A photograph of a wooden cross erected on an empty site in Lyttelton. The cross is numbered 24, and is part of the Crux project.
A photograph of volunteers standing beside a fence made from wooden pallets, at the site of the Poetica Urban Poetry wall.
A photograph of a chalkboard painted on the wall of a building. The chalkboard advertises upcoming Gap Filler events. A woman is chalking a message on the wall.
A photograph of a woman reading poetry. She is standing in front of the Poetica Urban Poetry wall.
A photograph of the Poetica Urban Poetry wall. Details of the opening event are chalked on the wall.
A photograph of a woman applying filler to a concrete-block wall, in preparation for painting it to become the Poetica Urban Poetry wall.
A photograph of a wooden cross erected on an empty site in Lyttelton. The cross is numbered 42, and is part of the Crux project.
A photograph of a wooden cross erected on an empty site in Lyttelton. The cross is numbered 44, and is part of the Crux project.
A photograph of a customer in the seating area of the Samo Lyttelton cafe. On the walls of the cafe are posters advertising local events.
A photograph of people watching a film projected on the side of a building. The outdoor cinema was part of Gap Filler's first project.
A photograph of a film being projected on the side of a building. The outdoor cinema was part of Gap Filler's first project.
A photograph of graffiti by IMK and BRAVO on a garage in Fitzgerald Avenue.
A photograph taken in March 2013 of street art in Rolleston. The artwork includes the time and date of the 22 February 2011 earthquake, and the message, "Gone but never forgotten".
A photograph of graffiti by ROAM on a house in Hulverston Drive, Avondale.
A photograph of a paste-up on a Colombo Street bus shelter. The paste-up shows a computer error message, reading, "Capitalism has crashed. Install new system?
A photograph of two shipping containers on Colombo Street. One is being used as a temporary dairy, and the other as a display space for a frame and mirror shop.
A photograph of two shipping containers on Colombo Street. One is being used as a temporary dairy, and the other as a display space for a frame and mirror shop.
A photograph of two shipping containers on Colombo Street. One is being used as a temporary dairy, and the other as a display space for a frame and mirror shop.
A photograph of the exterior of the Village Grape, a wine shop constructed in a shipping container in Sumner.
A photograph of the interior of the Village Grape. The wine bar area has been set up in a marquee.
A photograph of children running across the site of Gap Filler's 'Film in the Gap' project. On the wall behind them is a chalkboard advertising upcoming events.
A photograph of a pianist playing a painted piano. The piano is on the site of Wayne Youle's mural, 'I seem to have temporarily misplaced my sense of humour'.
A photograph of a woman reading poetry to an audience. She is standing in front of the Poetica Urban Poetry wall.
Part three of the audio that makes up Gap Filler's 29th project, the Transitional City Audio Tour. This part of the tour begins on Madras Street and includes commentary on the clothing industry in Christchurch before reaching Tuam Street. On Tuam Street, the tour includes commentary on the C1 cafe in the former Post Office building. The tour then moves up High Street to Cashel Street and on to Re:Start Mall.
In the aftermath of the 2010 and 2011 earthquakes, Christchurch, New Zealand is framed as a ‘transi- tional’ city, moving from its demolished past to a speculative future. The ADA Mesh Cities project asks what role media art and networks may play in the transitional city, and the practices of remembering, and reimagining space.
A photograph of the Archrobatics project at LUXCITY.
A photograph of the Atmosphere project at LUXCITY.
A photograph of part of the LUXCITY installation Halo.
A photograph of the Archrobatics project at LUXCITY.
A photograph of the installation titled Murmur at LUXCITY.