An artist's impression of an installation that forms part of the '60 Lights Market' at the LUXCITY event. Coordinators: Daniele Abreu e Lima and Michael Smith; students: Alex Heperi, Gagan Saini, Shamal Nanji, Xavier Apelinga
A photograph of bricks forming a playing square of Christchurch: A Board Game. The bricks show a picture of ChristChurch Cathedral, and read, "ChristChurch Cathedral. Skip church, move to Ferry Rd".
A photograph of the wall of a street football arena built by Student Volunteer Army volunteers. The wall has a sign attached acknowledging the support of Resene, and is painted with the words, 'Red zone timber'.
A PDF copy of pages 302-303 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Outdoor Music Room'. Photos with permission from Greening the Rubble
Damage to the front gable of the Durham Street Methodist Church. Masonry has fallen from the top of the gable, and the resulting gap has been weather proofed with plywood, tarpaulins and metal tiles. The steel bracing propping the whole front wall can be seen at the bottom of the photograph.
Part of Mike Hewson's installation 'Homage To Lost Spaces' in the Cramner Courts building, a photograph of a skateboarder has been inserted into a gap in the building. The photographer comments, "Although Cranmer Courts are in ruins pictures have been inserted into the windows to make them look more 'normal'".
A PDF copy of pages 322-323 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'The Hope Bear and Giraffing Around'.
Earthquakes cause significant damage to buildings due to strong vibration of the ground. Levitating houses using magnets and electromagnets would provide a complete isolation of ground motion for protecting buildings from seismic damage. Two types of initial configuration for the electromagnet system were proposed with the same air gap (10mm) between the electromagnet and reluctance plate. Both active and passive controller are modelled to investigate the feasibility of using a vibration control system for stabilizing the magnetic system within the designed air gap (10mm) in the vertical direction. A nonlinear model for the magnetic system is derived to implement numerical simulation of structural response under the earthquake record in Christchurch Botanic Gardens on 21 February 2011. The performance of the uncontrolled and the controlled systems are compared and the optimal combination of control gains are determined for the PID active controller. Simulation results show both active PID controller with constant and nonlinear attracting force are able to provide an effective displacement control within the required air gap (+/-5mm). The maximum control force demand for the PID controller in the presence of nonlinear attracting force is 4.1kN, while the attracting force in equilibrium position is 10kN provided by the electromagnet. These results show the feasibility of levitating a house using the current electromagnet and PID controller. Finally, initial results of passive control using two permanent magnets or dampers show the structural responses can be effectively reduced and centralized to +/-1mm using a nonlinear centring barrier function.
A photograph of installations being constructed on the corner of Gloucester Street and Colombo Street for the LUXCITY event. In the foreground is the installation titled "In Your Face", and to the right is the installation titled "Etch-a-Sketch".
A PDF copy of pages 216-217 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Foamapalooza'. Photos: Peter Walker, Three Chairs Photography. With permission from Volunteer Army Foundation.
Scaffolding that has been constructed on the Manchester Street face of the Octagon Live Restaurant (formerly Trinity Church), which is being repaired. Masonry has fallen from one of the building's gables, and the resultant gap has been weather proofed with plywood and a tarpaulin. The site has been enclosed in a safety fence that cuts off one lane of the road.
Internal damage to a house in Richmond. A doorframe has visibly warped, leaving a gap between the frame and the door. Outside, cracks can be seen in the concrete patio. The photographer comments, "Sunroom - bifold doors are now separated from the frame. The doors on the left blew right out in a strong wind 2 weeks after the quake".
One landscape colour digital photograph taken on 27 April 2011 showing the demolition of the premises of Ground Delicatessen on the corner of Canterbury and London Streets. The photograph is taken from Canterbury Street. The site formerly occupied by Ground Delicatessen was made available for a Gap Filler initiative called the Lyttelton Petanqu...
Closeup of the Grand Chancellor showing the south eastern corner, which is where it has slumped and broken and is now leaning in that direction. I note that they have taken some equipment out of the roof, you can see daylight through the gaps on the other side. The broken windows are also clearly visible with curtains hanging in some of them. ...
According to the sign it can take about 30 minutes to walk from the entry point (here) to the centre and out again. That is without stepping across the gaps between bricks. What you can do with a few thousand old bricks and gravel!
A PDF copy of pages 350-351 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Concrete Propositions'. Images: Ash Keating Concrete Propositions 2012. Acrylic house paint on concrete. Copyright the artist. Courtesy the artist and Fehily Contemporary, Melbourne Australia. Photo: John Collie.
Smoke billowing from the remains of the collapsed Canterbury Television Building on Madras Street. Flames are visible through a gap in the intact section of the building. Below, emergency personnel can be seen searching the rubble for trapped people. On the right, two workers are using a piece of corrugated plastic as a slide to remove objects from the rubble.
Scaffolding that has been constructed on the Manchester Street face of the Octagon Live Restaurant (formerly Trinity Church), which is being repaired. Masonry has fallen from one of the building's gables, and the resultant gap has been weather proofed with plywood and a tarpaulin. The site has been enclosed in a safety fence that cuts off one lane of the road.
A PDF copy of pages 212-213 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project '500 Days: Churchill Park'. Photos: Peter Walker, Three Chairs Photography. With permission from Volunteer Army Foundation.
A photograph of crowds at the LUXCITY event. The photograph shows installations on the corner of Gloucester Street and Colombo Street. In the foreground is the installation titled "In Your Face", and to the right is the installation titled "Etch-a-Sketch".
A photograph of the earthquake damage to a house on Major Hornbrook Drive. The chimney has collapsed and many of the tiles have been lifted on the roof. Tarpaulins have been laid over the holes in the roof as waterproofing, but the closest has shredded. Gaps can be seen between the bricks in the wall and the wall to the left has crumbled.
Part of Mike Hewson's installation 'Homage To Lost Spaces' in the Cramner Courts building, a photograph of a young man working at a desk has been inserted into a gap in the building. The photographer comments, "Although Cranmer Courts are in ruins pictures have been inserted into the windows to make them look occupied".
A photograph of the earthquake damage to a house on Major Hornbrook Drive. The chimney has collapsed and many of the tiles have been lifted on the roof. Tarpaulins have been laid over the holes in the roof as waterproofing, but the closest has shredded. Gaps can be seen between the bricks in the wall and the wall to the left has crumbled.
A photograph of the earthquake damage to a house on Major Hornbrook Drive. The chimney has collapsed and many of the tiles have been lifted on the roof. Tarpaulins have been laid over the holes in the roof as waterproofing, but the closest has shredded. Gaps can be seen between the bricks in the wall and the wall to the left has crumbled.
Scaffolding that has been constructed on the Manchester Street face of the Octagon Live Restaurant (formerly Trinity Church), which is being repaired. Masonry has fallen from one of the building's gables, and the resultant gap has been weather proofed with plywood and a tarpaulin. The site has been enclosed in a safety fence that cuts off one lane of the road.
Impact between structures of bridge sections can play a major, unexpected role in seismic structural damage. Linear and non-linear models are developed to analyze structural impact and response of two single-degree-of-freedom structures, representing adjacent buildings or bridge sections. The analyses presented assess probability of impact, displacement change due to impact, and the probability of increased displacement due to impact. These are assessed over a matrix of structural periods for each degree-of-freedom, different impact coefficients of restitution, and a probabilistically scaled suite of earthquake events. Linear versus non-linear effects are assessed using a Ramberg-Osgood non-linear model for column inelasticity. The normalized distance, or gap-ratio (GR), defined as a percentage of the summed spectral displacements, is used to create probabilistic design requirements. Increasing GR and structural periods that are similar (T2/T1~0.8-1.25) significantly decrease the likelihood of impact, and vice-versa. Including column inelasticity and decreasing coefficient of restitution decrease displacement increases due to impact and thus reduce potential damage. A minimum GR~0.5-0.9 ensures that any displacement increases will be less than 10% for 90% of ground motions over all structural period combinations (0.2-5.0sec). These results enable probabilistic design guidelines to manage undesirable effects of impact– an important factor during the recent Canterbury, New Zealand Earthquakes.
A PDF copy of pages 214-215 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Christchurch: A Board Game'. Photo (top): Peter Walker, Three Chairs Photography. With permission from Volunteer Army Foundation. Photo (bottom): Irene Boles.
The book launch for "The Shaken Heart Booklet", a collection of interviews with members of the Lyttelton Community put together by Sue-Ellen Sandilands (left), Bettina Evans (middle) and Jen Kenix (right). The event was held at the Lyttelton Pentanque Club, a Gap Filler project on the site of the Ground Culinary Centre on London Street. In the background, members of the public are also making wool medals to celebrate the achievements of the community after the earthquake.
A PDF copy of pages 50-51 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'LUXCITY'. Photographs: Bridget Anderson and Douglas Horrell
One landscape colour digital photograph taken on 19 November 2011 showing buildings on London Street. Visible in the photograph (left to right) are Bells Pharmacy - relocated into a converted house with law firm MacTodd on the upper floor, Portico (gift shop), Tommy Changs Cafe, and the edge of the Lyttelton Petanque Club Gap Filler initiative. ...