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Images, UC QuakeStudies

A photograph taken from the top of the BNZ building. The photograph is captioned by BeckerFraserPhotos, "Clarendon Towers, Rydges Hotel, Grant Thornton, Brannigans Building (under demolition), former Government Life Building and Farmers are the high buildings dominating the view in this picture".

Images, UC QuakeStudies

A photograph taken from the top of the BNZ building. The photograph is captioned by BeckerFraserPhotos, "There are workers suspended from a cage about a third of the way up the Pacific Tower as well as a couple of workers on the top penthouse floor. It's hard to see where they are suspended from".

Images, UC QuakeStudies

A photograph taken from the top of the BNZ building. The photograph is captioned by BeckerFraserPhotos, "Finally, the mess outside Coffee Culture on High Street has been cleared and demolition work will complete what the earthquake began. The red containers in the background are Fletchers containers, servicing the Hotel Grand Chancellor deconstruction".

Images, Canterbury Museum

One white over-painted hand-made electric guitar made primarily from ash and maple timbers, also incorporating wood from a variety of historic buildings in Canterbury damaged or destroyed in the 2010 - 2011 earthquakes including the Arts Centre, Kutwell’s Warehouse, Lyttleton main street pub, Timeball Station, Carlton Hotel, Merivale shops, bui...

Videos, UC QuakeStudies

A video of a tour of the Christchurch central city Red Zone. The video includes footage of Oxford Terrace, Armagh Street, Colombo Street, Gloucester Street, Hereford Street, High Street, the Westpac Trust Building, Cashel Street, Manchester Street, Poplar Lane, the site of the demolished Convention Centre, and the Crowne Plaza Hotel.

Audio, Radio New Zealand

Our Christchurch correspondent, Katy Gosset takes us on a musical journey with the help of one of the city's longest serving pianists. For 23 years Peter Lewis played the piano in the Crowne Plaza Hotel before being made redundant by the February 2011 earthquake. Peter has since struggled to find a way to share his music with others. Today Katy seeks out some city pianos and takes him on a mystery tour to rediscover the pleasure of playing.

Videos, UC QuakeStudies

A video of a tour of the Christchurch central city Red Zone. The video includes footage of Cambridge Terrace, the Copthorne Hotel on Colombo Street, Gloucester Street, the Government Life Building in Cathedral Square, the Grant Thornton Building in Cathedral Square, the ChristChurch Cathedral, the new Press Building on Gloucester Street, the Design and Arts College building on Worcester Street, the new Westende Jewellers Building, Hereford Street, the Westpac Trust Building, the BNZ Building, the Holiday Inn, Lichfield Street, High Street, and Cathedral Junction.

Images, UC QuakeStudies

Graffiti on a wooden wall depicts a child pointing at a site across the street and reads "I remember when the Kazbah was over there." The photographer comments, "A local street artist has commemorated Christchurch's deadliest earthquake. The anniversary is tomorrow. Where the photograph was taken was the site of the Ozone Hotel, which has now gone as well. For some of us who live and work in the East of Christchurch the earthquake was not what happened in the City as we were almost unaware of it. We had no water, toilets and most of all no electricity for weeks. For myself petrol was low and with tales of all the petrol stations on our side of town being damaged we could not take the chance of venturing out on severely damaged roads to find no petrol and the possibility of not getting home. We walked around and saw the damage that was local to us. TJ's Kazbah was one that stood out. A building that had a beauty with its round tower standing proud and always looked well kept - it was now collapsed. Its tower, which was once pointing towards the sky was laying on its side. It had kept its shape, but had a lightning shaped crack through it. The one thing that kept us feeling almost normal through the coming weeks was The Press our daily paper still being delivered even though the Press building and staff had suffered so badly themselves.

Research papers, Victoria University of Wellington

The demand for a new approach to safeguarding New Zealand’s endangered historic buildings was identified as a result of the recent increase in building code and strengthening requirements following the Christchurch earthquakes of 2010-2011. The Wellington City Council identified 266 heritage buildings in the city that must be either strengthened or demolished to address these increased requirements. This thesis explores this threat as an opportunity for researching how contemporary design interventions can be challenged to both strengthen and become active participants in the ongoing history of New Zealand’s potentially endangered historic buildings. This thesis challenges the current approach of completely ‘restoring’ 19th-20th century historic buildings in New Zealand, to develop techniques that structurally reinforce historic buildings while inviting the progressive weathering of a building to remain as a testament to its history. This thesis proposes a structural intervention that is responsive to the progressive history of historic buildings, simultaneously introducing a contemporary structural intervention that both participates in and compliments the progressive historic transformations of the vehicle. This thesis argues that current historic buildings in semi-decayed states in fact enable visitors to witness multiple stages in the life of a building, while fully restored buildings only enable visitors to witness the original form of the building. This thesis proposes a model for contemporary intervention within historic buildings that draws a design intervention from seismic strengthening.The notion of layering is explored as a design approach to incorporate the contemporary with the historic as an additional layer of exposed on-going history, thereby further exposing the layers of history evident within New Zealand’s historic buildings. This thesis combines layering theories of architects Louis Kahn and Carlo Scarpa with related theories of installation artist Mary Miss. The theoretical imperatives of Scarpa and Kahn are explored as a tool of engagement for the junction between the contemporary and historic building materials, and the work of Marry Miss is explored as a design approach for developing a contemporary intervention that references the layered historic building while inviting new means of occupancy between layers. The selected vehicle for the design research investigation is the Albemarle Hotel on Ghuznee Street in Wellington. The techniques proposed in this thesis to strengthen the Albemarle Hotel suggest an approach that might be applied to New Zealand’s wider body of historic buildings that constitute New Zealand’s heritage fabric, ultimately protecting them from demolition while preserving additional layers of their historic narratives. Over all the design research experiments suggest that contemporary interventions derived from structural strengthening may be a viable and cost-effective method of re-inhabiting New Zealand’s endangered heritage buildings, avoiding demolition and securing New Zealand’s heritage for future generations. Research Questions: This thesis challenges the current economically unsustainable approach of laterally reinforcing and completely ‘restoring’ 19th-20th century historic buildings in New Zealand. This thesis argues that current historic buildings in semi-decayed states in fact enable visitors to witness multiple stages in the on-going life of a building. Can the weathered state of New Zealand's heritage buildings be proactively retained and celebrated as witnesses to their history? Can new lateral reinforcing requirements be conceived as active participants in revealing the on-going history of New Zealand's historic buildings?

Images, Alexander Turnbull Library

Photographs of central Christchurch after the 2010-2012 earthquakes taken 25 February 2012 by Sean McMahon. Locations are chiefly Manchester, Saint Asaph, Cashel, Columbo and Lichfield Streets, and the Bridge of Remembrance. Images show fencing around areas closed to the public, damaged and collapsed commercial buildings, cleared sites, re-opened Cashel Street area with shops and a cafe. Source of title - Title supplied by Library Quantity: 34 digital photograph(s).