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Images for Street Christchurch Earthquake Christchurch; more images...

Images, eqnz.chch.2010

Our Street - Cleaning Up (28.02.2011) Woolston Christchurch Canterbury New Zealand © 2011 Phil Le Cren Photo Taken With: Canon EOS 1000D + Canon EF/EF-S lenses + 10.1 effective megapixels + 2.5-inch TFT color LCD monitor + Eye-level pentamirror SLR + Live View shooting. + EOS Built-in Sensor cleaning system + Wide-a...

Images, eqnz.chch.2010

Our Street - Dust & Burst Water Main (02.03.2011) Woolston Christchurch Canterbury New Zealand © 2011 Phil Le Cren Photo Taken With: Canon EOS 1000D + Canon EF/EF-S lenses + 10.1 effective megapixels + 2.5-inch TFT color LCD monitor + Eye-level pentamirror SLR + Live View shooting. + EOS Built-in Sensor cleaning...

Images, eqnz.chch.2010

Our Street - Cleaning Up (28.02.2011) Woolston Christchurch Canterbury New Zealand © 2011 Phil Le Cren Photo Taken With: Canon EOS 1000D + Canon EF/EF-S lenses + 10.1 effective megapixels + 2.5-inch TFT color LCD monitor + Eye-level pentamirror SLR + Live View shooting. + EOS Built-in Sensor cleaning system + Wide-a...

Images, eqnz.chch.2010

Our Street - Sand (27.02.2011) Woolston Christchurch Canterbury New Zealand © 2011 Phil Le Cren Photo Taken With: Canon EOS 1000D + Canon EF/EF-S lenses + 10.1 effective megapixels + 2.5-inch TFT color LCD monitor + Eye-level pentamirror SLR + Live View shooting. + EOS Built-in Sensor cleaning system + Wide-area 7 p...

Images, eqnz.chch.2010

Our Street - Cleaning Up (02.03.2011) Woolston Christchurch Canterbury New Zealand © 2011 Phil Le Cren Photo Taken With: Canon EOS 1000D + Canon EF/EF-S lenses + 10.1 effective megapixels + 2.5-inch TFT color LCD monitor + Eye-level pentamirror SLR + Live View shooting. + EOS Built-in Sensor cleaning system + Wide-a...

Images, eqnz.chch.2010

Our Street - Cleaning Up (28.02.2011) Woolston Christchurch Canterbury New Zealand © 2011 Phil Le Cren Photo Taken With: Canon EOS 1000D + Canon EF/EF-S lenses + 10.1 effective megapixels + 2.5-inch TFT color LCD monitor + Eye-level pentamirror SLR + Live View shooting. + EOS Built-in Sensor cleaning system + Wide-a...

Images, eqnz.chch.2010

Our Street - Sand (27.02.2011) Woolston Christchurch Canterbury New Zealand © 2011 Phil Le Cren Photo Taken With: Canon EOS 1000D + Canon EF/EF-S lenses + 10.1 effective megapixels + 2.5-inch TFT color LCD monitor + Eye-level pentamirror SLR + Live View shooting. + EOS Built-in Sensor cleaning system + Wide-area 7 p...

Videos, UC QuakeStudies

A video of interviews with four Christchurch residents about their experiences during the 22 February 2011 earthquake. The residents include David Sandeman, who was in the PGC Building when the earthquake struck, Tristan Roberts, a member of the New Zealand Fire Service who assisted after the earthquake, Claudia McFie, who was in Cashel Street when the earthquake struck, and Belinda Van Gruting, a doctor in Christchurch. This video was part of The Press's 'Christchurch, one year after February 22, 2011' series.

Images, eqnz.chch.2010

Colombo Street closed off south of Moorhouse Ave, due to a damaged shop now deemed unstable; aftermath of a magnitude 7.1 earthquake that struck Christchurch on 4 September 2010.

Images, eqnz.chch.2010

The Police cordon turned Madras Street eerily silent during the Tuesday evening rush hour in the aftermath of the magnitude 7.1 earthquake that hit Christchurch on 4 September 2010.

Images, eqnz.chch.2010

This beautiful building on Madras Street may be condemned after suffering serious structural damage in the magnitude 7.1 earthquake that hit Christchurch on Saturday 4 September 2010.

Images, eqnz.chch.2010

The Police cordon turned Madras Street eerily silent during the Tuesday evening rush hour in the aftermath of the magnitude 7.1 earthquake that hit Christchurch on 4 September 2010.

Research papers, University of Canterbury Library

This thesis considers the presence and potential readings of graffiti and street art as part of the wider creative public landscape of Christchurch in the wake of the series of earthquakes that significantly disrupted the city physically and socially. While documenting a specific and unprecedented period of time in the city’s history, the prominence of graffiti and street art throughout the constantly changing landscape has also highlighted their popularity as increasingly entrenched additions to urban and suburban settings across the globe. In post-quake Christchurch, graffiti and street art have often displayed established tactics, techniques and styles while exploring and exposing the unique issues confronting this disrupted environment, illustrating both a transposable nature and the entwined relationship with the surrounding landscape evident in the conception of these art forms. The post-quake city has afforded graffiti and street art the opportunity to engage with a range of concepts: from the re-activation and re-population of the empty and abandoned spaces of the city, to commentaries on specific social and political issues, both angry and humorous, and notably the reconsideration of entrenched and evolving traditions, including the distinction between guerrilla and sanctioned work. The examples of graffiti and street art within this work range from the more immediate post-quake appearance of art in a group of affected suburbs, including the increasingly empty residential red-zone, to the use of the undefined spaces sweeping the central city, and even inside the Canterbury Museum, which housed the significant street art exhibition Rise in 2013-2014. These settings expose a number of themes, both distinctive and shared, that relate to both the post-disaster landscape and the concerns of graffiti and street art as art movements unavoidably entangled with public space.