A photograph of a dumpster at New Brighton Mall that has been decorated with stickers. The stickers depict an elephant and an abstract tag.
A photograph of a wall with street art on it. It says "Cons-o" in big orange letters and is decorated by red stars on each end.
A photograph of tag writing on some supports for the Durham Street overbridge. On one side of the support is artwork that depicts a yellow character.
A photograph of street art on the shutter of a shop in Brighton Mall. The artwork depicts flamingos, and is signed 'Muz Flamingo, 2013'.
A photograph of street art on the shutter of a shop in Brighton Mall. The artwork depicts flamingos, and is signed 'Muz Flamingo, 2013'.
A photograph of street art on the shutter of a shop in Brighton Mall. The artwork depicts flamingos, and is signed 'Muz Flamingo, 2013'.
A photograph of street art on the shutter of a shop in Brighton Mall. The artwork depicts flamingos, and is signed 'Muz Flamingo, 2013'.
A photograph of tag writing on some supports for the Durham Street overbridge. On one side of the support , is artwork that depicts a yellow character.
A photograph of the Butterfly fence on Ferry Road. The artwork on the fence shows many butterflies fluttering above a Māori motif.
Objective: The nature of disaster research makes it difficult to adequately measure the impact that significant events have on a population. Large, representative samples are required, ideally with comparable data collected before the event. When Christchurch, New Zealand, was struck by multiple, devastating earthquakes, there presented an opportunity to investigate the effects of dose-related quakes (none, one, two or three over a 9-month period) on the cognition of Canterbury’s elderly population through the New Zealand Brain Research Institute’s (NZBRI’s) cognitive screening study. The related effects of having a concomitant medical condition, sex, age and estimated- full scale IQ (Est-FSIQ) on cognition were also investigated. Method: 609 participants were tested on various neuropsychological tests and a self-rated dementia scale in a one hour interview at the NZBRI. Four groups were established, based on the number of major earthquakes experienced at the time of testing: “EQ-dose: None” (N = 51) had experienced no quakes; “EQ-dose: One” (N = 193) had experienced the initial quake in September 2010; “EQ-dose: Two” (N = 82) also experienced the most devastating February 2011 quake; and “EQ-dose: Three” (N = 265) also the June 2011 quake at testing. Results: Two neuropsychological variables of Trail A and the AD8 were impacted by an EQ-dose effect, while having a medical condition was associated with poorer function on the MoCA, Rey Copy and Recall, Trail A, and AD8. Having a major medical condition led to worse performance on the Rey Copy and Recall following the major February earthquake. Males performed significantly better on Trail A and Rey Planning, while females better on the MoCA. Older participants (>73) had significantly lower scores on the MoCA than younger participants (<74), while those with a higher Est-FSIQ (>111) had better scores on the MoCA and Rey Recall than participants with a lower Est-FSIQ. Finally, predicted variable analysis (based on calculated, sample-specific Z-scores) failed to find a significant earthquake effect when variables of age, sex and Est-FSIQ were controlled for, while there was a significant effect of medical condition on each measure. Conclusion: The current thesis provides evidence suggesting resilience amongst Canterbury’s elderly population in the face of the sequence of significant quakes that struck the region over a year from September 2010. By contrast, having a major medical condition was a ‘more significant life event’ in terms of impact on cognition in this group.
A photograph of street art between New Brighton Mall and Hawke Street. The artwork is a mural of tag writing, a flower, and melting ice cream.
A photograph of a wall with street art on it. It says "Cons-o" in big orange letters and is decorated by red stars on each end.
A photograph of street art on the wall of a building in Brighton Mall. The artwork is signed by French street artist Olivier Tenedor.
A photograph of street art on a support pillar of the Durham Street overbridge. The artwork depicts tag writing in shades of pink, surrounded by previously written tag art in various other colours.
A photograph of street art on the wall of a building in Brighton Mall. The artwork is signed by French street artist Olivier Tenedor.
A photograph of the Butterfly fence on Ferry Road. The artwork on the fence shows many butterflies fluttering above a Māori motif and the letters "ChCh".
A photograph of a woman wearing overalls covered in paint. She is holding a spray-paint can in each of her hands. There is a painted wall depicting two tui behind her, with four more spray-paint cans on the ground in front of it.
A photograph of street artwork painted on a box on the corner of Madras Street and St Asaph Street. The artwork depicts a person in a beret hanging on to the edge of the painting, pulling it down to reveal a blue sky.
A photograph of the Butterfly fence on Ferry Road. The artwork on the fence shows the word "Butterfly", written with butterflies. There are also Māori motifs in the centre of the fence.
A photograph of street artwork painted on a box on the corner of Madras Street and St Asaph Street. The artwork depicts a person in a beret hanging on to the edge of the painting, pulling it down to reveal a blue sky.
A photograph of street artwork painted on a box on the corner of Madras Street and St Asaph Street. The artwork depicts a person in a beret hanging on to the edge of the painting, pulling it down to reveal a blue sky.
A photograph of street art on Dyers Pass Road at the Bromley wood and demolition yard, Silvan Salvage. The artwork depicts a tree on the left and tag writing on the right. The blue text says "Teaching old logs new tricks" and the white text says "The Silvan Salvage".
A photograph of street art on Dyers Pass Road at the Silvan Salvage wood and demolition yard. The artwork shows tag writing which says "Teaching old logs new tricks" in big blue capital letters.
A photograph of street art on Dyers Pass Road at the Bromley Silvan Salvage wood and demolition yard. The artwork shows a tree in front of blue waves. In the upper left corner are the words: "P.E.E.E.P Trust".
A photograph of street art on Dyers Pass Road at the Silvan Salvage wood and demolition yard. The artwork shows tag writing which says "The Silvan Salvage" in white letters and signed by Mesr.
A photograph of street art by the DTR crew between Aldwins Road and Linwood Avenue. The artwork depicts an orange city behind purple tag art with DTR's mark on it. The wall with the artwork, is hidden behind a billboard for CPIT, and a bike rack.
A photograph of street art by the DTR crew between Aldwins Road and Linwood Avenue. The artwork depicts an orange cityscape behind purple tag art. The wall with the artwork on it is hidden behind billboards for Smart Real Estate and CPIT. A car is passing through an intersection in front of the artwork.
A photograph of street art on Dyers Pass Road at the Bromley wood and demolition yard, Silvan Salvage. The artwork depicts a tree on the left and tag writing on the right. The blue text says "Teaching old logs new tricks" and the white text says "The Silvan Salvage".
A photograph of street art by DTR on a factory wall depicting two green blob monsters. There is also tag writing in shades of green, blue, and brown, as well as orange text that reads "So live". In front of the artwork, there is a car parked in a parking space.
A photograph of street artwork depicting a fantail sitting on a branch. The piece is on the side of a building at Waltham Park and Pool, located on Waltham Road.