A female bartender chats with a customer as she pours his beer. She asks him about his jersey, saying 'That's not one of those expensive Adidas jerseys is it?' and he replies 'No - it's a Christchurch "After the quake" jersey!' The jersey has on the front three rectangular shapes that are tipping over. Context: Adidas has been at the centre of a jersey-pricing storm since it was revealed the replica tops could be bought much cheaper overseas. The jersey had been listed for sale at $US79.99 ($NZ92.68) on the US website worldrugbyshop.com and could also be found cheaper on British websites. It was retailing for $220 in New Zealand, but retailers have dropped the price as the debate has raged. Adidas has refused to drop the wholesale price. Colour and black and white versions available Quantity: 2 digital cartoon(s).
This research attempts to understand how the Christchurch rebuild is promoting urban liveability in the Central City, focussing on the influence of communities and neighbourhoods in this area. To do this, gathering the perceptions of Christchurch residents through surveys, a focus group and semi-structured interviews was carried out to see what aspects they believe contribute to creating more liveable places. These methods revealed that there are pockets of neighbourhoods and communities in the inner-city, but no overall sense of community. Results from the semi-structured interviews reinforced this; the current buyers of inner-city property are in the financial position to be able to do this, and they seem to be purchasing in this area due to convenience and investment rather than to join the existing communities in the area. Analysing the survey responses from Central City residents revealed contrasting results. Those currently living in the area felt there is a sense of community in the inner-city, but these are found in pockets of neighbourhoods around the Central City rather than in the overall area. The focus group revealed that community is further prioritised later in life, and that many of the community groups in the inner-city predominantly consist of those who have lived there since before the Christchurch Earthquake Series. However, participants of all three methods believed that the Central City is slowly becoming a lively and vibrant place. To improve urban liveability in the inner-city, it seems that prioritisation of the needs of current inner-city residents is required. Improving these neighbourhoods, whether it be through the implementation of services or providing more communal spaces, is needed to create stronger communities. The feelings of place, connectedness, and belonging that arise from being part of a community or well-connected neighbourhood can improve mental health and wellbeing, ultimately enhancing the overall health of the population as well as the perceived urban liveability of the area.
The dome of the Isaac Theatre Royal covered in sheeting and suspended in the backstage area. In the foreground, a small digger sits on the bed of a truck, and a crane is visible to the left. The photographer comments, "This is the 'dome' of the Isaac Theatre Royal's heritage stage. The front section of the theatre has stayed and so has the back, but the middle has been completely demolished. The best way to hide a secret is in plain sight. Could this really be an ancient UFO stored secretly in the old theatre for decades and now exposed by the earthquake? Is the waiting crane and transporter ready to whip it away to another secret location in the dead of night?".
Damage to River Road in Richmond. The road is badly cracked and slumped, and is closed off with a row of road cones tied with warning tape. The word "closed" has been spray painted on the road surface. The photographer comments, "These photos show our old house in River Rd and recovery work around Richmond and St Albans. River Rd was again subject to severe lateral spreading. The river is still grey with silt, the road is ripped and sunken, and power poles lean at random angles. The red car belonged to a postie, who had to come back with a tow truck to extricate the car from the hole that had opened underneath it. Looking along River Road to the north-east. Taken outside 79 Medway St".
The word 'CANTERBURY' is printed in large letters on the cartoon in the region's colours of red and black stripes. The 'CAN' part of the name is in larger print and is above the rest of the word. Context is 22 February 2011 earthquake in Christchurch. The cartoon refers to reports of courage, generosity and 'can do' attitude of the people. Colour and black and white versions of this cartoon are available Quantity: 2 digital cartoon(s).
Research indicates that aside from the disaster itself, the next major source of adverse outcomes during such events, is from errors by either the response leader or organisation. Yet, despite their frequency, challenge, complexity, and the risks involved; situations of extreme context remain one of the least researched areas in the leadership field. This is perhaps surprising. In the 2010 and 2011 (Christchurch) earthquakes alone, 185 people died and rebuild costs are estimated to have been $40b. Add to this the damage and losses annually around the globe arising from natural disasters, major business catastrophes, and military conflict; there is certainly a lot at stake (lives, way of life, and our well-being). While over the years, much has been written on leadership, there is a much smaller subset of articles on leadership in extreme contexts, with the majority of these focusing on the event rather than leadership itself. Where leadership has been the focus, the spotlight has shone on the actions and capabilities of one person - the leader. Leadership, however, is not simply one person, it is a chain or network of people, delivering outcomes with the support of others, guided by a governance structure, contextualised by the environment, and operating on a continuum across time (before, during, and after an event). This particular research is intended to examine the following: • What are the leadership capabilities and systems necessary to deliver more successful outcomes during situations of extreme context; • How does leadership in these circumstances differ from leadership during business as usual conditions; • Lastly, through effective leadership, can we leverage these unfortunate events to thrive, rather than merely survive?
A photograph of the former City Council Civic Offers at 194-196 Manchester Street. USAR codes have been stray-painted on the windows. A yellow sticker is stuck to the door, indicating that entry to the building is restricted.
A photograph of the former City Council Civic Offers at 194-196 Manchester Street. USAR codes have been stray-painted on the windows. A yellow sticker is stuck to the door, indicating that entry to the building is restricted.
A digital copy of a painting by Julia Holden. The painting is of an excavator and a large mound of building rubble. In the background is the badly-damaged Farmers car park building on Gloucester Street.
A digital copy of a painting by Julia Holden. The painting is of Manchester Street. Shipping containers have been stacked against the Excelsior Hotel on the right, and the kinetic sculpture, 'Nucleus', is depicted on the left.
A digital copy of a painting by Julia Holden. The painting is of Manchester Street. Shipping containers have been stacked against the Excelsior Hotel on the right, and the kinetic sculpture, 'Nucleus', is depicted on the left.
Photograph captioned by BeckerFraserPhotos, "The future of Calendar Girls is uncertain, because although it survived the earthquakes well, it is now within the zone called 'The Frame' and may not be deemed to be a suitable use for that zone".
A photograph of street art titled, "Maybe sorrow was the thing". The work is on Battersea Street in Sydenham. The artist is Rita Vovna.
A photograph of a vacant site on the corner of Manchester Street and Worcester Street. This is to be the location of the Archrobatics project, which is part of LUXCITY.
A photograph of a vacant site between Manchester Street and Latimer Square. The site is to be the location of Kloud, a large-scale installation which is part of LUXCITY.
A photograph of a vacant site between Manchester Street and Latimer Square. The site is to be the location of Kloud, a large-scale installation which is part of LUXCITY.
A photograph of a vacant site on the corner of Manchester Street and Worcester Street. This is to be the location of the Archrobatics project, which is part of LUXCITY.
A photograph of a vacant site on the corner of Manchester Street and Worcester Street. This is to be the location of the Archrobatics project, which is part of LUXCITY.
Photograph captioned by BeckerFraserPhotos, "IRD building, viewed from Madras Street, on the corner of Cashel Street, Madras Street and Bedford Row. The IRD building is likely to be demolished as it is within the Frame".
Photograph captioned by Fairfax, "Richard Peebles is further concerned over the Manchester Courts building, which was severely damaged in the September earthquake and has now become more unstable. There is talk to move the cordons further back".
The debt stricken state-owned enterprise Solid energy is in crisis talks with the Treasury and its banks, two years after the Christchurch earthquakes, insurance companies are blamed for delays in the rebuild, and in dateline pacific Papua New Guinea is building up its military to build roads.
Two earthquake scientists say the chance of a magnitude six aftershock hitting the Canterbury region is decreasing day by day and is now unlikely. A Victoria University professor in geophysics and a GNS seismologist have put into perspective the weekend's devastating earthquake at a lecture in Wellington.
The Christchurch earthquake last February forced many circus performers to flee the city in search of work. Their base - the Circo Arts school - was damaged in the quake and is likely to be demolished. But they're now slowly returning, as a new base for circus performers is established in the city.
A photograph submitted by Raymond Morris to the QuakeStories website. The description reads, "This painting of the ‘Frame workshop’ 456 Colombo St. Sydenham is by artist Raymond Morris. It is one of many paintings he has done of buildings demolished in the earthquakes 2010-2011.".
Liquefaction silt covers the ground in front of the Shirley Medical Centre, and more silt is piled beside the entrance. The photographer comments, "These photos show our old house in River Rd and recovery work around Richmond and St Albans. The local medical centre is seriously silted up".
The Durham Street Methodist Church Roll of Honour, commemorating soldiers who died in World War One. The wall it is set on to is badly cracked and sections of plaster have chipped away revealing the stone work underneath.
The Durham Street Methodist Church Roll of Honour, commemorating soldiers who died in World War One. The wall it is set on to is badly cracked and sections of plaster have chipped away revealing the stone work underneath.
A photograph of a colourful wall of bricks. There is damage on the right hand side of the wall. There is also a pattern made from fallen bricks in front of it.
A photograph of street art depicting a weta. The artwork is at the Waltham Park and Pool on Waltham Road. The artwork is part of Project Legit.
The Lyttelton Coffee Company building on London Street in Lyttelton is weatherproofed with black tarpaulins. The spray-painted signs guide customers to Samo Coffee Lounge, a cafe run by the staff of Lyttelton Coffee Company while the building is being repaired.