Search

found 353 results

Images for gallery; more images...

Images, UC QuakeStudies

A photograph of two people at The Auricle Sonic Arts Gallery on New Regent Street, during the Sound Sky exhibition. The exhibition was part of FESTA 2014, and presented layers of stories, sounds and speculative futures for Christchurch.

Images, UC QuakeStudies

A photograph of two people at The Auricle Sonic Arts Gallery on New Regent Street, during the Sound Sky exhibition. The exhibition was part of FESTA 2014, and presented layers of stories, sounds and speculative futures for Christchurch.

Images, UC QuakeStudies

A copy of the final image used for the invitation to Julia Holden's exhibition 'its like now'. The exhibition was held at the ArtBox Gallery. The invitation features twelve portraits of local art practitioners. The portraits were part of the exhibition.

Images, UC QuakeStudies

A photograph of a computer monitor and tablet mounted to the wall at The Auricle Sonic Arts Gallery, during the Sound Sky exhibition. The exhibition was part of FESTA 2014, and presented layers of stories, sounds and speculative futures for Christchurch.

Images, UC QuakeStudies

A photograph of a poster above the staircase at The Auricle Sonic Arts Gallery on New Regent Street. The poster is advertising the Sound Sky exhibition. The exhibition was part of FESTA 2014, and presented layers of stories, sounds and speculative futures for Christchurch.

Images, UC QuakeStudies

A photograph of The Auricle Sonic Arts Gallery before the opening of an exhibition of stories, sounds and speculative futures for Christchurch. The exhibition was presented by Sound Sky - a geo-located audioscape and mobile phone app - as part of FESTA 2014.

Articles, UC QuakeStudies

A PDF copy of an ad that appeared in the Christchurch Art Gallery magazine Bulletin in Winter 2013. The image depicts an 'All Rightie' listening to music and dancing alongside Rita Angus' well-known painting 'Cass'. The image reads, "Had a good boogie lately?".

Images, UC QuakeStudies

Christchurch-based technician, Nick Brown, and Ralph Moore, Deputy Task Force Leader for New Zealand Search and Rescue, talking to the press. Nick and Ralph were part of the USAR team working on the Cathedral and Press Buildings after the earthquake.

Images, UC QuakeStudies

Christchurch-based technician, Nick Brown, and Ralph Moore, Deputy Task Force Leader for New Zealand Search and Rescue, talking to the press. Nick and Ralph were part of the USAR team working on the Cathedral and Press Buildings after the earthquake.

Images, UC QuakeStudies

Christchurch-based technician, Nick Brown, and Ralph Moore, Deputy Task Force Leader for New Zealand Search and Rescue, talking to the press. Nick and Ralph were part of the USAR team working on the Cathedral and Press Buildings after the earthquake.

Images, UC QuakeStudies

A photograph of a blackboard outside The Auricle Sonic Arts Gallery on New Regent Street, advertising the opening of an exhibition of stories, sounds and speculative futures for Christchurch. The exhibition was presented by Sound Sky - a geo-located audioscape and mobile phone app - as part of FESTA 2014.

Images, UC QuakeStudies

Christchurch-based technician, Nick Brown, and Ralph Moore, Deputy Task Force Leader for New Zealand Search and Rescue, talking to the press. Nick and Ralph were part of the USAR team working on the Cathedral and Press Buildings after the earthquake.

Research papers, The University of Auckland Library

This exhibition, eight years in the planning, had the misfortune to open one week before the 22 February 2011 Christchurch earthquake; the exhibition was immediately taken down and never went up again – the Christchurch Art Gallery has still not reopened. Although in my book Fantastica: The World of Leo Bensemann (NRO1) I covered the whole of Bensemann’s career, in the exhibition I took responsibility for the paintings (portraits and landscapes) , while Dr. Noel Waite (University of Otago) looked after Bensemann’s graphic work, book design and printing. This was the most extensive exhibition of Bensemann’s work ever mounted and together with Fantastica will compel a major reassessment of his place in New Zealand culture. Art New Zealand wrote of it: ‘The exhibition (including more than 100 items) is significant in bringing together what has in the past appeared disparate and unrelated; here Bensemann's entire oeuvre - the output of a painter, illustrator, calligrapher, typographer, designer and publisher is given equal billing. Although this exhibition is an important re-assessment and valuable for a new generation unfamiliar with his work, a national touring show would have precipitated an even greater awareness’.

Research papers, The University of Auckland Library

During the 2010/2011 Canterbury earthquakes, several reinforced concrete (RC) walls in multi-storey buildings formed a single crack in the plastic hinge region as opposed to distributed cracking. In several cases the crack width that was required to accommodate the inelastic displacement of the building resulted in fracture of the vertical reinforcing steel. This type of failure is characteristic of RC members with low reinforcement contents, where the area of reinforcing steel is insufficient to develop the tension force required to form secondary cracks in the surrounding concrete. The minimum vertical reinforcement in RC walls was increased in NZS 3101:2006 with the equation for the minimum vertical reinforcement in beams also adopted for walls, despite differences in reinforcement arrangement and loading. A series of moment-curvature analyses were conducted for an example RC wall based on the Gallery Apartments building in Christchurch. The analysis results indicated that even when the NZS 3101:2006 minimum vertical reinforcement limit was satisfied for a known concrete strength, the wall was still susceptible to sudden failure unless a significant axial load was applied. Additionally, current equations for minimum reinforcement based on a sectional analysis approach do not adequately address the issues related to crack control and distribution of inelastic deformations in ductile walls.