A photograph of volunteers painting wooden fence palings for the Gap Filler Butterfly Gap project.
A photograph of a garden area on Colombo Street.
A photograph of a garden area on Colombo Street.
A photograph of a performance that was part of Gap Filler's first project.
A photograph of a poster describing the Orzeit/Local Time exhibition.
A photograph of volunteers creating a garden area on Colombo Street.
A photograph of volunteers creating a garden area on Colombo Street.
A photograph of volunteers creating a garden area on Colombo Street.
A photograph of people dancing at the Gap Filler Dance-O-Mat.
A photograph of people exercising at the Gap Filler Dance-O-Mat.
A photograph of people dancing at the Gap Filler Dance-O-Mat.
A photograph of volunteers erecting the Dino-Sauna on an empty site in Lyttelton.
A photograph of a shipping container being used as a temporary dairy.
A photograph of a beach garden in New Brighton.
A photograph of a sign giving information about the Gap Filler Dino-Sauna project.
A photograph of volunteers creating a garden area on Colombo Street.
A photograph of a shipping container being used as a temporary dairy.
A photograph of the installation titled Kloud at LUXCITY.
A photograph of a garden area on Colombo Street.
A photograph of the installation titled Kloud at LUXCITY.
A photograph of the LUXCITY installation Halo.
A photograph of people dancing at the Gap Filler Dance-O-Mat.
A photograph of builders preparing framing for Gap Filler's office.
A photograph of a shipping container being used as a temporary dairy.
A photograph of volunteers painting wooden fence palings for the Gap Filler Butterfly Gap project.
A poster created by Empowered Christchurch to advertise their submission to the CERA Draft Transition Recovery Plan on social media.The poster reads, "Submission. CERA Draft Transition Recovery Plan. 5. In your opinion, is there a better way to report on these recovery issues? We believe that, as regards residential recovery, monitoring should extend to code compliance certificates. According to figures published in 2014, only factions of repairs/rebuilds are completed with the issue of a code compliance certificate. To conclude the work to the required standard, someone must pay for the code compliance. Leaving things as they are could have serious negative consequences for the recovery and for the city as a whole. We suggest an investigation of number of outstanding code compliance certificates and that responsible parties are made to address this outstanding work. We need a city that is driven by the people that live in it, and enabled by a bureaucracy that accepts and mitigates risks, rather than transferring them to the most vulnerable residents."
A photograph of the seating area at the Samo Lyttelton cafe. In the background is a view of Lyttelton Harbour.
A photograph of the interior of the Samo Lyttelton cafe. Shelves hold childrens' books and toys, a tray of condiments, and other items.
A photograph of wooden planks used in the construction of Gap Filler's temporary outdoor cinema. The boards have a crown logo painted on them.
A photograph of the LUXCITY installations Archrobatics (left) and Altitude on Manchester Street.