A public talk by Helina Stil, South Island Manager at Nikau Contractors. This talk, entitled 'Deconstruction to construction', formed part of the Plenary Two session, 'Clearing the decks'.
A public talk by Sarah Miles, author of 'The Christchurch Fiasco: The Insurance Aftershock'. This talk formed part of the 'Clearing the claims' session.
A brick wall has been spray painted after being cleared by a USAR team, this system was used following the February earthquake to mark buildings that have been checked.
Portaloos on the Pine Mound, part of Festival of Flowers. Each portaloo was decorated with various floral features. This one has been decorated in Canterbury colours, red and black.
Photograph captioned by Fairfax, "Justin Neill of Spencerville crashed his wife's car in to this raised drain after Saturday's earthquake".
Detail of the artwork 'Homage To The Lost Spaces (Government Life Building Studio Series' by Mike Hewson. These were installed on damaged buildings, this one being the Cranmer Courts.
An interview with Research Fellow in Civil and Natural Resources Engineering, Sonia Giovinazzi. This interview was conducted by Emma Kelland as part of Deirdre Hart's Coastal and River Earthquake Research project .
Bricks fallen from the facade of this building on the corner of Manchester and Welles Streets have destroyed its awning and are strewn across the footpath and road.
Bricks fallen from the facade of this building on the corner of Manchester and Welles Streets have destroyed its awning and are strewn across the footpath and road.
Bricks fallen from the facade of this building on the corner of Manchester and Welles Streets have destroyed its awning and are strewn across the footpath and road.
Bricks fallen from the facade of this building on the corner of Manchester and Welles Streets have destroyed its awning and are strewn across the footpath and road.
Cashel Street has been taken over by the new phenomenon – motor cars. This photograph documents the quickly changing dynamics of a street which once enjoyed a more sedentary pace of life. Ch…
It was hard to avoid sinking up to your knees in wet weather in Market Square in 1862. This panoramic photograph shows Christchurch’s Market Place (later renamed Victoria Square) the damp ge…
Sumner Beach was the last stop on the Sumner line. In this intriguing photograph, we can see the goings on of a typical summer’s weekend, one hundred and six years ago. Hundreds of city dwe…
It is midday on the busy intersection of Manchester, High and Lichfield Streets when this photograph was taken from the corner of Bedford Row c. 1904. The street is full of activity as shoppers mak…
Roof of this building collapsed during the magnitude 7.1 earthquake in Christchurch on Saturday 4-9-2010.
This shop lost its side wall when the magnitude 7.1 earthquake struck Christchurch on 4 September 2010.
This shop lost its side wall when the magnitude 7.1 earthquake struck Christchurch on 4 September 2010.
With origins in the South Bronx area of New York in the early 1970s, hip-hop culture is now produced and consumed globally. While hip-hop activities can be varied, hip-hop is generally considered to have four forms or “elements”: DJing, MCing, b-boying/b-girling, and graffiti. Although all four elements of hip-hop have become a part of many youth work initiatives across the globe, public debate and controversy continue to surround hip-hop activities. Very little research and literature has explored the complexities involved in the assembling of hip-hop activities in youth work sites of practice using these hip-hop elements. This study attends to the gap in hip-hop and human service literature by tracing how hip-hop activities were assembled in several sites of youth work activity in Christchurch, New Zealand. Actor-network theory (ANT) is the methodological framework used to map the assemblage of hip-hop-youth work activities in this study. ANT follows how action is distributed across both human and non-human actors. By recognising the potential agency of “things”, this research traces the roles played by human actors, such as young people and youth workers, together with those of non-human actors such as funding documents, social media, clothing, and youth venue equipment. This ethnographic study provides rich descriptions or “snapshots” of some of the key socio-material practices that shaped the enactment of hip-hop-youth work activities. These are derived from fieldwork undertaken between October 2009 and December 2011, where participant observation took place across a range of sites of hip-hop-youth work activity. In addition to this fieldwork, formal interviews were undertaken with 22 participants, the majority being youth workers, young people, and youth trust administrators. The ANT framework reveals the complexity of the task of assembling hip-hop in youth work worlds. The thesis traces the work undertaken by both human and non-human actors in generating youth engagement in hip-hop-youth work activities. Young people’s hip-hop interests are shown to be varied, multiple, and continually evolving. It is also shown how generating youth interest in hip-hop-youth work activities involved overcoming young people’s indifference or lack of awareness of the hip-hop resources a youth trust had on offer. Furthermore, the study highlights where hip-hop activities were edited or “tinkered” with to avoid hip-hop “bads”. The thesis also unpacks how needed resources were enlisted, and how funders’ interests were translated into supporting hip-hop groups and activities. By tracing the range of actors mobilised to enact hip-hop-youth work activities, this research reveals how some youth trusts could avoid having to rely on obtaining government funds for their hip-hop activities. The thesis also includes an examination of one youth trust’s efforts to reconfigure its hip-hop activities after the earthquakes that struck Christchurch city in 2010 and 2011. Working both in and on the world, the text that is this thesis is also understood as an intervention. This study constitutes a deliberate attempt to strengthen understandings of hip-hop as a complex, multiple, and fluid entity. It therefore challenges traditional media and literature representations that simplify and thus either stigmatise or celebrate hip-hop. As such, this study opens up possibilities to consider the opportunities, as well as the complexities of assembling hip-hop in youth work sites of practice.
Recent earthquakes have highlighted the vulnerability of existing structure to seismic loading. Current seismic retrofit strategies generally focus on increasing the strength/stiffness in order to upgrade the seismic performance of a structure or element. A typical drawback of this approach is that the demand on the structural and sub-structural elements can be increased. This is of particular importance when considering the foundation capacity, which may already be insufficient to allow the full capacity of the existing wall to develop (due to early codes being gravity load orientated). In this thesis a counter intuitive but rational seismic retrofit strategy, termed "selective weakening" is introduced and investigated. This is the first stage of an ongoing research project underway at the University of Canterbury which is focusing on developing selective weakening techniques for the seismic retrofit of reinforced concrete structures. In this initial stage the focus is on developing selective weakening for the seismic retrofit of structural walls. This is performed using a series of experimental, analytical and numerical investigations. A procedure for the assessment of existing structural walls is also compiled, based on the suggestions of currently available code provisions. A selective weakening intervention is performed within an overall performance-based retrofit approach with the aim of improving the inelastic behaviour by first reducing the strength/stiffness of specific members within the structural system. This will be performed with the intention of modifying a shear type behaviour towards a flexural type behaviour. As a result the demand on the structural member will be reduced. Once weakening has been implemented the designer can use the wide range of techniques and materials available (e.g. use of FRP, jacketing or shotcrete) to ensure that adequate characteristics are achieved. Whilst performing this it has to be assured that the structure meets specific performance criteria and the principles of capacity design. A target of the retrofit technique is the ability to introduce the characteristics of recently developed high performance seismic resisting systems, consisting of a self centring and dissipative behaviour (commonly referred to as a hybrid system). In this thesis, results of experimental investigations performed on benchmark and selectively weakened walls are discussed. The investigations consisted of quasi-static cyclic uni-directional tests on two benchmark and two retrofitted cantilever walls. The first benchmark wall is detailed as typical of pre-1970's construction practice. An equivalent wall is retrofitted using a selective weakening approach involving a horizontal cut at foundation level to allow for a rocking response. The second benchmark wall represents a more severe scenario where the inelastic behaviour is dominated by shear. A retrofit solution involving vertically segmenting the wall to improve the ductility and retain gravity carrying capacity by inducing a flexural response is implemented. Numerical investigations on a multi-storey wall system are performed using non linear time history analysis on SDOF and MDOF lumped plasticity models, representing an as built and retrofitted prototype structure. Calibration of the hysteretic response to experimental results is carried out (accounting for pinching and strength degradation). The sensitivity of maximum and residual drifts to p-delta and strength degradation is monitored, along with the sensitivity of the peak base shear to higher mode affects. The results of the experimental and analytical investigations confirmed the feasibility and viability of the proposed retrofit technique, towards improving the seismic performance of structural walls.
Some Canterbury homeowners are worried that missed earthquake damage to concrete slabs could result in another big bill for the taxpayer. This comes only weeks after EQC told Checkpoint that the cost of mis-scoped damage or defective repairs following the Canterbury earthquakes could cost up to $1 billion. This includes $450 million for botched repairs, including badly repaired rubble ring foundations, and $300 million for an ex gratia payment to about 1000 over-cap onsold homeowners. But some Canterbury homeowners who bought after the earthquakes - and did their due diligence - are only discovering damage to their concrete slab foundations now. Logan Church reports.
One of the biggest sporting occasions for NZ's Nepalese community takes place this weekend. Nepali-based soccer teams from all around the country are vying for the big prize in the annual Tenzing Hillary Cup Football Tournament . Seven teams took part in Christchurch in 2017. This year it's Auckland's turn to host eight teams, with over 700 spectators expected over the next 2 days. It's organised by local Nepalese Associations, who are also involved in raising cash for earthquake recovery projects back home. Lynn Freeman speaks with organiser Ramesh Gurung and Peter Gibbs, from the Office of the Nepalese Consulate in NZ.
A small wooden cross is inserted between stones laid out in the shape of a large cross. The photographer comments, "This is an Earthquake Memorial on Manchester Street, Christchurch, New Zealand. This message is on the tree next to the memorial: 'Earthquake Memorial. 185 people died as a result of the 22 February 2011 earthquake. 185 precious lives are remembered here, with 185 pieces of Halswell stone recovered from St Luke's Church, damaged beyond repair on that day. May they rest in peace. St Luke's in the City'".
A digitally manipulated image of a shop window. A vase is visible in the window, and the sillhouette of a mannequin in the background. The photographer comments, "The title came from the pot and the E on the window. This is a building that has been off limits since the Christchurch earthquake. The E was sprayed on the window by rescue teams after searching the building and finding it was empty. This is a very old wooden building that looks OK from the front, but terrible from the side as the previously adjoined building has been demolished.
Detail of damage to the former Princess Cinema in New Brighton. Bricks have fallen from the wall, exposing the interior. The photographer comments, "This is the side view of the back of the old Princess Cinema in New Brighton after the earthquake in Christchurch, New Zealand on 22 February. The bricks seem to be just about to fall, but stayed in place after several big aftershocks. This building has now been knocked down as it was so dangerous".
The University of Canterbury has initialized a research program focusing on the seismic sustainability of structures. As part of this program, the relative seismic sustainability of various structures will be assessed to identify those with the highest sustainability for the Christchurch rebuild and general use in New Zealand. This preliminary case study assesses one reinforced concrete (RC) frame structure and one RC wall structure. The scenario loss is evaluated for two earthquake records considering direct losses only in order to explain and illustrate the methodology.
Anyone keeping a global tally of recent disasters is likely to be asking: What role will the hazards and disasters of coastal plains play in the lives and economies of 21st century humanity? In this article, we reflect on this question using examples of how different types of coastal land performed during the Christchurch and other earthquake events to examine the complex of coastal-tectonic hazards that are being constructed in the Tokyo megacity
The Christchurch Cathedral Square showing the Anglican Cathedral after loosing its tower and spire after the 6.3 quake hit Christchurch 22 February 2011. This image also shows the remains of the very heavy snow fall we had on Monday 25 July 2011. The centre of the city is still cordoned off. This image was taken from a helicopter flight over the...
The Christchurch Cathedral after loosing its tower and spire after the 6.3 quake hit Christchurch 22 February 2011. This image shows the centre of the city still cordoned off. I took this image on Good Friday, Easter weekend, as the sun rose to shine over the city giving a feeling of hope and resurrection of Christchurch to come in...
Tsunami have the potential to cause significant disruptions to society, including damage to infrastructure, critical to the every-day operation of society. Effective risk management is required to reduce the potential tsunami impacts to them. Christchurch city, situated on the eastern coast of New Zealand’s South Island, is exposed to a number of far-field tsunami hazards. Although the tsunami hazard has been well identified for Christchurch city infrastructure, the likely impacts have not been well constrained. To support effective risk management a credible and realistic infrastructure impact model is required to inform risk management planning. The objectives of this thesis are to assess the impacts on Christchurch city infrastructure from a credible, hypothetical far-field tsunami scenario. To achieve this an impact assessment process is adopted, using tsunami hazard and exposure measures to determine asset vulnerability and subsequent impacts. However, the thesis identified a number of knowledge gaps in infrastructure vulnerability to tsunami. The thesis addresses this by using two approaches: a tsunami damage matrix; and the development of tsunami fragility functions. The tsunami damage matrix pools together tsunami impacts on infrastructure literature, and post-event field observations. It represents the most comprehensive ‘look-up’ resource for tsunami impacts to infrastructure to date. This damage matrix can inform the assessment of tsunami impacts on Christchurch city infrastructure by providing a measure of damage likelihood at various hazard intensities. A more robust approach to tsunami vulnerability of infrastructure are fragility functions, which are also developed in this thesis. These were based on post-event tsunami surveys of the 2011 ‘Tohoku’ earthquake tsunami in Japan. The fragility functions are limited to road and bridge infrastructure, but represent the highest resolution measure of vulnerability for the given assets. As well as providing a measure of damage likelihood for a given tsunami hazard intensity, these also indicate a level of asset damage. The impact assessment process, and synthesized vulnerability measures, are used to run tsunami impact models for Christchurch infrastructure to determine the probability of asset damage occurring and to determine if impact will reach or exceed a given damage state. The models suggest that infrastructure damage is likely to occur in areas exposed to tsunami inundation in this scenario, with significant damage identified for low elevation roads and bridges. The results are presented and discussed in the context of the risk management framework, with emphasis on using risk assessment to inform risk treatment, monitoring and review. In summary, this thesis A) advances tsunami vulnerability and impact assessment methodologies for infrastructure and B) provides a tsunami impact assessment framework for Christchurch city infrastructure which will inform infrastructure tsunami risk management for planners, emergency managers and lifelines groups.