
A photograph of a musician on stage in the 'Sound Cone' space at LUXCITY.
A photograph of an acrobat practicing a performance for 'Sound Cone' at LUXCITY.
A photograph of a performer at the 'Sound Cone' project at LUXCITY.
A photograph of a band playing on stage in the 'Sound Cone' space at LUXCITY.
A photograph of a musician on stage in the 'Sound Cone' space at LUXCITY.
A photograph of the LUXCITY 'Sound Cone' performance space on Gloucester Street.
A photograph of people watching a model posing in a large inflatable ball as part of the In Your Face installation at LUXCITY.
A photograph of a vacant site on Gloucester Street next to Cathedral Junction. The site is to be the location for 'Sound Cone', a performance space which is part of LUXCITY.
A photograph of a performer using a large hoola hoop during a performance in the 'Sound Cone' space at LUXCITY.
A photograph of a performer using a large hoola hoop during a performance in the 'Sound Cone' space at LUXCITY.
A photograph of a model posing inside an inflated, transparent ball as part of the In Your Face installation at LUXCITY.
A photograph of a young visitor being lifted up to view the In Your Face installation at LUXCITY.
A photograph of an acrobat practicing a performance for 'Sound Cone'. The performance is part of LUXCITY.
A photograph of a crowd enjoying a live band in the 'Sound Cone' space at LUXCITY.
A photograph of people transporting materials and props for the 'Sound Cone' project, which is part of LUXCITY.
A photograph of Hera Hjartardottir and Ben Campbell from Fledge standing on a circular platform at the location of 'Sound Cone'. 'Sound Cone' is a performance space at LUXCITY, and is next to Cathedral Junction.
A photograph of people watching a model posing in a large inflatable ball as part of the In Your Face installation at LUXCITY.
A photograph of an acrobat practicing a performance for 'Sound Cone'. The performance is part of LUXCITY.
A photograph of a crowd surrounding the In Your Face installation on Gloucester Street during LUXCITY.
A photograph of a performer using a large hoola hoop during a performance in the 'Sound Cone' space at LUXCITY.
A photograph of a performer using a large hoola hoop during a performance in the 'Sound Cone' space at LUXCITY.
A photograph captioned by BeckerFraserPhotos, "A mound of liquefaction next to an angled street light on Liggins Street in the Horseshoe Lake area".
A photograph captioned by BeckerFraserPhotos, "The light shines through these stained glass windows in ChristChurch Cathedral in a way that used to be seen only from the inside of the Cathedral".
The north-west corner of the Cranmer Courts on Montreal Street. Wooden bracing has been placed against the brickwork near the window to hold it together. In front, a street light has been knocked on a lean by the earthquake.
A photograph of artificial flowers, a stage light, and a platform of bricks inside a large, transparent plastic bubble. The set-up was part of Canterbury Tales - a carnivalesque procession which was the main event of FESTA 2013.
The entrance way to Gap Filler's temporary cinema, 'The Night Club', with a door made out of wire and lights, a red carpet painted on the ground, and a light sculpture on the wall of a building indicating the way in.
Photograph captioned by BeckerFraserPhotos, "Manikin against sculpture in Cathedral Square. This began as light relief for the crews working within the cordon in the weeks after the February earthquake where the manikins were strategically positioned around the red zone at night".
A photograph of street art on a clothing bin on Battersea Street. Part of the street art reads, "Prove ANSR". Above this are two doves on either side of a yellow flower. One of the doves is light pink and the other is white.
An PDF copy of a poster featuring Northcote resident Sandy Otunfangavalu. The poster quotes Otufangavalu: "I am grateful for my kids and family, who light up my life and help keep me grounded." The poster is from the All Right? I am ... Identity project, which sought to celebrate identity and its importance to Pacific youth and their wellbeing.
Seismic isolation is an effective technology for significantly reducing damage to buildings and building contents. However, its application to light-frame wood buildings has so far been unable to overcome cost and technical barriers such as susceptibility to movement during high-wind loading. The precursor to research in the field of isolation of residential buildings was the 1994 Northridge Earthquake (6.7 MW) in the United States and the 1995 Kobe Earthquake (6.9 MW) in Japan. While only a small number of lives were lost in residential buildings in these events, the economic impact was significant with over half of earthquake recovery costs given to repair and reconstruction of residential building damage. A value case has been explored to highlight the benefits of seismically isolated residential buildings compared to a standard fixed-base dwellings for the Wellington region. Loss data generated by insurance claim information from the 2011 Christchurch Earthquake has been used by researchers to determine vulnerability functions for the current light-frame wood building stock. By further considering the loss attributed to drift and acceleration sensitive components, and a simplified single degree of freedom (SDOF) building model, a method for determining vulnerability functions for seismic isolated buildings was developed. Vulnerability functions were then applied directly in a loss assessment using the GNS developed software, RiskScape. Vulnerability was shown to dramatically reduce for isolated buildings compared to an equivalent fixed-base building and as a result, the monetary savings in a given earthquake scenario were significant. This work is expected to drive further interest for development of solutions for the seismic isolation of residential dwellings, of which one option is further considered and presented herein.