A photograph of Pippin Wright-Stow and Martin Trusttum from F3 Design giving a talk at Something Super during FESTA 2013. The event was held at ArtBox and included food, music, art, animation and talks about ArtBox, BeatBox and the future of Christchurch.
A photograph of Pippin Wright-Stow and Martin Trusttum from F3 Design giving a talk at Something Super during FESTA 2013. The event was held at ArtBox and included food, music, art, animation and talks about ArtBox, BeatBox and the future of Christchurch.
A photograph of Pippin Wright-Stow and Martin Trusttum from F3 Design giving a talk at Something Super during FESTA 2013. The event was held at ArtBox and included food, music, art, animation and talks about ArtBox, BeatBox and the future of Christchurch.
A photograph of Architect Pippin Wright-Stow from F3 Design giving a talk at Something Super during FESTA 2013. The event was held at ArtBox and included food, music, art, animation and talks about ArtBox, BeatBox and the future of Christchurch.
Part four of the audio that makes up Gap Filler's 29th project, the Transitional City Audio Tour. This part of the tour begins in the Re:Start Mall on Cashel Street and includes commentary on the performance Last Day of Mankind at the Bridge of Remembrance. The tour then moves up Oxford Terrace, along the banks of the Avon River, until it reaches Worcester Boulevard. Turning left, it travels down Worcester Boulevard, past the Christchurch Art Gallery, providing commentary on the new and old art in the area, and the Christchurch Arts Centre. Lastly, it moves up Montreal towards Cranmer Square.
A photograph of two people at The Auricle Sonic Arts Gallery on New Regent Street, during the Sound Sky exhibition. The exhibition was part of FESTA 2014, and presented layers of stories, sounds and speculative futures for Christchurch.
A photograph of two people at The Auricle Sonic Arts Gallery on New Regent Street, during the Sound Sky exhibition. The exhibition was part of FESTA 2014, and presented layers of stories, sounds and speculative futures for Christchurch.
A photograph of a computer monitor and tablet mounted to the wall at The Auricle Sonic Arts Gallery, during the Sound Sky exhibition. The exhibition was part of FESTA 2014, and presented layers of stories, sounds and speculative futures for Christchurch.
A blog post from US Ambassador to New Zealand and Samoa, David Huebner, titled, "Christchurch Earthquake Teams in Motion".
A copy of the final image used for the invitation to Julia Holden's exhibition 'its like now'. The exhibition was held at the ArtBox Gallery. The invitation features twelve portraits of local art practitioners. The portraits were part of the exhibition.
A blog post from US Ambassador to New Zealand and Samoa, David Huebner, titled, "Tim Manning Remembers February 22nd".
A photograph of The Auricle Sonic Arts Gallery before the opening of an exhibition of stories, sounds and speculative futures for Christchurch. The exhibition was presented by Sound Sky - a geo-located audioscape and mobile phone app - as part of FESTA 2014.
A photograph of a poster above the staircase at The Auricle Sonic Arts Gallery on New Regent Street. The poster is advertising the Sound Sky exhibition. The exhibition was part of FESTA 2014, and presented layers of stories, sounds and speculative futures for Christchurch.
A photograph Chris from St Albans taking part in #FiveYearsOn. Chris holds a sign which reads, "Five years on, I feel... I happy new ch// I New Building// I happy in Chch Art gallery been opened [sic] // Chris Farrow, St Albans Merivale".
Photograph captioned by BeckerFraserPhotos, "The CBD with Fanzone and Christ's College in the foreground, Arts Centre to the right".
A PDF copy of an ad that appeared in the Christchurch Art Gallery magazine Bulletin in Winter 2013. The image depicts an 'All Rightie' listening to music and dancing alongside Rita Angus' well-known painting 'Cass'. The image reads, "Had a good boogie lately?".
A photograph of a blackboard outside The Auricle Sonic Arts Gallery on New Regent Street, advertising the opening of an exhibition of stories, sounds and speculative futures for Christchurch. The exhibition was presented by Sound Sky - a geo-located audioscape and mobile phone app - as part of FESTA 2014.
Christchurch-based technician, Nick Brown, and Ralph Moore, Deputy Task Force Leader for New Zealand Search and Rescue, talking to the press. Nick and Ralph were part of the USAR team working on the Cathedral and Press Buildings after the earthquake.
Christchurch-based technician, Nick Brown, and Ralph Moore, Deputy Task Force Leader for New Zealand Search and Rescue, talking to the press. Nick and Ralph were part of the USAR team working on the Cathedral and Press Buildings after the earthquake.
Christchurch-based technician, Nick Brown, and Ralph Moore, Deputy Task Force Leader for New Zealand Search and Rescue, talking to the press. Nick and Ralph were part of the USAR team working on the Cathedral and Press Buildings after the earthquake.
An aerial photograph captioned by BeckerFraserPhotos, "Central city blocks bounded by Colombo Street, Hereford Street, Cashel Street, and High Street".
Christchurch-based technician, Nick Brown, and Ralph Moore, Deputy Task Force Leader for New Zealand Search and Rescue, talking to the press. Nick and Ralph were part of the USAR team working on the Cathedral and Press Buildings after the earthquake.
During the 2010/2011 Canterbury earthquakes, several reinforced concrete (RC) walls in multi-storey buildings formed a single crack in the plastic hinge region as opposed to distributed cracking. In several cases the crack width that was required to accommodate the inelastic displacement of the building resulted in fracture of the vertical reinforcing steel. This type of failure is characteristic of RC members with low reinforcement contents, where the area of reinforcing steel is insufficient to develop the tension force required to form secondary cracks in the surrounding concrete. The minimum vertical reinforcement in RC walls was increased in NZS 3101:2006 with the equation for the minimum vertical reinforcement in beams also adopted for walls, despite differences in reinforcement arrangement and loading. A series of moment-curvature analyses were conducted for an example RC wall based on the Gallery Apartments building in Christchurch. The analysis results indicated that even when the NZS 3101:2006 minimum vertical reinforcement limit was satisfied for a known concrete strength, the wall was still susceptible to sudden failure unless a significant axial load was applied. Additionally, current equations for minimum reinforcement based on a sectional analysis approach do not adequately address the issues related to crack control and distribution of inelastic deformations in ductile walls.