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Research papers, University of Canterbury Library

A zone of active tectonism occurs in mid and north Canterbury, from the Rakaia to the Waipara Rivers, which coincides with seismicity concentrations and several Quaternary surface anomalies and is here defined as the Porters Pass Tectonic Zone. Although parallel to the Marlborough faults to the north, the lack of regional definition suggests this zone is much younger in its inception reflecting a southward movement of the plate rotation vector. The objectives of this study were to map the structures associated with this zone in the segment between the Rakaia and Waimakariri Rivers with detailed analysis concentrated in the upper Kawai Valley. Quaternary offsets on the main lineament of the Porters Pass Fault were traced through the area and evidence for the rate of movement, probable magnitudes and return periods of related seismic events was sought. The basement was found to be complicated by pre-existing deformation structures in Torlesse Group rocks which have been subsequently been re-activated or rotated by recent fault movement probably beginning in the Pleistocene. This phase is dominantly thrusting and uplift has lead to the erosion of most of the overlying sedimentary cover. Remnants of the Cret-Tertiary sediments still remain as fault-bounded packets. Evidence suggests that a change to development of a regional lateral shear associated with the Porters Pass Tectonic Zone transects the thrust system with complex interaction between the older reverse and new strike-slip faults. Offset rates along the segments of the Porters Pass Fault are not well constrained but are believed to be approximately in the range of 11-13 mm/year for at least the last 130,000 years. This rate is similar to other large faults in the Marlborough region. Two earthquake events have been identified and dated at 600 and 2000 years ago, with a magnitude of greater than 6.5. Evidence suggests characteristic earthquakes along the Porters Pass Fault are greater than Magnitude 7. This result has some major ramifications for the expected seismic hazards for nearby Christchurch.

Research papers, Victoria University of Wellington

On the 22nd of February, 2011 the city of Christchurch, New Zealand was crippled by a colossal earthquake. 185 people were killed, thousands injured and what remained was a city left in destruction and ruin. Thousands of Christchurch properties and buildings were left damaged beyond repair and the rich historical architecture of the Canterbury region had suffered irreparably.  This research will conduct an investigation into whether the use of mixed reality can aid in liberating Christchurch’s rich architectural heritage when applied to the context of destructed buildings within Christchurch.  The aim of this thesis is to formulate a narrative around the embodiment of mixed reality when subjected to the fragmentary historical architecture of Christchurch. Mixed reality will aspire to act as the defining ligature that holds the past, present and future of Christchurch’s architectural heritage intact as if it is all part of the same continuum.  This thesis will focus on the design of a memorial museum within a heavily damaged historical trust registered building due to the Christchurch earthquake. It is important and relevant to conceive the idea of such a design as history is what makes everything we know. The memories of the past, the being of the now and the projection of the future is the basis and fundamental imperative in honouring the city and people of Christchurch. Using the technologies of Mixed Reality and the realm of its counter parts the memorial museum will be a definitive proposition of desire in providing a psychological and physical understanding towards a better Christchurch, for the people of Christchurch.  This thesis serves to explore the renovation possibilities of the Canterbury provincial council building in its destructed state to produce a memorial museum for the Christchurch earthquake. The design seeks to mummify the building in its raw state that sets and develops the narrative through the spaces. The design intervention is kept at a required minimum and in doing so manifests a concentrated eloquence to the derelict space. The interior architecture unlocks the expression of history and time encompassed within a destructive and industrialised architectural dialogue. History is the inhabitant of the building, and using the physical and virtual worlds it can be set free.  This thesis informs a design for a museum in central Christchurch that celebrates and informs the public on past, present and future heritage aspects of Christchurch city. Using mixed reality technologies the spatial layout inside will be a direct effect of the mixed reality used and the exploration of the physical and digital heritage aspects of Christchurch. The use of technology in today’s world is so prevalent that incorporating it into a memorial museum for Christchurch would not only be interesting and exploratory but also offer a sense of pushing forward and striving beyond for a newer, fresher Christchurch. The memorial museum will showcase a range of different exhibitions that formulate around the devastating Christchurch earthquake. Using mixed reality technologies these exhibitions will dictate the spaces inside dependant on their various applications of mixed reality as a technology for architecture. Research will include; what the people of Canterbury are most dear to in regards to Christchurch’s historical environment; the use of mixed reality to visualise digital heritage, and the combination of the physical and digital to serve as an architectural mediation between what was, what is and what there could be.

Audio, UC QuakeStudies

A recorded conversation about the arts in Christchurch, facilitated by Rosalee Jenkin (UC CEISMIC) and featuring Sophie Davis (UC Masters student and co-director of North Projects), Lara Strongman (Senior Curator at Christchurch Art Gallery), Gaby Montejo (visual art practitioner and teacher) and Wongi Wilson (street artist and professional graffiti artist). The podcast is the first in a series of conversations hosted by UC CEISMIC about Christchurch, five years on from the February 22 earthquake.

Images, UC QuakeStudies

A digitally manipulated image of Michael Parekowhai's sculpture 'On First Looking into Chapman's Homer' on Madras Street. The photographer comments, "This is the work of New Zealand artist Michael Parekowhai titled 'On First Looking into Chapman's Homer'. There are two bronze pianos and a very dominant looking bronze bull on each".

Articles, UC QuakeStudies

A report created by the University of Canterbury Quake Centre and the University of Auckland, funded by the Building Research Levy. It shows how an innovation process was initiated and managed throughout the rebuilding of the horizontal infrastructure after the Canterbury earthquakes.

Images, UC QuakeStudies

A digger in front of a partially-demolished building in Cathedral Square. In the background the Farmers and MFL buildings are visible. The photographer comments, "This was taken on the CERA CBD red zone tour. Being on the left hand side of the coach for 75% of the journey I was facing the red zone fence looking at the outside of the red zone".

Images, UC QuakeStudies

A 'sand volcano' of liquefaction silt in Bexley. The photographer comments, "Liquefaction is just a mixture of sand and water squeezed up from the ground, but with a little imagination it has a beauty in its untouched state".

Images, UC QuakeStudies

A concrete block wall with a large diagonal crack running through it. The photographer comments, "This wall has fascinated me. It has cracked across in a dead straight diagonal line during one of Christchurch's many earthquakes. How could this have occurred?".

Images, UC QuakeStudies

Large cracks run through the brick cladding of this house in Wainoni. The photographer comments, "During the numerous earthquakes in Christchurch the land which ran alongside the Avon river on Avonside Drive slumped towards the waterway. Houses which were wooden framed and had an external brick veneer started to sink into the liquefied soil. This caused the brick walls to crack, but the houses' occupants though shook up were saved by the wooden framework from the houses collapsing on them".

Images, UC QuakeStudies

A damaged house perched on the edge of the cliffs above Sumner. The photographer comments, "This house has slowly gone over the edge since the big earthquake in Christchurch in February 2011. Subsequent earthquakes has caused the rock face to crumble more and more".

Images, UC QuakeStudies

A digitally manipulated image of the damaged statue of Scott which was removed from its original site beside Worcester Boulevard for safekeeping. The photographer comments, "During the February 2011 earthquake in Christchurch, New Zealand the statue of Robert Falcon Scott broke across the ankles and most of the statue came crashing to the ground. To commemorate a 100 years of association with Antarctica Christchurch council has laid out for viewing the statue in a prostrate position. I was lucky to encounter the statue before it was put into its glass display enclosure".

Images, UC QuakeStudies

Corrogated roofing from the demolition of the QEII complex. The photographer comments, "This collection of galvanised roofing looks so photogenic as I walked around the partly demolished Queen Elizabeth stadium and swimming pool".

Images, UC QuakeStudies

A man reads a sign posted on the door of the Christchurch Art Gallery, which reads "The gallery is currently closed to the public". The photographer comments, "Red Carded - A red-coloured card shown by a referee to a player, especially in soccer, to indicate that the player is being ejected from the pitch. The Christchurch Art Gallery has left the building. All the current and future exhibitions of the Art Gallery are being mainly held out of doors".

Images, UC QuakeStudies

The feet of a fallen mannequin rest against a shop window. The photographer comments, "It is enough to make your toes curl. This is a mannequin that has been on its back since this clothing store was cleared out after the Christchurch earthquake. The store, which is in the earthquake red zone, has been off limits and untouched in the for two years".

Images, UC QuakeStudies

Cracks in a pathway beside the Avon River in New Brighton, caused by the land slumping towards the river. The photographer comments, "On the left of the picture the ground has dropped down half a metre".

Articles, Christchurch uncovered

“It must have been a happy household,” was the remark made by one of our team members when she saw the artefact assemblage we are discussing on today’s blog post. Whilst children’s artefacts are relatively common finds on New Zealand … Continue reading →

Images, UC QuakeStudies

Workers operate a drilling rig, sampling soil as part of EQC's geotechnical investigation of TC3 land. The photographer comments, "The work of getting 'soil' samples from all the areas marked as green/blue zones in Christchurch. These areas may be susceptible to liquefaction if a major earthquake occurs. The soil samples were a failure as all they found was sand".

Images, UC QuakeStudies

The clock tower of the former Railway Station, encased in plywood to prevent further damage. A banner sponsored by The Press hangs below the clock, covered with words which symbolise the September earthquake. The photographer comments, "After the September earthquake the clocked stopped at 04:35 and everyone campaigned to have this clock left as it was. At that time the building was believed to be OK. Two more earthquakes later and the possible memorial will probably end up like a lot of Christchurch's heritage buildings on a huge pile of stone and bricks in Bottle Lake Forest".

Images, UC QuakeStudies

A digger demolishing the Ozone Dressing Sheds building. The photographer comments, "This is the end of the Ozone Dressing Sheds built in 1914. The two storey Ozone Cafe, which was a hotel, will be given it's coup de grace on Friday. They were gutted in a spectacular fire in 1922, but were unable to be saved after the Christchurch earthquake on 22 February 2011".

Images, UC QuakeStudies

A wooden house in Wainoni has visibly bowed inwards towards its centre. The photographer comments, "During the numerous earthquakes in Christchurch the land which ran alongside the Avon river on Avonside Drive slumped towards the waterway. In a line parallel to the road the road, but around 20m away a ground movement occurred which caused some houses to rise up or sink down".

Articles, Christchurch uncovered

If you walk along the Avon River by Cashel Street you might catch a glimpse of the small gondolas taking their fares for a leisurely punt through the city and botanical gardens. Today this attraction is aimed largely at tourists, … Continue reading →