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Images, UC QuakeStudies

A van partially submerged in liquefaction. The photographer comments, "A van that unluckily drove into a hole caused by the terrible liquefaction on Beach Road, North New Brighton during the Christchurch earthquake".

Images, UC QuakeStudies

Pipes lead into a shipping container. The photographer comments, "In Christchurch containers are so very versatile: They are used as barricades, supports, homes, shops, art galleries, artworks, Malls, pubs and bars, Thai takeaways and now sewage works".

Images, UC QuakeStudies

A Gap Filler project, Wayne Youle's "I seem to have temporarily misplaced my sense of humour " (2011), is a shadowboard mural on an empty wall in Sydenham which depicts things lost during the earthquake.

Images, UC QuakeStudies

Detail of damage to the former Princess Cinema in New Brighton. Bricks have fallen from the wall, exposing the interior. The photographer comments, "This is the side view of the back of the old Princess Cinema in New Brighton after the earthquake in Christchurch, New Zealand on 22 February. The bricks seem to be just about to fall, but stayed in place after several big aftershocks. This building has now been knocked down as it was so dangerous".

Images, UC QuakeStudies

Balloons and a sign advertising a garage sale hang from a fence. The photographer comments, "Today, 23/7/2011 the Bexley community in Christchurch got together and held a Bexley wide garage sale. You could pick up a map of the garage sales in Arncliffe St, which meant that people could find all the garage sales even if they were on the back sections. People got together with close neighbours to hold joint Garage Sales. In the area where the garage sales were held all the homes have been 'written off' by the government, as the land on which they sit is too damaged by the Christchurch earthquakes to repair. In places it looked more like a ships graveyard with the hulls of the houses sinking lopsidedly into the sand. Unfortunately for nearly everyone in the red zone they cannot rebuild a new home as sections to build on start now around $2,000 and the government is not paying them enough to buy a plot of land and build a new home. The choices for Bexley residents in most cases is to rent, buy a house at least a few years old or move to Australia to start again. I was told that up to 80% could be off to Oz".

Articles, Christchurch uncovered

This week on the blog we take you on a journey down the South Belt sewer, one of Christchurch’s many 19th century wastewater sewers. Located deep below the east-bound lane of Moorhouse Avenue and more than a kilometre in length, … Continue reading →

Articles, Christchurch uncovered

Last week on the blog we introduced you to the 1881 South Belt sewer beneath Moorhouse Avenue: how it was built, how it got blocked, and how recently as part of SCIRT’s horizontal infrastructure rebuild program, their Downer delivery team and sub-contractors Donaldson Civil … Continue...

Articles, Christchurch uncovered

Yet another year gone! It’s been a strange one, out there in the world, but here at Underground Overground it’s been a year of excavation, discoveries, stories and all things archaeological. In the proper spirit of history, let’s take a … Continue reading →

Audio, Radio New Zealand

Canterbury organist Martin Setchell gives the inaugural recital on an organ that’s more than 100 years old. He explains how the instrument survived the February 22nd earthquake even though the church crumbled around it, why it was important to save it, and how the latest technology has being integrated into the restored organ..

Research papers, Lincoln University

This thesis is a theoretical exploration of ‘remembrance’ and its production in the interactions between people/s and the landscape. This exploration takes place in the broad context of post earthquake Christchurch with a focus on public spaces along the Ōtākaro – Avon river corridor. Memory is universal to human beings, yet memories are subjective and culturally organized and produced - the relationship between memory and place therefore operates at individual and collective levels. Design responses that facilitate opportunities to create new memories, and also acknowledge the remembered past of human – landscape relationships are critical for social cohesion and wellbeing. I draw on insights from a range of theoretical sources, including critical interpretive methodologies, to validate subjective individual and group responses to memory and place. Such approaches also allowed me, as the researcher, considerable freedom to apply memory theory through film to illustrate ways we can re-member ourselves to our landscapes. The Ōtākaro-Avon river provided the site through and in which film strategies for remembrance are explored. Foregrounding differences in Māori and settler cultural orientations to memory and landscape, has highlighted the need for landscape design to consider remembrance - those cognitive and unseen dimensions that intertwine people and place. I argue it is our task to make space for such diverse relationships, and to ensure these stories and memories, embodied in landscape can be read through generations. I do not prescribe methods or strategies; rather I have sought to encourage thinking and debate and to suggest approaches through which the possibilities for remembrance may be enhanced.

Images, eqnz.chch.2010

A crane topples over on Victoria Street while taking glass up to some windows. No one was hurt and the glass never broke. Victoria Street was closed from 7:30am to later in the evening. This all happen on the Knox Plaza building site. Christchurch October 13, 2014 New Zealand.