christchurch Press, published on Saturday 26 February 2011.
A digital copy of a painting by Hamish Allan. The painting is titled, 'Garden City IV, The smell of rain' and was painted in 2013. The original painting is acrylic on linen and measures 400mm in diameter.
A digital copy of a painting by Hamish Allan. The painting is titled, 'Garden City I, Home in a box' and was painted in 2013. The original painting is acrylic on linen and measures 400 by 400mm.
What I found on a walk around the city Christchurch November 20, 2013 New Zealand. www.isaactheatreroyal.co.nz/ en.wikipedia.org/wiki/2011_Christchurch_earthquake
Maddie Leach and Jem Noble, collaborators on I was using six watts when you Received me... The broadcast of sounds that are special to the city but were lost after the earthquakes are part of the SCAPE Public Art Biennial which starts in Christchurch this Friday.
A PDF copy of pages 74-75 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Nom Nom and Best Demo 2012'. Photo: Reuben Woods
A digitally manipulated photograph of the partially-demolished Ozone Hotel. The photographer comments, "As if a deadly disease is moving out from Christchurch City red zone, the heritage buildings are being put down".
A photograph of visitors to the 'Present Tense' project which was held in Gap Filler's Inconvenience Store. The project consisted of ten paintings which sought to highlight the inconvenience of the city in the present day. Visitors to the store were asked to choose five paintings they would like to see presented as a billboard installation in Auckland.
A photograph of visitors to the 'Present Tense' project which was held in Gap Filler's Inconvenience Store. The project consisted of ten paintings which sought to highlight the inconvenience of the city in the present day. Visitors to the store were asked to choose five paintings they would like to see presented as a billboard installation in Auckland.
A photograph of visitors to the 'Present Tense' project which was held in Gap Filler's Inconvenience Store. The project consisted of ten paintings which sought to highlight the inconvenience of the city in the present day. Visitors to the store were asked to choose five paintings they would like to see presented as a billboard installation in Auckland.