A photograph of street art by the DTR crew on the wall at the Waltham Park and Pool. The artwork depicts tag writing in shades of purple and yellow, in a setting of ferns and other foliage. There is also a fantail perched on a branch. A pukeko is painted on a wall to the right.
A photograph of street art in the central city. The artwork depicts an excited blue alien positioned next to the letters "DTR!". Next to that, is artwork depicting Doctor Who and his Tardis. Above, is pink tag text with a Dalek in it. A section of the path in front of the artwork is sectioned off by road barriers.
A photograph of street art by DTR on a factory wall depicting two green blob monsters. There is also tag writing and orange text that reads "So live". In front of the artwork, there are cars parked in parking spaces.
A photograph of street art at the Durham Street overbridge. The artwork depicts a Teenage Mutant Ninja Turtle and his villainous enemy, Shredder. There are old, peeling posters next to the art.
A photograph of street art by DTR on a factory wall. The art depicts two green blob monsters. There is also tag writing in shades of green, blue, and brown, as well as orange text that reads "So live". In front of the artwork, there is a car parked in a parking space.
A photograph of street art on the wall of a building in Brighton Mall. The artwork depicts two flamingos. The photographer believes that the artwork was created by the artist 'Muz Flamingo'.
A photograph of colourful street art by the DTR crew between Aldwins Road and Linwood Avenue. The artwork depicts an orange cityscape behind purple tag writing. The wall with the artwork on it is hidden behind a billboard for Smart Real Estate, a roadside bench, and a power box with an Elvis poster on it.
A photograph of street artwork painted on a box on the corner of Madras Street and St Asaph Street. The artwork depicts a person in a beret hanging on to the edge of the painting, bringing it down to reveal a blue sky.
A photograph of the Butterfly fence on Ferry Road. The artwork on the fence shows the word "Butterfly", written with butterflies. There are also Māori motifs in the centre of the fence.
A photograph of street art by the DTR crew at the Old Railway Goods Shed. The artwork depicts tag writing, as well as renditions of Ryu, Ken, Chun Li, and Guile, from the video game Street Fighter. The characters are in dramatic battle poses with lightning behind them.
A photograph of street art by several artists, including the DTR crew and Wongi. The artwork depicts Doctor Who in his Tardis. This city centre street is walled off by temporary fencing, road cones, and a road sign.
A photograph of street art between New Brighton Mall and Hawke Street. The artwork is a mural of several pieces including tag writing, a flower, and melting icecream. There are two people on the footpath next to the building.
A photograph of street art at the Durham Street overbridge. The artwork depicts a Teenage Mutant Ninja Turtle and his villainous enemy, Shredder. There are old, peeling posters next to the art.
A photograph of street art between Brighton Mall and Hawke Street. The artwork shows a face with many patterns drawn on it. There are different characters drawn on either side of the face. On the left side, there is the Japanese character for "mother" and the letters DNB. On the right side of the face is the English word "love".
A photograph of street art in Sydenham behind the Waverley lounge. The art is partially obstructed by an unconnected pipe and depicts four blue bricks, three pink diamonds, three yellow scratches, and a line of blue, pink, and black bubbles.
A photograph of street art on the wall of a building in Brighton Mall. The artwork depicts two flamingos. The photographer believes that the artwork was created by the artist 'Muz Flamingo'.
A photograph of street art by the DTR crew between Aldwins Road and Linwood Avenue. The artwork depicts an orange cityscape behind purple tag art. A bike rack and traffic signal are positioned in front of the wall.
A photograph of a stepladder resting on a wall. Artwork on the wall shows kowhai flowers and other native plants. There are broken windows on the wall to the side of the ladder.
A photograph of street art on the side of a house. The artwork shows plants, kowhai flowers, two tui, and their eggs. There is a stepladder on the right-hand side of the artwork and spray paint cans on the ground in front of it.
A photograph of street art on the side of a house. The artwork shows plants, kowhai flowers, two tui, and their eggs. A woman is standing in front of the artwork and a stepladder is set up nearby.
A photograph of colourful street art by the DTR crew between Aldwins Road and Linwood Avenue. The artwork depicts an orange cityscape behind purple tag art. The wall with the artwork on it, is hidden behind billboards for Smart Real Estate and CPIT. Street lights and a car with a "V" advertisement on it are in the foreground.
A photograph of street art by the DTR crew at Waltham Park and Pool. The artwork depicts white and green tag writing, and the DTR Crew's signature below it.
A photograph of street art by the DTR crew located on a factory wall in the central city. The artwork depicts the word "Freak" with the letters "DTR" written above it and topped with a crown. The window below the art is broken.
A photograph of street art on the wall of the Textile Bag & Sack Company building on Byron Street. The artwork has signatures in the corners that read "Def Star" and "The Izm".
A photograph of street art on the wall of the Textile Bag & Sack Company building on Byron Street. The artwork has signatures in the corners that read "Def Star" and "The Izm".
The last few years have seen the emergence of a range of Digital Humanities projects concerned with archiving material related to traumatic events and disasters. The 9/11 Digital Archive, The Hurricane Memory Bank and the CEISMIC Canterbury Earthquakes Digital Archive are a few such projects committed to collecting, curating and making available disaster-related images, stories and media for the purposes of commemoration, teaching and research. In this paper Paul Millar 1. examines the value of such projects in preserving post-disaster memories, 2. explores some differences between passive and active digital memory projects, and 3. asks whether even the most determinedly open and inclusive digital memory project can preserve its values when issues of race, class, gender, politics and economics impact upon its activities.
A plan which outlines how projects will be estimated to generate project Target Out-turn Costs (TOCs), and how these link into the programme TOC. The first version of this plan was produced on 29 July 2011.
A plan which outlines how projects will be estimated to generate project Target Out-turn Costs (TOCs), and how these link into the programme TOC. The first version of this plan was produced on 29 July 2011.