An aerial photograph looking north over Avonside. In the bottom centre of the photograph, Avonside Girls High School can be seen.
A photograph of sculptures by artist Miranda Parkes on an empty building site on Cashel Street. Hotel So can be seen on the right.
A photograph of people walking through Press Lane, between Gloucester Street and Worcester Street. In the background, the Heritage Hotel can be seen.
A photograph looking east down Gloucester Street, from the Gloucester Street bridge. The Farmers and Novotel buildings can be seen in the distance.
A photograph of earthquake-damaged buildings on Manchester Street. Missing brick work and cracks can be seen at the top of the of Dick Smith building.
A photograph of sculptures by artist Miranda Parkes on an empty building site on Cashel Street. Hotel So can be seen on the right.
Looking north up Colombo Street from the Red Zone viewing area at the east end of Re:Start mall. The partially-demolished ANZ building can be seen in the background.
A photograph of sculptures by artist Miranda Parkes on an empty building site on Cashel Street. Hotel So can be seen on the right.
A photograph of people walking through Press Lane, between Gloucester Street and Worcester Street. In the background, the Heritage Hotel can be seen.
A video of a presentation by Thomas Petschner during the Resilience and Response Stream of the 2016 People in Disasters Conference. The presentation is titled, "Medical Clowning in Disaster Zones".The abstract for this presentation reads as follows: To be in a crisis caused by different kinds of natural disasters (as well as a man made incidents), dealing with ongoing increase of problems and frequent confrontation with very bad news isn't something that many people can easily cope with. This applies obviously to affected people but also to the members of SAR teams, doctors in the field and the experienced humanitarians too. The appropriate use of humour in crisis situations and dis-functional environments is a great tool to make those difficult moments more bearable for everyone. It helps injured and traumatised people cope with what they're facing, and can help them to recover more quickly too. At the same time humorous thinking can help to solve some of the complex problems emergency responders face. This is in addition to emergency and medical only reactions - allowing for a more holistic human perspective, which can provide a positive lasting effect. The ability to laugh is hardwired into our systems bringing a huge variety of physical, mental and social benefits. Even a simple smile can cultivate optimism and hope, while laughter can boost a hormone cocktail - which helps to cope with pain, enhance the immune system, reduce stress, re-focus, connect and unite people during difficult times. Humour as an element of psychological response in crisis situations is increasingly understood in a much wider sense: as the human capacity to plan and achieve desired outcomes with less stress, thus resulting in more 'predictable' work in unpredictable situations. So, if we approach certain problems in the same way Medical Clowns do, we may find a more positive solution. Everyone knows that laughter is an essential component of a healthy, happy life. The delivery of 'permission to laugh' into disaster zones makes a big difference to the quality of life for everyone, even if it's for a very short, but important period of time. And it's crucial to get it right as there is no second chance for the first response.
A photograph of the installation Kloud at LUXCITY. Archrobatics can be seen across the road in the distance.
An aerial view of Christchurch a week after the 22 February 2011 earthquake. High Street can be seen.
An aerial view of Christchurch a week after the 22 February 2011 earthquake. Latimer Square can be seen.
An aerial view of Christchurch a week after the 22 February 2011 earthquake. High Street can be seen.
An aerial view of Christchurch a week after the 22 February 2011 earthquake. High Street can be seen.
An aerial view of Christchurch a week after the 22 February 2011 earthquake. High Street can be seen.
Photograph captioned by BeckerFraserPhotos, "Looking east along Armagh Street from Colombo Street. The PricewaterhouseCoopers building can be seen under demolition".
A photograph of Christ's College taken from behind the Rolleston Avenue gates. Several vehicles can be seen in front of the buildings, with a crane rising above.
A photograph looking south towards the PricewaterhouseCoopers Building from Colombo Street. In the background, two cranes can be seen. The Ernst and Young Building is to the left.
A photograph of closed businesses on High Street. USAR codes can be seen spray-painted on the windows and dead leaves have accumulated on the footpath.
A photograph looking east along Tuam Street towards the intersection with Manchester Street. Collapsed buildings and a stack of shipping containers can be seen in the distance.
Smoke billowing from the remains of the collapsed Canterbury Television Building on Madras Street. Below, emergency personnel can be seen searching the rubble for trapped people.
A New Zealand Fire Service personnel member at the site of the collapsed Canterbury Television Building on Madras Street, holding a can of "V" energy drink.
Construction workers with high visibility clothing and hard hats assemble a crane on High Street to help demolish the Westpac Building. The BNZ building can be seen in the background.
Photograph captioned by BeckerFraserPhotos, "River Avon looking west from the Manchester Street bridge. The damaged wall by the Edmonds band rotunda can be seen".
A photograph of the Rydges Hotel taken from Cambridge Terrace, across the Avon River. To the right, the Clarendon Towers can be seen, currently under deconstruction.
Cracks along a gravel path in the Botanic Gardens. To the left, the 'Oak leaves - autumn' sculpture by Raymond Herber can be seen.
Fire Service vehicles along Madras Street combating the fire at the Canterbury Television building. Behind them excavators can be seen digging through the rubble.
The front of the Cathedral of the Blessed Sacrament on Barbadoes Street. Concreting work can be seen taking place at the base of the building.
Colour close up photograph of windows and balconies on the Crowne Plaza; it can be seen that they are no longer perfectly aligned.