A close-up photograph of a stuffed penguin that is being stored at the Canterbury Cultural Recovery Centre.
The crowd at the YMCA Carols by Candlelight event in Latimer Square.
Graffiti on the wall beside the site of a demolished building near the Casino reads "damaged".
A paper submitted by Andrew Moore in partial fulfilment of the degree of Bachelor of Music with Honours, covering the effects of the Canterbury earthquakes on the musical life of Christchurch. Dissertation supervised by Dr Elaine Dobson, University of Canterbury School of Music. All photographs from The Press are copyright Fairfax Media and are used with permission.
A busker in the Re:Start mall during the World Buskers Festival.
Mike Hewson's installation "Deconstruction" on the walkway between Ballantynes and The Crossing gives the illusion that the walkway has been removed.
A digital copy of a pen and ink and watercolour painting by Raymond Morris, titled, 'Trinity Church 1874 (Octagon Restaurant)'.
A sign on the cordon fence around the Town Hall reads "Extreme Danger Keep Out".
A digital copy of a pen and ink and watercolour painting by Raymond Morris, titled, 'Warners Hotel, Cathedral Square (1920)'.
A photograph of Whole House Reuse item 493. This item was salvaged from 19 Admiral Way in New Brighton as part of the Whole House Reuse project.
A photograph of two lecterns and other furniture being stored at the Canterbury Cultural Recovery Centre.
A digital copy of a pen and ink and watercolour painting by Raymond Morris, titled, 'Woolston Community Library, Ferry Road'.
Children play on street furniture on Gloucester Street, part of one of the Christchurch City Council's Transitional City projects. In the background is the facade of the Isaac Theatre Royal, protected by shipping containers.
A piece of personal experience writing about the Canterbury earthquakes, written by Jonathan.
A digital copy of a pen and ink and watercolour painting by Raymond Morris, titled, 'Saggio de Vino'.
A digital copy of a pen and ink and watercolour painting by Raymond Morris, titled, 'McKenzie & Willis Store, Tuam Street'.
Cardboard inspiration boards hung on a fence at the LuxCity event, inviting the public to add their thoughts.
A digital copy of a pen and ink and watercolour painting by Raymond Morris, titled, 'Devon Hotel'.
Children play on street furniture on Gloucester Street, part of one of the Christchurch City Council's Transitional City projects. In the background is the facade of the Isaac Theatre Royal, protected by shipping containers.
A colourful mural and patterns on the road brighten up an empty space on Oxford Terrace near the Re:Start mall.
'185 Empty Chairs', Pete Majendie's art installation commemorating those who died in the earthquake.
A piece of personal experience writing about the Canterbury earthquakes, written by Jake.
A piece of personal experience writing about the Canterbury earthquakes, written by Sam.
'185 Empty Chairs', Pete Majendie's art installation commemorating those who died in the earthquake.
Blog from Christchurch business-owner Nicky Arts detailing the rebuild of the Christchurch CBD following the earthquakles of 2010 and 2011.
Photograph captioned by BeckerFraserPhotos, "The CBD with Fanzone and Christ's College in the foreground, Arts Centre to the right".
A photograph of the Arts Centre taken from Rolleston Avenue near the Botanic Gardens. The building has been cordoned off by wire fencing and a wooden structure has been secured to the tower with tie-downs to help reduce damage from further aftershocks.
The Rolleston Avenue face of the Arts Centre. The building has been cordoned off with wire fencing and road cones. One of the spires has been removed from the building and is resting safely on the footpath. Above, a crane can be seen.
The Arts Centre on Worcester Boulevard with damage to the gables. Wire fencing has been placed around the building as a cordon. In the distance, steel bracing has been placed against the front of the building to hold the walls together.
The badly-damaged Arts Centre, viewed from Rolleston Avenue. The turret has been removed from the building and secured to a platform on the footpath. Wire fencing has been placed around the building as a cordon and there are many road cones directing traffic.