A photograph of a performer at the 'Sound Cone' project at LUXCITY.
A photograph of architecture students working on part of the eLITE installation for LUXCITY.
A photograph of a band playing on stage in the 'Sound Cone' space at LUXCITY.
A photograph of a crowd around a large-scale sculpture titled Altitude at LUXCITY.
A photograph of students installing In Your Face, which is part of LUXCITY.
Children play on street furniture on Gloucester Street, part of one of the Christchurch City Council's Transitional City projects. In the background is the facade of the Isaac Theatre Royal, protected by shipping containers.
A photograph of a musician on stage in the 'Sound Cone' space at LUXCITY.
A photograph of visitors to the In Your Face installation at LUXCITY.
A photograph of the LUXCITY 'Sound Cone' performance space on Gloucester Street.
A photograph of furniture on the site of Christchurch: A Board Game.
A photograph of students installing In Your Face, which is part of LUXCITY.
Orientation: Large-scale events such as disasters, wars and pandemics disrupt the economy by diverging resource allocation, which could alter employment growth within the economy during recovery. Research purpose: The literature on the disaster–economic nexus predominantly considers the aggregate performance of the economy, including the stimulus injection. This research assesses the employment transition following a disaster by removing this stimulus injection and evaluating the economy’s performance during recovery. Motivation for the study: The underlying economy’s performance without the stimulus’ benefit remains primarily unanswered. A single disaster event is used to assess the employment transition to guide future stimulus response for disasters. Research approach/design and method: Canterbury, New Zealand, was affected by a series of earthquakes in 2010–2011 and is used as a single case study. Applying the historical construction–economic relationship, a counterfactual level of economic activity is quantified and compared with official results. Using an input–output model to remove the economy-wide impact from the elevated activity reveals the performance of the underlying economy and employment transition during recovery. Main findings: The results indicate a return to a demand-driven level of building activity 10 years after the disaster. Employment transition is characterised by two distinct periods. The first 5 years are stimulus-driven, while the 5 years that follow are demand-driven from the underlying economy. After the initial period of elevated building activity, construction repositioned to its long-term level near 5% of value add. Practical/managerial implications: The level of building activity could be used to confidently assess the performance of regional economies following a destructive disaster. The study results argue for an incentive to redevelop the affected area as quickly as possible to mitigate the negative effect of the destruction and provide a stimulus for the economy. Contribution/value-add: This study contributes to a growing stream of regional disaster economics research that assesses the economic effect using a single case study.
A photograph of a vacant site on the corner of Manchester Street and Gloucester Street. This is to be the location of a large-scale sculpture titled Altitude, which is part of LUXCITY.
A photograph of a vacant site on Press Lane next to the Press building. The site is to be the location of Atmosphere, a large-scale installation which is part of LUXCITY.
A photograph of people walking past the Pavilions & Lighting Devices market at LUXCITY, situated on the corner of Manchester Street and Gloucester Street. A large-scale hanging sculpture titled Altitude can be seen illuminated in the distance.
A photograph of part of the LUXCITY Pavilions & Lighting Devices market, situated on the corner of Manchester Street and Gloucester Street.
A photograph of people at the Pavilions & Lighting Devices market at LUXCITY, taken from inside one of the temporary installations. A large-scale hanging sculpture Altitude can be seen illuminated in the distance.
A photograph of people walking past the LUXCITY Pavilions & Lighting Devices market, situated on the corner of Manchester Street and Gloucester Street. A large-scale hanging sculpture Altitude can be seen illuminated in the distance.
A photograph of one of the creators of the Pavilions & Lighting Devices market standing with her constructed installation on the corner of Manchester Street and Gloucester Street. The market is part of LUXCITY.
A photograph of people looking at a sculpture under construction for the Pavilions & Lighting Devices night market, which is part of LUXCITY.
A photograph of people constructing a sculpture for the Pavilions & Lighting Devices night market, which is part of LUXCITY.
A photograph of people constructing a sculpture for the Pavilions & Lighting Devices night market, which is part of LUXCITY.
A photograph of four architecture students working on the construction of part of the Pavilions & Lighting Devices market for LUXCITY.
A photograph of part of the Pavilions & Lighting Devices market under construction on the corner of Manchester Street and Gloucester Street.
A photograph of people constructing a sculpture for the Pavilions & Lighting Devices night market, which is part of LUXCITY.
A photograph of a vacant site on the corner of Manchester Street and Worcester Street. This is to be the location of the Archrobatics project, which is part of LUXCITY.
A photograph of the installation titled Murmur being set up on the edge of Cathedral Square. The installation is part of LUXCITY.
A photograph of the installation titled Murmur being set up on the edge of Cathedral Square. The installation is part of LUXCITY.
A photograph of a vacant site on the corner of Manchester Street and Worcester Street. This is to be the location of the Archrobatics project, which is part of LUXCITY.
A photograph of a vacant site on the corner of Manchester Street and Worcester Street. This is to be the location of the Archrobatics project, which is part of LUXCITY.