Cars driving over the damaged Gayhurst Road Bridge. The approach to the bridge has been re-sealed, but gaps at the sides of the road show the relative movement of bridge and land.
Cars driving over the damaged Gayhurst Road Bridge. The approach to the bridge has been re-sealed, but gaps at the sides of the road show the relative movement of bridge and land.
An artist's impression of the installation 'Tonic', created as part of the LUXCITY event. Tutors: Annabel Pretty, Cesar Wagner, Peter McPherson
Damage to a house in Richmond. A large crack runs through brickwork under a window, and one side of the wall has visibly slumped, leaving a gap between the bricks and the window frame. The photographer comments, "Cracking in the external brickwork".
A car drives across the damaged Dallington bridge. The bridge has visibly moved relative to the road, leaving a large gap, which road cones have been placed in. The photographer comments, "Service pipes snapped as the land sank but the bridge remained".
An artist's impression of the installation 'In Your Face', created as part of the LUXCITY event. Tutor: Fraser Horton
Damage to a house in Richmond. Part of the brick wall has slumped to one side, leaving visible gaps between the wall and the roof, and between the wall and a windowframe. The photographer comments, "Cracking in the external brickwork".
A car drives onto the damaged Dallington bridge. The bridge has visibly moved relative to the road, there is a large gap at the side of the bridge, and the railings are warped. The photographer comments, "Dallington Bridge northern approach, Gayhurst Rd".
A car drives across the damaged Dallington bridge. The bridge has visibly moved relative to the road, leaving a large gap, which road cones have been placed in. The photographer comments, "Service pipes snapped as the land sank but the bridge remained".
A man takes a photograph of the damaged Dallington bridge. The bridge has visibly moved relative to the road, there is a large gap at the side of the bridge, and the railings are warped. The photographer comments, "Dallington Bridge, north side".
A car drives onto the damaged Dallington bridge. The bridge has visibly moved relative to the road, there is a large gap at the side of the bridge, and the railings are warped. The photographer comments, "Dallington Bridge, north side".
A linear and non-linear model are developed to analyze the structural impact and response of two single degree of freedom structures, representing adjacent buildings or bridge sections. Different impact coefficients of restitution, normalized distances between structures and a range of different structural periods are considered. The probability of impact and the displacement changes that can result from these collisions are computed. The likelihood of an increase in displacement is quantified in a probabilistic sense. A full matrix of response simulations are performed to individually investigate and delineate the effects of inter-structure gap-ratio, period ratios, structural non-linearity and impact elasticity. Column inelasticity is incorporated through the use of a Ramberg-Osgood type hysteresis rule. The minimum normalized distance, or gap-ratio, required between two structures to ensure that the likelihood of increased displacement of more than 10% for either structure for 90% of the given earthquake ground motions is assessed as one of many possible design risk bounds. Increased gap ratio, defined as a percentage of spectral displacement, is shown to reduce the likelihood of impact, as well as close structural periods. Larger differences in the relative periods of the two structures were seen to significantly increase the likelihood of impact. Inclusion of column inelasticity and higher plasticity of impact reduce displacement increases from impact and thus possible further damage to the structures. Such information can be used as a guideline to manage undesirable effects of impact in design - a factor that has been observed to be very important during the recent Canterbury, New Zealand Earthquakes.
A photograph captioned by BeckerFraserPhotos, "A view from Worcester Street. A gap has been left by the demolition of the Press building, allowing a view of the Copthorne Christchurch Central Hotel".
A PDF copy of the running sheet for the All Right? Campaign Launch. Presenters are from organisations including CDHB, Healthy Christchurch, Community and Public Health, Mental Health Foundation New Zealand and Gap Filler.
A photograph of Coralie Winn (Gap Filler) leading an aerobics session at CityUps. CityUps was a 'city of the future for one night only', and the main event of FESTA 2014.
A photograph of Coralie Winn (Gap Filler) leading an aerobics session at CityUps. CityUps was a 'city of the future for one night only', and the main event of FESTA 2014.
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The Gap Filler headquarters on a vacant lot on Colombo Street in Sydenham. Wheelbarrows full of new plants decorate the outside area. In the background is a mural with a poem reading, "The things which I have seen I now can see no more".
A photograph of a mural depicting ChristChurch Cathedral. The mural is attached to the fence on the site of Christchurch: A Board Game.
An artist's impression of the installation 'Etch-a-Sketch', created as part of the LUXCITY event. Tutors: Anna Tong, Chris Holmes
A montage of photographs of the installation 'Tonic', created as part of the LUXCITY event. Tutors: Annabel Pretty, Cesar Wagner, Peter McPherson
A photograph of University of Canterbury Vice-Chancellor Rod Carr writing a message on a brick pathway in Churchill Park.
A photograph of an installation on the corner of Manchester Street and Worcester Street. The installation is titled "Archrobatics", and is part of the LUXCITY event.
A photograph of volunteers who contributed to building a BMX track on an empty site on Colombo Street.
A photograph of a street football arena built by Student Volunteer Army volunteers. The walls of the arena are built from recycled timber.
Damage to a house in Richmond. Brick cladding is badly cracked and buckled, and some bricks have fallen. There is a large gap between the floor and the foundations. The photographer comments, "A bike ride around the CBD. Our house - foundations and floor parted".
Damage to a house in Richmond. Large gaps are visible between the floor and the foundation, and between the foundation and the patio. The photographer comments, "A bike ride around the CBD. Our house - patio is heading west - or the sunroom is heading east".
A blackboard announcing live music on Saturdays at the Lyttelton Petanque Club, a Gap Filler project in the empty site of the Ground Culinary Centre. In the distance, the Port Hole can be seen, a temporary bar made out of shipping containers where the Volcano Cafe used to be.
Demolition site and street art on a wall on Colombo Street, Sydenham. The work on the left is a Gap Filler project, Wayne Youle's "I seem to have temporarily misplaced my sense of humour " (2011), a shadow-board mural which depicts things lost during the earthquake.
Member of the public using the Dance-O-Mat, a dance floor on a vacant site with coin operated light and music player. This was a project by Gap Filler who wanted to give the Christchurch community a unique dance experience whilst bringing life to our broken city.