
A PDF copy of red-zoned Kaiapoi residents the Rolleston-Belworthy-Mataki family's story about their life since the earthquakes. The story was documented by Cosmo Kentish-Barnes for Still Here, an artistic project supported by All Right?. Kentish-Barnes produced a series of photographs of exiled residents, accompanied with a first-person account of their life since the earthquakes.
A PDF copy of red-zoned Kaiapoi residents Karen, Clive, Kirsty and Daniel Lingley Richardson's story about their life since the earthquakes. The story was documented by Cosmo Kentish-Barnes for Still Here, an artistic project supported by All Right?. Kentish-Barnes produced a series of photographs of exiled residents, accompanied with a first-person account of their life since the earthquakes.
A PDF copy of red-zoned Kaiapoi residents Gillian Rayner and Harry Stanton's story about their life since the earthquakes. The story was documented by Cosmo Kentish-Barnes for Still Here, an artistic project supported by All Right?. Kentish-Barnes produced a series of photographs of exiled residents, accompanied with a first-person account of their life since the earthquakes.
A PDF copy of red-zoned Kaiapoi residents Dee, Marc, Nicole and Thomas Brocherie's story about their life since the earthquakes. The story was documented by Cosmo Kentish-Barnes for Still Here, an artistic project supported by All Right?. Kentish-Barnes produced a series of photographs of exiled residents, accompanied with a first-person account of their life since the earthquakes.
A PDF copy of red-zoned Kaiapoi residents Jenny Barker and Pat Barker's story about their life since the earthquakes. The story was documented by Cosmo Kentish-Barnes for Still Here, an artistic project supported by All Right?. Kentish-Barnes produced a series of photographs of exiled residents, accompanied with a first-person account of their life since the earthquakes.
A PDF copy of red-zoned Kaiapoi residents Bev Evans and Fred Evans's story about their life since the earthquakes. The story was documented by Cosmo Kentish-Barnes for Still Here, an artistic project supported by All Right?. Kentish-Barnes produced a series of photographs of exiled residents, accompanied with a first-person account of their life since the earthquakes.
A PDF copy of red-zoned Kaiapoi residents Bob Hawker and Judy Hawker's story about their life since the earthquakes. The story was documented by Cosmo Kentish-Barnes for Still Here, an artistic project supported by All Right?. Kentish-Barnes produced a series of photographs of exiled residents, accompanied with a first-person account of their life since the earthquakes.
A PDF copy of red-zoned Kaiapoi residents Lana, Dan, Tori, Rico and Aria McLean's story about their life since the earthquakes. The story was documented by Cosmo Kentish-Barnes for Still Here, an artistic project supported by All Right?. Kentish-Barnes produced a series of photographs of exiled residents, accompanied with a first-person account of their life since the earthquakes.
A PDF copy of red-zoned Kaiapoi residents Shirley Jenkin's and Peter Jenkin's story about their life since the earthquakes. The story was documented by Cosmo Kentish-Barnes for Still Here, an artistic project supported by All Right?. Kentish-Barnes produced a series of photographs of exiled residents, accompanied with a first-person account of their life since the earthquakes.
A PDF copy of red-zoned Kaiapoi residents Chris Patterson and Nigel Swain's story about their life since the earthquakes. The story was documented by Cosmo Kentish-Barnes for Still Here, an artistic project supported by All Right?. Kentish-Barnes produced a series of photographs of exiled residents, accompanied with a first-person account of their life since the earthquakes.
A PDF copy of red-zoned Kaiapoi residents Mick Mariner and Rose Mariner's story about their life since the earthquakes. The story was documented by Cosmo Kentish-Barnes for Still Here, an artistic project supported by All Right?. Kentish-Barnes produced a series of photographs of exiled residents, accompanied with a first-person account of their life since the earthquakes.
A PDF copy of red-zoned Kaiapoi residents Chantal, Nigel, Ashleigh and Kadyn Palmer's story about their life since the earthquakes. The story was documented by Cosmo Kentish-Barnes for Still Here, an artistic project supported by All Right?. Kentish-Barnes produced a series of photographs of exiled residents, accompanied with a first-person account of their life since the earthquakes.
A PDF copy of red-zoned Kaiapoi residents Gretta Morris and Brian Morris's story about their life since the earthquakes. The story was documented by Cosmo Kentish-Barnes for Still Here, an artistic project supported by All Right?. Kentish-Barnes produced a series of photographs of exiled residents, accompanied with a first-person account of their life since the earthquakes.
A PDF copy of red-zoned Kaiapoi residents Kylee, Elmar, Lucien, Alijah and Ebony Vink's story about their life since the earthquakes. The story was documented by Cosmo Kentish-Barnes for Still Here, an artistic project supported by All Right?. Kentish-Barnes produced a series of photographs of exiled residents, accompanied with a first-person account of their life since the earthquakes.
A PDF copy of red-zoned Kaiapoi residents Fay, Glen and Max Harper's story about their life since the earthquakes. The story was documented by Cosmo Kentish-Barnes for Still Here, an artistic project supported by All Right?. Kentish-Barnes produced a series of photographs of exiled residents, accompanied with a first-person account of their life since the earthquakes.
Photograph captioned by Fairfax, "Christchurch CBD was 'yarn-bombed' during the weekend using yarn and fabric pieces to brighten public areas and earthquake-affected spaces. Visitor Ann Rees and her husband Bernard from South Wales said when looking at the yarn-bombed busts at the Arts Centre (from left: Diana Isaac, Elisie Locke, Charles Luney and Margaret Mahy) that it didn't appear like the work of vandals, but looked quite homely and warm".
Photograph captioned by Fairfax, "Christchurch CBD was 'yarn-bombed' during the weekend using yarn and fabric pieces to brighten public areas and earthquake-affected spaces. Visitor Ann Rees and her husband Bernard from South Wales said when looking at the yarn-bombed busts at the Arts Centre (from left: Diana Isaac, Elisie Locke, Charles Luney and Margaret Mahy) that it didn't appear like the work of vandals, but looked quite homely and warm".
A digitally manipulated image of a statue of the Virgin Mary in a broken window of the Cathedral of the Blessed Sacrament. The photographer comments, "Before the February 2011 earthquake the statue above was facing into the Cathedral looking down a corridor, but after it had turned 180 degrees to point towards the window. The statue of Mary turning like this gave a sign of hope for the people of Christchurch. It was amongst one of the most photographed things after the earthquake until it was removed".
A digitally manipulated photograph of the Ozone Hotel's sign, leaning against a cordon fence. The photographer comments, "This sign was all that remained after the demolition of the historical Ozone Hotel, which was damaged in the Christchurch earthquakes. The sign disappeared so hopefully it will reappear at a later date in a museum. The bits of blue were the painted bricks of the hotel, which made it really stand out".
Photograph captioned by Fairfax, "Invercargill Fire Station fire fighters who recently went to help in Christchurch for the Canterbury Earthquake cleanup. The National Boss presented the fire fighters with a Certificate of Commendation on Tuesday night. Invercargill firefighters Cameron McLachlan, Pete Scarlet, Dennis Hika, Chris Hamilton, Aaron Ramsay, National Commander Mike Hall, John Gilder, Ron Fetolofai (absent Murray Milne-Maresca) presented a certificate of commendation for their service during the Christchurch earthquake by national commander Mike Hall yesterday".
A black and white photograph of a sign reading "A tidy standard of dress is required." In the foreground is a pile of building rubble. The photographer comments, "I reversed this picture in the interests of my followers as it was harder to read the right way round. The wrecking crew did not wear ties, but they did look neat in their orange vests".
Photograph captioned by Fairfax, "Damage to St. Mary's Anglican Church Timaru resulting from 7.1 Magnitude Earthquake centred near Darfield. (L to R on ground): Archdeacon Andrew Starky; Vicar Indrea Alexander and Concillor Ray Bennett watch as Craig Perkins and Kevin Deam are hoisted by crane to remove damaged spires from the church tower. (L to R): Builder Kevin Deam and St. Mary's parishioner Craig Perkins inspect a damaged spire on the church tower".
A photograph submitted by Gaynor James to the QuakeStories website. The description reads, "DTZ building going, 20 July 2011. A small crowd watches the demolition …There is an eerie silence- no excited buzz – people watching yet another part of their history turning into rubble. The wrecking ball, delicately positioned, drops and is followed by the cracking and rending of floor after floor and the debris tumbles down … It starts to clear and an extraordinary sight greets us. Hundreds and hundreds of sheets of paper drift down like giant confetti.".
A digitally manipulated photograph of the bottom of Victoria Lake in Hagley Park. The photographer comments, "After the Christchurch earthquake in February 2011, Victoria Lake suffered some cracking which broke the previous clay seal. The lake has now been excavated so that the new clay seal can be spread out and flattened ready to be filled again with water. The red pile is the clay and in the background is the grey silt or liquefaction that spewed into the lake from cracks in the lake bed".
A digitally manipulated photograph of twisted reinforcing rods amongst the rubble from the demolition of QEII. The photographer comments, "These rarely seen worms live in the pressurised earth under the foundations of buildings. They need a damp soil and be under at least 100 pounds of pressure per square inch. After the destructive force of an earthquake they swiftly rise to the surface through gaps in the rubble. Unfortunately they quickly die and then crystallise as hard as iron in the dry low pressure air".
Photograph captioned by Fairfax, "Teeing off: Storeman Wayne Smith at the 12th hole of the Contact Wairakei Charity Golf Tournament for the Canterbury Earthquake Relief Fund. Held earlier this month, the tournament raised more than $8000 for the Canterbury Earthquake Relief Fund. In total more than $30,000 was raised for three charities at this year's annual tournament held at the Taupo Golf Club. As well as the $8200 raised for the Canterbury Earthquake Recovery Fund, two local charities Taupo Big Brother Big Sister and the Taupo Therapy Centre, each received $11,000 each from this year's fundraising effort".
Photograph captioned by Fairfax, "Teddy time: A Whanganui man has sent dozens of teddy bears to Rangiora to be distributed to children affected by the Canterbury earthquake. Ted Cheriton sent the teddies to National MP Kate Wilkinson's office to be distributed. Ms Wilkinson said it was a fantastic gesture. 'I am sure they will be welcome in Kaiapoi and beach settlements where damage from the earthquake has severely affected many families', she said. 'Hopefully these teddies will bring a smile to some young children and cheer them up in what has been a very trying and traumatic time'".
A PDF copy of the six signs that together read, "Share the love." The signs were used at the 'Outrageous Burst of All Right: Bacon Bombing' in December 2013. This saw team members from All Right? dress up as bacon butties and provide bacon butties for SCIRT workers. From allright.org.nz: SCIRT workers are tasked with the enormous job of rebuilding and repairing the damaged underground infrastructure and roads. With the help of Hellers and an anonymous giant bacon buttie, the All Right? team visited several SCIRT sites in December 2013 to show the workers a bit of (rather unusual) love. For photographs from the event, see: https://quakestudies.canterbury.ac.nz/store/object/21635
A photograph captioned, "I miss living here, right by the river. I'd been there for quite a long time, 12 years or so. I realize now I took it for granted a bit. I used to get a bit bored with having a big old house that was cold, difficult to clean, and perhaps hard to keep warm. But now, when I go back there, I miss living in a big house by the river with an open fire and a big lounge and everything. I had the park there on the other side of the river. And there was a little bridge down there where you could walk over to it. There was actually a circuit you could do, up to the New Brighton Bridge and back. Yeah, it was beautiful".
This paper describes the performance of (or damage to) ceilings in buildings during the 22nd February 2011 Christchurch earthquake and the subsequent aftershocks. In buildings that suffered severe structural damage, ceilings and other non-structural components (rather expectedly) failed, but even in buildings with little damage to their structural systems, ceilings were found to be severely damaged. The extent of ceiling damage, where the ceilings were subject to severe shaking, depended on the type of the ceiling system, the size and weight of the ceilings and the interaction of ceilings with other elements. The varieties and extent of observed ceiling damage are discussed in this paper with the help of photographs taken after the earthquake.