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BeckerFraserPhotos February 2012 photograph 0499
Images, UC QuakeStudies
A close-up photograph of a sign about the Fisher's Building, with the words, "Making our mark. An architect's vision contributes to a transformation of the commercial heart of our city. Whether a building survives or becomes just a memory is part of the continually changing Central City. Fisher's Building".
BeckerFraserPhotos June 2012 photograph 599
Images, UC QuakeStudies
Photograph captioned by BeckerFraserPhotos, "A view looking south from Kilmore Street, the Ernst and Young building on the left, PricewaterhouseCoopers building centre left, Forsyth Barr building centre right, and the Copthorne on the right".
Wonky Peterborough Photograph 1
Images, UC QuakeStudies
A photograph of stencilled words on a footpath on Peterborough Street. The words read, "On Peterborough Street the houses are wonky. The ground has been pulled out from underneath them. The trick worked and the houses stayed up, but they are wonky. If you lived in them you might become wonky too".
BeckerFraserPhotos February 2012 photograph 0671
Images, UC QuakeStudies
A photograph taken from the top of the BNZ building. The photograph is captioned by BeckerFraserPhotos, "The MFL Building has reached a very ugly stage of demolition. It is the last building standing on the corner of Gloucester and Colombo Streets".
BeckerFraserPhotos February 2012 photograph 0682
Images, UC QuakeStudies
A photograph taken from the top of the BNZ building. The photograph is captioned by BeckerFraserPhotos, "A group of people on top of the Millennium Hotel with the Pacific tower to the left of the photo".
Roger Sutton/Man About Town Photograph 3
Images, UC QuakeStudies
A photograph of a paste-up from the Roger Sutton/Man About Town series, created by Nathan Ingram and Jemma Brown. The paste-up is titled "Hip Man", and is on a building on Madras Street.
Nom Nom and Best Demo 2012 Photograph 1
Images, UC QuakeStudies
A photograph of a paste-up on the cordon fence surrounding the Crowne Plaza demolition site. The paste-up is in the shape of an awards ribbon, and reads, "Voted Chch best demo 2012".
BeckerFraserPhotos February 2012 photograph 0678
Images, UC QuakeStudies
A photograph taken from the top of the BNZ building. The photograph is captioned by BeckerFraserPhotos, "From left to right are the Brannigans building (under demolition), former Government Life Building, Farmers building, MFL building (under demolition), Forsyth Barr building (staying) , PricewaterhouseCoopers building (going) and the roof of the cathedral in the foreground".
BeckerFraserPhotos February 2012 photograph 0640
Images, UC QuakeStudies
A photograph of workers suspended in a basket from a crane. The photograph is captioned by BeckerFraserPhotos, "The kind of working conditions that don't appeal to everyone. The workers at the Provincial Council Chambers seem relaxed as they are lowered to the ground".
Roger Sutton/Man About Town Photograph 4
Images, UC QuakeStudies
A photograph of a paste-up from the Roger Sutton/Man About Town series, created by Nathan Ingram and Jemma Brown. The paste-up is titled "Love Man", and is on the east side of the Victoria Mansions building.
Roger Sutton/Man About Town Photograph 5
Images, UC QuakeStudies
A photograph of a paste-up from the Roger Sutton/Man About Town series, created by Nathan Ingram and Jemma Brown. The paste-up is titled "Running Hipster", and is on a building on the corner of Madras Street and St Asaph Street.
Roger Sutton/Man About Town Photograph 2
Images, UC QuakeStudies
A photograph of a paste-up from the Roger Sutton/Man About Town series, created by Nathan Ingram and Jemma Brown. The paste-up is titled "Good Man", and is on a building on the corner of Barbadoes Street and Cashel Street.
Jennifer Middendorf's Blog 23/12/2012: Pallets and pop-up tearooms
Articles, UC QuakeStudies
An entry from Jennifer Middendorf's blog for 23 December 2012 entitled, "Pallets and pop-up tearooms".
BeckerFraserPhotos June 2012 photograph 622
Images, UC QuakeStudies
Photograph captioned by BeckerFraserPhotos, "The intersection of Colombo and Gloucester Streets, looking south down Colombo Street towards Cathedral Square. The soldiers are staffing the cordon as this is the main way through from one half of the central city red zone to the other half, which is now bisected by Gloucester Street".
BeckerFraserPhotos February 2012 photograph 0664
Images, UC QuakeStudies
A photograph taken from the top of the BNZ building. The photograph is captioned by BeckerFraserPhotos, "Finally, the mess outside Coffee Culture on High Street has been cleared and demolition work will complete what the earthquake began. The red containers in the background are Fletchers containers, servicing the Hotel Grand Chancellor deconstruction".
BeckerFraserPhotos February 2012 photograph 0680
Images, UC QuakeStudies
A photograph taken from the top of the BNZ building. The photograph is captioned by BeckerFraserPhotos, "There are workers suspended from a cage about a third of the way up the Pacific Tower as well as a couple of workers on the top penthouse floor. It's hard to see where they are suspended from".
Move to Library Level 5 - Photograph 13
Images, UC QuakeStudies
Workers repairing the James Hight building at the University of Canterbury, seen from inside the library. The photographer comments, "Yet another change of workplace for our E-Learning group, as the University juggles people and buildings to carry out earthquake repairs. Our area looks over a central roof space that has seating areas. It may be a while before we're allowed out there though".
Post-disaster landscapes
Research Papers, Lincoln University
Disasters are a critical topic for practitioners of landscape architecture. A fundamental role of the profession is disaster prevention or mitigation through practitioners having a thorough understanding of known threats. Once we reach the ‘other side’ of a disaster – the aftermath – landscape architecture plays a central response in dealing with its consequences, rebuilding of settlements and infrastructure and gaining an enhanced understanding of the causes of any failures. Landscape architecture must respond not only to the physical dimensions of disaster landscapes but also to the social, psychological and spiritual aspects. Landscape’s experiential potency is heightened in disasters in ways that may challenge and extend the spectrum of emotions. Identity is rooted in landscape, and massive transformation through the impact of a disaster can lead to ongoing psychological devastation. Memory and landscape are tightly intertwined as part of individual and collective identities, as connections to place and time. The ruptures caused by disasters present a challenge to remembering the lives lost and the prior condition of the landscape, the intimate attachments to places now gone and even the event itself.