A photograph of the earthquake damage to the Observatory tower at the Christchurch Arts Centre. The top two storeys of the tower collapsed during the 22 February 2011 earthquake and the rubble spilled into the courtyard in front. A digger was used to clear the rubble away from the building. A tarpaulin has been draped over the top of the broken tower and the roof behind.
The east side of the Odeon Theatre, showing the severe damage at the back of the theatre. Part of the roof sits on the ground in the section next door.
A photograph of the rubble from the Observatory tower in the South Quad of the Christchurch Arts Centre. The tower collapsed during the 22 February 2011 earthquake. A digger was used to clear the rubble away from the building. Scaffolding constructed around the tower has also collapsed and is amongst the rubble. The roof of the tower and a ladder can also be seen.
A photograph of an earthquake-damaged house. Wooden bracing has been placed in between the house and the fence, with wires connecting the top of the bracing to the peak of the roof. Emergency management personnel are in the driveway to the right. In the foreground a section of the brick fence at the front of the property has toppled.
A photograph of the earthquake damage to the Observatory tower at the Christchurch Arts Centre. The top two storeys of the tower collapsed during the 22 February 2011 earthquake and the rubble spilled into the courtyard in front. A digger was used to clear the rubble away from the building. A tarpaulin has been draped over the top of the tower.
A photograph of a member of the Diabetes Centre team in one of the rooms in the Diabetes Centre. The panelling has been removed from the wall behind, exposing the wooden frame underneath. In the foreground, a tarpaulin has been used to wall off the furniture from the rest of the room. The tarpaulin has partly fallen.
The dome of the Isaac Theatre Royal covered in sheeting and suspended in the backstage area. In the foreground, a small digger sits on the bed of a truck, and a crane is visible to the left. The photographer comments, "This is the 'dome' of the Isaac Theatre Royal's heritage stage. The front section of the theatre has stayed and so has the back, but the middle has been completely demolished. The best way to hide a secret is in plain sight. Could this really be an ancient UFO stored secretly in the old theatre for decades and now exposed by the earthquake? Is the waiting crane and transporter ready to whip it away to another secret location in the dead of night?".
A PDF copy of pages 348-349 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Thinking Outside the Square'. Photos: Gap Filler
Presentation to The Collective Trust on 21 May 2021 by Louise Tapper and Rosemary Du Plessis - Researchers Young Women's Experiences of the COVID-19 pandemic research project.
The operation of telecommunication networks is critical during business as usual times, and becomes most vital in post-disaster scenarios, when the services are most needed for restoring other critical lifelines, due to inherent interdependencies, and for supporting emergency and relief management tasks. In spite of the recognized critical importance, the assessment of the seismic performance for the telecommunication infrastructure appears to be underrepresented in the literature. The FP6 QuakeCoRE project “Performance of the Telecommunication Network during the Canterbury Earthquake Sequence” will provide a critical contribution to bridge this gap. Thanks to an unprecedented collaboration between national and international researchers and highly experienced asset managers from Chorus, data and evidences on the physical and functional performance of the telecommunication network after the Canterbury Earthquakes 2010-2011 have been collected and collated. The data will be processed and interpreted aiming to reveal fragilities and resilience of the telecommunication networks to seismic events
Liquefaction is a phenomenon that results in a loss of strength and stability of a saturated soil mass due to dynamic excitation such as that imposed by an earthquake. The granular nature of New Zealand soils and the location of many of our cities and towns on fluvial foundations are such that the effects of liquefaction can be very important. Research was undertaken to build on the past work undertaken at the University of Canterbury studying the effects of the 1929 Murchison earthquake, the 1968 Inangahua earthquake and the 1991 Hawks Crag earthquakes on the West Coast. Additional archival information has been gathered from newspapers and reports and from discussions with people who experienced one or all of these large earthquakes that occurred on the West Coast during the 20th Century. Further, some twenty Cone Penetrometer Tests were carried out, with varying success, in Greymouth and Karamea using the Department of Civil Engineering's Drilling Rig. These, combined with the basic site investigation information, consolidate and add to the liquefaction case history data bank at the University of Canterbury. Many of the sites have liquefied in some but not all of the three earthquakes and thus provide both upper and lower bounds for the calibration of empirical models. While a lack of knowledge of the 1929 source location reduces the value of information from that event, the data form a useful set of liquefaction case histories and will become more so as further earthquakes occur. A list of critical sites for checking of the future earthquakes is provided and recommendations are made for the installation of downhole arrays of accelerometers and pore water pressure transducers at a number of sites.
The cartoon shows Gerry Brownlee, the Minister for Earthquake Recovery, walking towards a spa wearing swimming togs and with a blow-up toy around his waist. Context: The cartoon illustrated an article entitled 'Sutton candid about struggles'. Cera boss Roger Sutton received politicians in the empty Centennial Park spa pool after the February earthquake when he was still head of lines company Orion. Quantity: 1 digital cartoon(s).
A PDF copy of pages 276-277 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Homer on the Range'. Photo: Nick Sargent
A PDF copy of pages 246-247 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'The Earthquake in Chile'. Photos: Sharon Mazer. With permission from Free Theatre.
A video about the 'air bridge' set up by the Royal New Zealand Air Force after the 22 February 2011 earthquake. The 'air bridge' was made up of Boeing 757s and Hercules C-130s which travelled from Christchurch to the rest of the country, transporting people and picking up supplies.
A video about the Royal New Zealand Air Force's Air Movements Terminal in Christchurch. The Air Movements Terminal managed the disembarkment of international supplies and personnel supporting Christchurch after the 22 February 2011 earthquake.
A PDF copy of pages 258-259 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Upon the Upland Road'. Photos: Trent Hiles
A PDF copy of pages 232-233 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'SVA - The Clean Up'. Photos: Peter Walker, Three Chairs Photography. With permission from Volunteer Army Foundation.
A PDF copy of pages 158-159 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Film in the Gap'. Photos: Gap Filler
A PDF copy of pages 218-219 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Out of the Box'. Photos provided by Karen Sheridan
A National Council of Women of New Zealand (NCWNZ) report to the Christchurch City Council. The report was written by Liz Gordon, Rosemary Du Plessis, Judith Sutherland, and Helen Gibson from the Women's Voices Research Committee. It is titled, From Stories to Action: the policy implications of the NCWNZ Women's Voices Project.
A paper submitted by Andrew Moore in partial fulfilment of the degree of Bachelor of Music with Honours, covering the effects of the Canterbury earthquakes on the musical life of Christchurch. Dissertation supervised by Dr Elaine Dobson, University of Canterbury School of Music. All photographs from The Press are copyright Fairfax Media and are used with permission.
Damage to the dairy on the corner of Armagh and Barbadoes Streets.
Damage to the Dolls House night club and the Coffee Queen cafe on Gloucester Street, beside Chancery Lane.
An entry from Roz Johnson's blog for 27 June 2011 entitled, "Light at the End of the Tunnel".
Red softcover book with a title on the spine and front cover containing the history of the Lyttelton Volunteer Fire Brigade together with the stories of the Brigade relating to the 22 February 2011 earthquake; published by the Lyttelton Volunteer Fire Brigade, Lyttelton, 2012.
One portrait colour digital photograph taken on 23 July 2011 showing the artwork by Trent Hiles erected on the site of the Harbourlight Theatre on London Street. The artwork presents part of James K Baxter's poem 'High Country Weather' using the international code of signal flags. The artwork was installed as a Gap Filler project. The artwork r...
This paper presents a qualitative study with multiple refugee background communities living in Christchurch, New Zealand about their perspectives and responses to the Canterbury earthquakes of 2010-2011 (32 semi-structured interviews and 11 focus group discussions comprising 112 participants). Whilst the Canterbury earthquakes created significant challenges for the entire region, several refugee background communities found multiple ways to effectively respond to such adversity. Central to this response were their experiences of belonging which were comprised of both ‘civic’ and ‘ethno’ conceptualisations. This discussion includes an analysis on the intersectionality of identity to highlight the gendered, contextual and chronological influences that impact people’s perspectives of and responses to a disaster. As the study was conducted over 18 months, the paper discusses how social capital resources and experiences of belonging can help inform urban disaster risk reduction (DRR) with refugee groups. http://3icudr.org/program
Earthquakes and other major disasters present communities and their authorities with an extraordinary challenge. While a lot can be done to prepare a city’s response in the event of a disaster, few cities are truly prepared for the initial impact, devastation, grief, and the seemingly formidable challenge of recovery. Many people find themselves overwhelmed with facing critical problems; ones which they have often never had experience with before. While the simple part is agreeing on a desired outcome for recovery, it appears the argument that exists between stakeholders is the conflicting ideas of How To effectively achieve the main objective. What I have identified as an important step toward collaborating on the How To of recovery is to identify the ways in which each discipline can most effectively contribute to the recovery. Landscape architecture is just one of the many disciplines (that should be) invovled in the How To of earthquake recovery. Canterbury has an incredible opportunity to set the benchmark for good practice in earthquake recovery. To make the most of this opportuntiy, it is critical that landscape architects are more effectively engaged in roles of recovery across a much broader spectrum of recovery activities. The overarching purpose of this research is to explore and provide insight to the current and potential of landscape architects in the earthquake recovery period in Canterbury, using international good practice as a benchmark. The research is aimed at stimulating and guiding landscape architects dealing with the earthquake recovery in Canterbury, while informing stakeholders: emergency managers, authorities, other disciplines and the wider community of themost effective role(s) for landscape architects in the recovery period.
Please contact supervisor Lin Roberts at Lincoln University to request a copy of this dissertation to read.Cities around the world are becoming greener, with many striving to make their cities as green as possible. Christchurch was devastated by an Earthquake in 2011, which resulted in many fatalities. Though this impacted the city negatively, this sad event was used as an opportunity for the broken city to become a better one. The Christchurch City Council (CCC) ran an exercise called ‘Share an Idea’, which asked the public what they wanted the new city to look like. The main theme extrapolated by researchers was that people wanted the city to be greener. A draft plan was created by the CCC but was deemed not good enough and replaced by a new plan called the Blueprint Plan created by the government. Through the process of public consultation to the finalized plan and the implementation of the finalized plan, there were many changes made to the inclusion of nature into Central Christchurch’s urban regeneration. The aim of this research is to assess the role of nature in the urban regeneration of Christchurch, by evaluating the recovery process, and comparing the level of greenness the public wanted by looking at what they said in Share an Idea, and then seeing how that translated into the proposed plans, and then finally looking at what is being implemented.