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BeckerFraserPhotos December 2011 photograph 0025
Images, UC QuakeStudies
Photograph captioned by BeckerFraserPhotos, "Cathedral Square walk through, which allowed citizens of Christchurch to view the Cathedral freely for the first time since 22 February when it was put behind a cordon for safety reasons".
WEMO ERT Set 1 - March 2011 - Photograph 39
Images, UC QuakeStudies
A photograph of toppled scaffolding outside a block of buildings on Manchester Street. In the background an excavator is sitting on top of a pile of rubble while it demolishes one of the buildings.
Bike Ride in the East Side - Photograph 27
Images, UC QuakeStudies
The kitchen of a damaged house in Richmond. The photographer comments, "Revisiting our abandoned house. Kitchen bench and tiles are relatively straight, The range hood has a lean because the roof moved, pulling the exhaust vent with it".
To cordon or not to cordon: The inherent complexities of post-earthquake c…
Research papers, University of Canterbury Library
The use of post-earthquake cordons as a tool to support emergency managers after an event has been documented around the world. However, there is limited research that attempts to understand the use, effectiveness, inherent complexities, impacts and subsequent consequences of cordoning once applied. This research aims to fill that gap by providing a detailed understanding of first, the cordons and associated processes, and their implications in a post-earthquake scenario. We use a qualitative method to understand cordons through case studies of two cities where it was used in different temporal and spatial scales: Christchurch (2011) and Wellington (Kaikōura earthquake 2016), New Zealand. Data was collected through 21 expert interviews obtained through purposive and snowball sampling of key informants who were directly or indirectly involved in a decision-making role and/or had influence in relation to the cordoning process. The participants were from varying backgrounds and roles i.e. emergency managers, council members, business representatives, insurance representatives, police and communication managers. The data was transcribed, coded in Nvivo and then grouped based on underlying themes and concepts and then analyzed inductively. It is found that cordons are used primarily as a tool to control access for the purpose of life safety and security. But cordons can also be adapted to support recovery. Broadly, it can be synthesized and viewed based on two key aspects, ‘decision-making’ and ‘operations and management’, which overlap and interact as part of a complex system. The underlying complexity arises in large part due to the multitude of sectors it transcends such as housing, socio-cultural requirements, economics, law, governance, insurance, evacuation, available resources etc. The complexity further increases as the duration of cordon is extended.
sand volcano
Images, eqnz.chch.2010
(I righted the bird bath after the initial earthquake. None of the after-shocks were sufficient to knock it over again.)
MEDIANZ Vol 14, No 1: Quake Aftermath
Articles, UC QuakeStudies
An article from the Media Studies Journal of Aotearoa New Zealand Volume 14, Number 1. The article is titled, "Quake Aftermath: Christchurch journalists' collective trauma experience and the implications for their reporting". It was written by Sean Scanlon.
Paul and Sam Corliss's Street Art Photograph (2014:03:30 16:45:15)
Images, UC QuakeStudies
A photograph of street art above the Hereford Street entrance to the YMCA. The artwork was created by 'Paulie' as part of the RISE Festival. It depicts Nelson Mandela.
BeckerFraserPhotos March 2012 photograph 166
Images, UC QuakeStudies
Photograph captioned by BeckerFraserPhotos, "The inside of St Bartholomew's Anglican Church in Kaiapoi, the oldest surviving church in Canterbury. It was designed by Benjamin Mountfort and completed in 1855".
BeckerFraserPhotos June 2012 photograph 714
Images, UC QuakeStudies
Photograph captioned by BeckerFraserPhotos, "IRD building, viewed from Madras Street, on the corner of Cashel Street, Madras Street and Bedford Row. The IRD building is likely to be demolished as it is within the Frame".
QuakeStory Photo 315
Images, UC QuakeStudies
A photograph submitted by Raymond Morris to the QuakeStories website. The description reads, "This painting of the ‘Frame workshop’ 456 Colombo St. Sydenham is by artist Raymond Morris. It is one of many paintings he has done of buildings demolished in the earthquakes 2010-2011.".
Photograph by Jennifer Middendorf 439
Images, UC QuakeStudies
Food cabinets in Man's Bakery and Cafe on Hereford Street. Food abandoned on 22 February 2011 can still be seen inside. The photographer comments, "It's a bit scary how fresh those biscuits still look - says something about the amount of preservatives we put in our food".
Shermine Kwok Photograph 15
Images, UC QuakeStudies
A photograph of a flag in a planter box which reads, "It's all right to feel proud of how we've coped". The flag is part of the All Right wellbeing campaign led by the Canterbury District Health Board and the Mental Health Foundation of New Zealand.
BeckerFraserPhotos April 2011 photograph 051
Images, UC QuakeStudies
The side of the Empire Hotel on London Street in Lyttelton where the brick wall has crumbled. Bracing has been placed on the front of the building to keep it together and limit further damage from aftershocks. The building has been cordoned off with fencing.
BeckerFraserPhotos February 2011 photograph 462
Images, UC QuakeStudies
Components of the Durham Street Methodist Church's historic and valuable organ, which have been labelled and stacked inside the church. Workers from the South Island Organ Company have been deconstructing the organ so that it can be removed.
BeckerFraserPhotos February 2011 photograph 456
Images, UC QuakeStudies
The Durham Street Methodist Church Roll of Honour, commemorating soldiers who died in World War One. The wall it is set on to is badly cracked and sections of plaster have chipped away revealing the stone work underneath.
BeckerFraserPhotos February 2011 photograph 455
Images, UC QuakeStudies
The Durham Street Methodist Church Roll of Honour, commemorating soldiers who died in World War One. The wall it is set on to is badly cracked and sections of plaster have chipped away revealing the stone work underneath.
BeckerFraserPhotos February 2011 photograph 466
Images, UC QuakeStudies
A stack of letter tiles resting on a bench inside the Durham Street Methodist Church. The bench and the floor around it has been covered with dust and chips of plaster that have come off the building's walls.
Paul and Sam Corliss's Street Art Photograph (2012:11:06 03:55:10)
Images, UC QuakeStudies
A photograph of a colourful wall of bricks. There is damage on the right hand side of the wall. There is also a pattern made from fallen bricks in front of it.
BeckerFraserPhotos February 2012 photograph 0625
Images, UC QuakeStudies
A photograph of a graffiti image originally used to advertise careers with the New Zealand Police. The photograph is captioned by BeckerFraserPhotos, "This sign remains painted on the wall, although the other version of it has been painted out".
BeckerFraserPhotos May 2011 photograph 0866
Images, UC QuakeStudies
Photograph captioned by BeckerFraserPhotos, "Allan McLean Building, Oxford Terrace - it was offices (lawyers/accountants/House of Travel Holdings etc) and also housed the cafe Verve Real Food Catering - facing Colombo and right next to the Copthorne".
BeckerFraserPhotos December 2011 photograph 0215
Images, UC QuakeStudies
A photograph captioned by BeckerFraserPhotos, "The Hotel Grand Chancellor viewed from Hereford Street. It is now hard to recognise with many of its exterior panels removed during the deconstruction process".
Paul and Sam Corliss's Street Art Photograph (2014:03:30 16:42:26)
Images, UC QuakeStudies
A photograph of street art above the Hereford Street entrance to the YMCA. The artwork was created by 'Paulie' as part of the RISE Festival. It depicts Nelson Mandela.
The SCIRT Innovation Project
Articles, UC QuakeStudies
A report created by the University of Canterbury Quake Centre and the University of Auckland, funded by the Building Research Levy. It shows how an innovation process was initiated and managed throughout the rebuilding of the horizontal infrastructure after the Canterbury earthquakes.
Band-Aid Bandits Photograph 5
Images, UC QuakeStudies
A photograph of a paste-up on the wall of the earthquake-damaged Knox Church. The paste-up depicts a bandaid with a speech bubble reading, "I'll kiss it better".
Band-Aid Bandits Photograph 4
Images, UC QuakeStudies
A photograph of a paste-up on the wall of the earthquake-damaged Knox Church. The paste-up depicts a bandaid with a speech bubble reading, "I'll kiss it better".
Band-Aid Bandits Photograph 1
Images, UC QuakeStudies
A photograph of a paste-up on the wall of the earthquake-damaged Knox Church. The paste-up depicts a bandaid with a speech bubble reading, "I'll kiss it better".
Band-Aid Bandits Photograph 3
Images, UC QuakeStudies
A photograph of a paste-up on the wall of the earthquake-damaged Knox Church. The paste-up depicts a bandaid with a speech bubble reading, "I'll kiss it better".
Byron Williams WEMO Photograph 10
Images, UC QuakeStudies
A photograph of the partially-demolished Westende Jewellers Building on the corner of Worcester and Manchester Streets. A wire fence has been placed around the building as a cordon. Behind it sits a Southern Demolition excavator.
Paul and Sam Corliss's Street Art Photograph (2012:07:15 13:26:05)
Images, UC QuakeStudies
A photograph of a section of a mural on the corner of Byron Street and Colombo Street. The section depicts a spaceship with three beings inside. Underneath it is an email address.
Photograph by Jennifer Middendorf 339
Images, UC QuakeStudies
A photograph tied to the security fence around Riccarton House. The photographer comments, "There were photographs all along the line of the fence - I assume it was some sort of art exhibition, but I couldn't see any signs, or information on the artist(s)".