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A photograph of Sarah Sutherland at Gap Filler's Inconvenience Store, standing in front of her favourite painting. The painting was part of the 'Present Tense' project which sought to highlight the inconvenience of the city in the present day. Visitors to the store were asked to choose five paintings they would like to see presented as a billboard installation in Auckland.
A photograph of visitors to Gap Filler's Inconvenience Store deciding which of the ten paintings were their favourites. The paintings were part of the 'Present Tense' project which sought to highlight the inconvenience of the city in the present day. Visitors to the store were asked to choose five paintings they would like to see presented as a billboard installation in Auckland.
A photograph of visitors to Gap Filler's Inconvenience Store standing in front of their favourite painting. The painting was part of the 'Present Tense' project which sought to highlight the inconvenience of the city in the present day. Visitors to the store were asked to choose five paintings they would like to see presented as a billboard installation in Auckland.
A photograph of visitors to Gap Filler's Inconvenience Store standing in front of their favourite painting. The painting was part of the 'Present Tense' project which sought to highlight the inconvenience of the city in the present day. Visitors to the store were asked to choose five paintings they would like to see presented as a billboard installation in Auckland.
A photograph of a visitor to Gap Filler's Inconvenience Store standing in front of her favourite painting. The painting was part of the 'Present Tense' project which sought to highlight the inconvenience of the city in the present day. Visitors to the store were asked to choose five paintings they would like to see presented as a billboard installation in Auckland.
A photograph of visitors to Gap Filler's Inconvenience Store standing in front of their favourite painting. The painting was part of the 'Present Tense' project which sought to highlight the inconvenience of the city in the present day. Visitors to the store were asked to choose five paintings they would like to see presented as a billboard installation in Auckland.
A photograph of signs on the side of the Christchurch Art Gallery. The art gallery served as the temporary headquarters for Civil Defence after the 22 February 2011 earthquake. The signs read, "Media Info, Christchurch Earthquake Response" and "Media Briefings, every day 10:30 and 17:30 hours in auditorium". There is also a map showing access points into the central city.
A photograph of Julia Holden and Tracey Porteous sitting beneath two paintings at Gap Filler's Inconvenience Store. The paintings were part of the 'Present Tense' project which sought to highlight the inconvenience of the city in the present day. Visitors to the store were asked to choose five paintings they would like to see presented as a billboard installation in Auckland.
A photograph of Gap Filler volunteer Masha Oliver choosing her top five paintings at Gap Filler's Inconvenience Store. The painting was part of the 'Present Tense' project which sought to highlight the inconvenience of the city in the present day. Visitors to the store were asked to choose five paintings they would like to see presented as a billboard installation in Auckland.
A photograph of Grey Quinn at Gap Filler's Inconvenience Store, standing in front of his favourite painting. The painting was part of the 'Present Tense' project which sought to highlight the inconvenience of the city in the present day. Visitors to the store were asked to choose five paintings they would like to see presented as a billboard installation in Auckland.
Students sit outside the InTentCity 6.3 Cafe, which was set up in a tent in the Law car park while University of Canterbury buildings were closed for structural testing. The photographer comments, "The University restarts its teaching, and the techies in e-learning move out of NZi3. The cafe has an outside seating area under the trees".
Photograph captioned by BeckerFraserPhotos, "A view of SOL Square from the top of the Alice in Videoland building on the corner of High Street and Tuam Street".
Photograph captioned by BeckerFraserPhotos, "The street signs and way-marking board place this scene at the intersection of Manchester, High and Lichfield Streets, even if you struggle to find other landmarks that place it there".
Photograph captioned by BeckerFraserPhotos, "Looking from Gloucester Street across the demolition site of the Coachman and Canterbury Times (Christchurch Star?) buildings with Heritage Hotel on the left and Novotel in the centre".
Photograph captioned by BeckerFraserPhotos, "Looking from Gloucester Street across the demolition site of the Coachman and Canterbury Times (Christchurch Star?) buildings with Heritage Hotel on the left and Novotel in the centre".
Photograph captioned by BeckerFraserPhotos, "View from Cashel Mall looking over the Whitcoulls site and the demolition of Wendy's in Hereford Street to the back of the ANZ bank in Cathedral Square".
Photograph captioned by BeckerFraserPhotos, "Looking south along Tramway Lane and Tattersalls Lane with the Hotel Grand Chancellor at the end (note the concrete truck delivering concrete being pumped into the ground floor of the hotel)".
A photograph taken from the top of the BNZ building. The photograph is captioned by BeckerFraserPhotos, "A group of people on top of the Millennium Hotel with the Pacific tower to the left of the photo".
A photograph of a sign describing the earthquake memorial created on the former site of St Luke's church. The memorial is in the form of 185 pieces of stone recovered from the church.
Photograph captioned by BeckerFraserPhotos, "Looking from Gloucester Street across the demolition site of the Coachman and Canterbury Times (Christchurch Star?) buildings with Heritage Hotel on the left and Novotel in the centre".
A photograph showing All Right? posters at the Central Library Peterborough. The posters feature images from phase 2 of the All Right? campaign, which sought to promote the 'Five Ways To Wellbeing' by asking simple, open-ended questions related to wellbeing.
A photograph captioned by BeckerFraserPhotos, "Pieces of iron fretwork from the entrance of the Warners Hotel which have been carefully laid on the ground outside. This shows the careful salvaging which has taken place in order for pieces to be re-used later".
A photograph captioned by BeckerFraserPhotos, "Pieces of iron fretwork from the entrance of the Warners Hotel which have been carefully laid on the ground outside. This shows the careful salvaging which has taken place in order for pieces to be re-used later".
Photograph captioned by BeckerFraserPhotos, "View from the corner of Manchester and Worcester Streets of Radio Network House with the final piece of demolition of 143-151 Worcester Street in front of it. The fate of Radio Network House is being discussed with its owner".
Unreinforced masonry (URM) buildings have repeatedly been shown to perform poorly in large magnitude earthquakes, with both New Zealand and Australia having a history of past earthquakes that have resulted in fatalities due to collapsed URM buildings. A comparison is presented here of the URM building stock and the seismic vulnerability of Christchurch and Adelaide in order to demonstrate the relevance to Australian cities of observations in Christchurch resulting from the 2010/2011 Canterbury earthquake swarm. It is shown that the materials, architecture and hence earthquake strength of URM buildings in both countries is comparable and that Adelaide and other cities of Australia have seismic vulnerability sufficient to cause major damage to their URM buildings should a design level earthquake occur. Such an earthquake is expected to cause major building damage, and fatalities should be expected.
Ōtautahi-Christchurch faces the future in an enviable position. Compared to other New Zealand cities Christchurch has lower housing costs, less congestion, and a brand-new central city emerging from the rubble of the 2011 earthquakes. ‘Room to Breathe: designing a framework for medium density housing (MDH) in Ōtautahi-Christchurch’ seeks to answer the timely question how can medium density housing assist Ōtautahi-Christchurch to respond to growth in a way that supports a well-functioning urban environment? Using research by design, the argument is made that MDH can be used to support a safe, accessible, and connected urban environment that fosters community, while retaining a level of privacy. This is achieved through designing a neighbourhood concept addressing 3 morphological scales- macro- the city; meso- the neighbourhood; and micro- the home and street. The scales are used to inform a design framework for MDH specific to Ōtautahi-Christchurch, presenting a typological concept that takes full advantage of the benefits higher density living has to offer. Room to Breathe proposes repurposing underutilised areas surrounding existing mass transit infrastructure to provide a concentrated populous who do not solely rely on private vehicles for transport. By considering all morphological scales Room to Breathe provides one suggestion on how MDH could become accepted as part of a well-functioning urban environment.
Photograph captioned by BeckerFraserPhotos, "Demolition site of Warners Hotel, taken from Gloucester Street with a view through to the Heritage Hotel and Millennium Hotel. The Hotel Grand Chancellor is behind".
Photograph captioned by BeckerFraserPhotos, "It's not easy to spot, but look at the floor level in this picture. By the bar, it's about half a metre higher than in the foreground. Pressure under the floor pushed the whole floor up".
An aerial photograph captioned by BeckerFraserPhotos, "Colombo Street beginning at the Copthorne on the left and ending just past the Christchurch Cathedral".
A photograph captioned by BeckerFraserPhotos, "The basement of the Louis Vuitton Building on the corner of Colombo Street and Cathedral Square, exposed now the building has been demolished. The Christ Church Cathedral can be seen in the background".