A photograph captioned by Paul Corliss, "Watermark River Precinct construction starts, at the boatshed on the Avon".
A photograph of shipping containers supporting the facade of the Excelsior Hotel on Manchester Street.
A photograph of shipping containers supporting the facade of the Excelsior Hotel on Manchester Street.
A photograph captioned by Paul Corliss, "Watermark River Precinct construction starts, at the boatshed on the Avon".
A photograph captioned by Paul Corliss, "Watermark River Precinct construction starts, at the boatshed on the Avon".
A PDF copy of pages 282-283 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Co-Location of Secondary Schools in Christchurch Post 22 February 2011 Earthquake'. Photo: Phil Arvidson. With permission: St Bede's, Marian College and the Ministry of Education.
A PDF copy of pages 262-263 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'The Flying Cup and Just a Couple of Strangers'. Photos: Jess de Boer
A PDF copy of pages 314-315 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'The New Zealand Institute of Architects Exhibition Pavilion'. Photo: Soo Ryu, Jasmax and NZIA
Earthquake Recovery Minister Gerry Brownlee has backed off on his threats to the Christchurch City Council and one of the New Zealand Greenpeace activists is freed from a Russian detention centre.
An aerial view of Cathedral Square and the central city, during the Canterbury Tales procession. Canterbury Tales was created by Free Theatre Christchurch, and was the main event of FESTA 2013.
An aerial photograph of Kilmore Street in the central city with the Town Hall complex in the centre and Gap Filler's Pallet Pavilion on the cleared site of the Crowne Plaza Hotel.
An aerial view of Re:START mall and the central city, during the Canterbury Tales procession. Canterbury Tales was created by Free Theatre Christchurch, and was the main event of FESTA 2013.
The Christchurch City councillor in charge of council housing says he accepts trenchant criticism from the Earthquake Recovery Minister that the council has been woeful in fixing its quake-damaged housing stock.
A PDF copy of pages 338-339 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Inside Out Project With Central New Brighton School'. Photos: Denise Mill
A video of an interview with Lianne Dalziel about her decision to run for the mayoralty of Christchurch. Dalziel talks about resigning as a member of parliament, creating a sounding board for community, businesses, and the political spectrum at the Christchurch City Council, and the importance of uniting the Council.
A PDF copy of pages 342-343 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Christchurch: See Through My Eyes (UNICEF Children's Photographs)'. UNICEF Children's Photos as supplied by Canterbury Museum and Jacqui Southey
In 2010 Neil Challenger, Head of the School of Landscape Architecture at Lincoln University, stated that the malls surrounding Christchurch drove the life out of the inner city of Christchurch. His economic and sociological concerns were expressed even before the earthquake occurred, and this forms the current hesitation on the rebuilding of Christchurch’s inner city. The position of this research proposal is to establish whether an urban architectural intervention can address these economic and sociological concerns and the potentially devastating effects the suburban mall has had on urban life within Christchurch. The thesis specifically asks whether establishing a mall typology as a landmark building within the inner city can strategically engage the damaged historic buildings of post-earthquake Christchurch in ways that actively preserve these historic remnants. The main intention of this research is to engage the damaged historic buildings of post-earthquake Christchurch in ways that actively preserve these remnants and are also economically viable. By preserving the remnants as active, working elements of the urban fabric, they act as historic reminders or memorials of the event and associated loss, while also actively participating in the regrowth of the city. The thesis argues that contemporary architecture can play a strategic role in these imperatives. Overall this research argues that there exists a distinct requirement for large-scale retail in the inner city urban environment that recognises and responds to the damaged cultural and historic architecture of inner city Christchurch. The objective of the thesis is to propose means to rejuvenate not only the economic vitality of central Christchurch,but also its historic character.
A photograph of a plaque dedicate to those who lost their lives in City Mall during the earthquake of 22 February 2011. The plague is located under a tree in Re:START mall.
A PDF copy of pages 36-37 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Ko Taku Kupu, Ko Tau/My Word is Yours'. Page 36 photograph of writers at CPIT: Tate Tiata. Remaining photographs: Earl Tutty.
A transcript of Karin de Kaijzer and Julia Burnett's interview for the Church in the Quakes Project. The interview was conducted by Melissa Parsons on 17 October 2012. Burnett works alongside De Kaijzer, who is the Women's Pastor at the South City C3 Church.
A large number of businesses that used to be in the centre of Christchurch relocated after the earthquakes. Are they satisfied with their new locations and do they intend to return to the central city? We questioned 209 relocated businesses about their relocation history, present circumstances and future intentions. Many businesses were content with their new premises, despite having encountered a range of problems; those businesses that were questioned later in our survey period were more content. The average business in our sample rated the chances of moving back to the central city as around 50 %, but this varies with the type of business. Building height did not emerge as a major issue, but rents may be. The mix of types of business is likely to be different in the new city centre.
Nearly two years' after Christchurch's February earthquake and almost 6 months after the blueprint for the city centre was revealed, many questions remain about how much it will cost and who will pay for it.
A video of busker John Higby performing his Yo Yo Guy routine in Cathedral Square. The performance was part of a special World Buskers Festival show for workers in the Christchurch central city Red Zone.
The New Premises of the D.I.C. Cashel and Lichfield Streets, Christchurch From the ashes of the conflagration which ravaged the business heart of the city a year ago, there has arisen a wonderfully…
It was a warm fair day on the 16th December 1919, a light nor’easterly breeze was blowing through the city. Much the same weather was being experienced throughout the whole of the Dominion. T…
For one of our city’s most famous early women settlers, poor health had marred not only her voyage to New Zealand but also her arrival to her new home at Riccarton. From the moment Jane Deans…
Christchurch was the last of the four cities to introduce electric trams. They had tried to introduce the system in 1902, but it was prior to the amalgamation of the boroughs, so with the advent of…
A PDF copy of pages 110-111 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Here are the People and There is the Steeple'. Photo with permission: Christchurch Art Gallery Te Puna o Waiwhetu. Photo: John Collie.
A video of an interview with Mayor Bob Parker about the building consent crisis at the Christchurch City Council. The council received a letter from International Accreditation New Zealand (IANZ) on 30 May 2013. The letter says that the Council has until 28 June 2013 to improve its processes or it will be stripped of its accreditation as a building consent authority.
A PDF copy of pages 116-117 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'I Seem to Have Temporarily Misplaced My Sense of Humour'. Photos with permission: Gap Filler