A photograph of a crowd in a shop on New Regent Street, for the launch of Whole House Reuse. The official release of the Materials Catalogue and premiere of a short documentary was part of FESTA 2013.
A PDF copy of pages 334-335 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Pages Rd Fulton Hogan Site Mural'. Photos: Shaun Murphy
A photograph of a crowd in a shop on New Regent Street, for the launch of Whole House Reuse. The official release of the Materials Catalogue and premiere of a short documentary was part of FESTA 2013.
A photograph of a crowd in a shop on New Regent Street, for the launch of Whole House Reuse. The official release of the Materials Catalogue and premiere of a short documentary was part of FESTA 2013.
A photograph of a crowd in a shop on New Regent Street, for the launch of Whole House Reuse. The official release of the Materials Catalogue and premiere of a short documentary was part of FESTA 2013.
A photograph of a crowd in a shop on New Regent Street, for the launch of Whole House Reuse. The official release of the Materials Catalogue and premiere of a short documentary was part of FESTA 2013.
A photograph of a crowd in a shop on New Regent Street, for the launch of Whole House Reuse. The official release of the Materials Catalogue and premiere of a short documentary was part of FESTA 2013.
A PDF copy of pages 258-259 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Upon the Upland Road'. Photos: Trent Hiles
A photograph of a crowd in a shop on New Regent Street, for the launch of Whole House Reuse. The official release of the Materials Catalogue and premiere of a short documentary was part of FESTA 2013.
A photograph of a crowd in a shop on New Regent Street, for the launch of Whole House Reuse. The official release of the Materials Catalogue and premiere of a short documentary was part of FESTA 2013.
A photograph of two people in front of the base of the John Robert Godley statue in Cathedral Square. The base of the statue has scaffolding and loudspeakers around it, for a Canterbury Tales performance as part of FESTA 2013. In the background is the damaged Christchurch Cathedral and the art installation 'Planted Whare' by Chris Heaphy.
A photograph of Melanie Oliver, director of The Physics Room (left), and two others, presenting at Urban T(act)ics. Urban T(act)ics was a symposium held at The Physics Room to explore tactics and acts of urbanism. The event was organised by Barnaby Bennett and was part of FESTA 2013.
A photograph taken near the intersection of Manchester Street, Lichfield Street and High Street. A mural has been painted on a brick wall. Behind this is the old Post Office building (now C1 Espresso). There is a sculpture by Ronnie Van Hout on the roof.
A photograph of a paste-up from the Roger Sutton/Man About Town series, created by Nathan Ingram and Jemma Brown. The paste-up is titled "Best Man", and is on the Crichton Cobbers building on Fitzgerald Avenue.
A PDF copy of pages 322-323 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'The Hope Bear and Giraffing Around'.
A PDF copy of pages 342-343 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Christchurch: See Through My Eyes (UNICEF Children's Photographs)'. UNICEF Children's Photos as supplied by Canterbury Museum and Jacqui Southey
A video about the restoration of the dome of the Isaac Theatre Royal. The video includes an interview with Vanessa Carswell, Associate at Warren and Mahoney, about the dimensions of the dome. Because the dome is not a perfect circle, the dome and the canvas that cover it have to be reinstalled in exactly the same way, and the dimensions have to be measured accurately so that the new steelwork fits correctly. The video also includes an interview with art restorer Carolina Izzo about restoring the canvas covering of the dome. Izzo says that the theatre lights have burnt the edges of the canvas, and some patches have been affected by mould. She also explains the process for cleaning the artwork.
A PDF copy of pages 74-75 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Nom Nom and Best Demo 2012'. Photo: Reuben Woods
A photograph taken near the intersection of Manchester Street, Lichfield Street and High Street. A mural has been painted on a brick wall. Behind this, the old Post Office building which now houses C1 Espresso can be seen with Ronnie Van Hout's sculpture on the roof.
A photograph of people gathered around Julia Morison's public sculpture, titled Tree Houses for Swamp Dwellers, during the event Small Rooms for Open Spaces, which was part of FESTA 2013. The event was an opportunity for the public to hear more about Morison's work and took place on site.
A photograph of people gathered around Julia Morison's public sculpture, titled Tree Houses for Swamp Dwellers, during the event Small Rooms for Open Spaces, which was part of FESTA 2013. The event was an opportunity for the public to hear more about Morison's work and took place on site.
A photograph of artist Julia Morison talking to another woman at the event Small Rooms for Open Spaces, which was part of FESTA 2013. The event was an opportunity for the public to hear more about Morison's work Tree Houses for Swamp Dwellers and took place on the site of the artwork.
A photograph of FESTA director Jessica Halliday (left) and artist Julia Morison at the event Small Rooms for Open Spaces, which was part of FESTA 2013. The event was an opportunity for the public to hear more about Morison's work Tree Houses for Swamp Dwellers and took place on the site of the artwork.
A photograph of FESTA director Jessica Halliday (left) and artist Julia Morison at the event Small Rooms for Open Spaces, which was part of FESTA 2013. The event was an opportunity for the public to hear more about Morison's work Tree Houses for Swamp Dwellers and took place on the site of the artwork.
A photograph of artist Julia Morison at the event Small Rooms for Open Spaces, which was part of FESTA 2013. The event was an opportunity for the public to hear more about Morison's work Tree Houses for Swamp Dwellers and took place on the site of the artwork.
A photograph taken near the intersection of Manchester Street, Lichfield Street and High Street. The old Post Office building, now housing C1 Espresso, can be seen in the distance with Ronnie Van Hout's sculpture on the roof. Coloured shipping containers support the remaining front facade of the Excelsior Hotel building.
A PDF copy of pages 106-107 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'COCA Windows Project'. Photos: Ed Lust, Chloe Geoghegan. With permission: COCA Gallery.
A PDF copy of pages 58-59 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Port-A-Loos on the Pine Mound'. Photo: Elizabeth Peacock
A PDF copy of pages 350-351 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Concrete Propositions'. Images: Ash Keating Concrete Propositions 2012. Acrylic house paint on concrete. Copyright the artist. Courtesy the artist and Fehily Contemporary, Melbourne Australia. Photo: John Collie.
A photograph taken near the intersection of Manchester Street, Lichfield Street and High Street. The old Post Office building, now housing C1 Espresso, can be seen in the distance with Ronnie Van Hout's sculpture on the roof. Coloured shipping containers support the remaining front facade of the Excelsior Hotel building.