A earthquake simulation structure built at the College of Engineering, it is designed to demonstrate a retrofit of seismic strengthening to a structure.
A earthquake simulation structure built at the College of Engineering, it is designed to demonstrate a retrofit of seismic strengthening to a structure.
A earthquake simulation structure built at the College of Engineering, it is designed to demonstrate a retrofit of seismic strengthening to a structure.
A earthquake simulation structure built at the College of Engineering, it is designed to demonstrate a retrofit of seismic strengthening to a structure.
A earthquake simulation structure built at the College of Engineering, it is designed to demonstrate a retrofit of seismic strengthening to a structure.
A earthquake simulation structure built at the College of Engineering, it is designed to demonstrate a retrofit of seismic strengthening to a structure.
A earthquake simulation structure built at the College of Engineering, it is designed to demonstrate a retrofit of seismic strengthening to a structure.
A earthquake simulation structure built at the College of Engineering, it is designed to demonstrate a retrofit of seismic strengthening to a structure.
A earthquake simulation structure built at the College of Engineering, it is designed to demonstrate a retrofit of seismic strengthening to a structure.
A earthquake simulation structure built at the College of Engineering, it is designed to demonstrate a retrofit of seismic strengthening to a structure.
Richard is a retired High School Art/Design teacher who is now making architectural models of houses and public buildings - some destroyed in the Christchurch earthquakes.
Christchurch's Cardboard Cathedral was designed as a temporary structure to fill the void left by the damage caused to Christ Church Cathedral in the 2011 earthquake.
In recent work on commons and commoning, scholars have argued that we might delink the practice of commoning from property ownership, while paying attention to modes of governance that enable long-term commons to emerge and be sustained. Yet commoning can also occur as a temporary practice, in between and around other forms of use. In this article we reflect on the transitional commoning practices and projects enabled by the Christchurch post-earthquake organisation Life in Vacant Spaces, which emerged to connect and mediate between landowners of vacant inner city demolition sites and temporary creative or entrepreneurial users. While these commons are often framed as transitional or temporary, we argue they have ongoing reverberations changing how people and local government in Christchurch approach common use. Using the cases of the physical space of the Victoria Street site “The Commons” and the virtual space of the Life in Vacant Spaces website, we show how temporary commoning projects can create and sustain the conditions of possibility required for nurturing commoner subjectivities. Thus despite their impermanence, temporary commoning projects provide a useful counter to more dominant forms of urban development and planning premised on property ownership and “permanent” timeframes, in that just as the physical space of the city being opened to commoning possibilities, so too are the expectations and dispositions of the city’s inhabitants, planners, and developers.
An example of a paper which explains the role of an Asset Owner's Representative - Transport Structures at SCIRT.
An example of a paper which explains the role of an Asset Owner's Representative - Water Supply at SCIRT.
An example of a paper which explains the role of an Asset Owner's Representative - Stormwater at SCIRT.
An example of a paper which explains the role of an Asset Owner's Representative - Three Waters at SCIRT.
The University of Canterbury Dept. of Chemistry has weathered the Canterbury Earthquake of September 4, 2010 very well due to a combination of good luck, good planning and dedicated effort. We owe a great deal to university Emergency Response Team and Facilities Management Personnel. The overall emergency preparedness of the university was tested to a degree far beyond anything else in its history and shown to be well up to scratch. A strong cooperative relationship between the pan-campus controlling body and the departmental response teams greatly facilitated our efforts. Information and assistance was provided promptly, as and when we needed it without unnecessary bureaucratic overheads. At the departmental level we are indebted to the technical staff who implemented the invaluable pre-quake mitigation measures and carried the majority of the post-quake clean-up workload. These people put aside their personal concerns and anxieties at a time when magnitude-5 aftershocks were still a regular occurrence.
Photograph captioned by BeckerFraserPhotos, "This building was designed to be angled - it's not an extreme earthquake effect. 330 Durham Street".
Photograph captioned by BeckerFraserPhotos, "This building was designed to be angled - it's not an extreme earthquake effect. 330 Durham Street".
Photograph captioned by Fairfax, "Quake symbol: Jenny Marsh holds up the design by graphic artist Susan Bocock of Kaiapoi's twisted swing bridge".
Blog designed to act as a forum to document, share and discuss street art and creative activities in Christchurch. Created by Ben Leith.
The head of an international team of engineers who design for disasters says Wellington should look closely at the lessons from the Canterbury earthquake.
The man who designed the CTV building that collapsed in the Christchurch earthquake has effectively scuttled any investigation into him by the Institution of Professional Engineers.
Light timber framed (LTF) structures provide a cost-effective and structurally efficient solution for low-rise residential buildings. This paper studies seismic performance of single-storey LTF buildings sheathed by gypsum-plasterboards (GPBs) that are a typical lining product in New Zealand houses. Compared with wood-based structural panels, GPBs tend to be more susceptible to damage when they are used in bracing walls to resist earthquake loads. This study aims to provide insights on how the bracing wall irregularity allowed by the current New Zealand standard NZS 3604 and the in-plane rigidity of ceiling diaphragms affect the overall seismic performance of these GPB-braced LTF buildings. Nonlinear time-history analyses were conducted on a series of single-storey baseline buildings with different levels of bracing wall irregularities and ceiling diaphragm rigidity. The results showed significant torsional effect caused by the eccentric bracing wall layout with semi-rigid/rigid ceiling diaphragms. On average, bracing wall drift demand caused by the extreme bracing wall irregularities was three times of that in the regular bracing wall layout under the rigid diaphragm assumption. This finding agreed well with the house survey after the 2011 Canterbury Earthquake in which significantly more damage was observed in the houses with irregular bracing wall layouts and relatively rigid diaphragms. Therefore, it is recommended to limit the level of bracing wall eccentricity and ensure the sufficiently rigid diaphragms to avoid excessive damage in these LTF buildings in future events.
A video of an interview with Shaun Gladwell, a London-based artist, about the sculptures he designed for the Christchurch central city. Gladwell talks about how the sculptures are based on skateboard forms and have been designed to be used by skateboarders. He also talks about being inspired by YouTube videos of Christchurch skateboarders who used the damaged landscape in Christchurch as a skate park after the 22 February 2011 earthquake. The video includes clips from some of these YouTube videos.
In the aftermath of the 2010 and 2011 earthquakes, Christchurch, New Zealand is framed as a ‘transi- tional’ city, moving from its demolished past to a speculative future. The ADA Mesh Cities project asks what role media art and networks may play in the transitional city, and the practices of remembering, and reimagining space.
Following the 2010 and 2011 earthquakes Christchurch is undergoing extensive development on the periphery of the city. This has been driven in part by the large numbers of people who have lost their homes. Prior to the earthquakes, Christchurch was already experiencing placeless subdivisions and now these are being rolled out rapidly thanks to the efficiency of a formula that has been embraced by the Council, developers and the public alike. However, sprawling subdivisions have a number of issues including inefficient land use, limited housing types, high dependence on motor vehicles and low levels of resilience and no sense of place. Sense of place is of particular interest due to its glaring absence from new subdivisions and its growing importance in the literature. Research shows that sense of place has benefits to our feeling of belonging, well-being, and self-identity, particularly following a disaster. It improves the resilience and sustainability of our living environment and fosters a connection to the landscape thereby making us better placed to respond to future changes. Despite these benefits, current planning models such as new urbanism and transit-oriented design tend to give sense of place a low priority and as a result it can get lost. Given these issues, the focus of this research is “can landscape driven sense of place drive subdivision design without compromising on other urban planning criteria to produce subdivisions that address the issues of sprawl, as well as achieving the benefits associated with a strong sense of place that can improve our overall quality of life?” Answering this question required a thorough review of current urban planning and sense of place literature. This was used to critique existing subdivisions to gain a thorough understanding of the issues. The outcomes of this led to extensive design exploration which showed that, not only is it possible to design a subdivision with sense of place as the key driver but by doing this, the other urban planning criteria become easier to achieve.
Blade Runners Hair Design on Hills Road in Edgeware. The veranda collapsed during the 4 September earthquake, bringing down the parapet as well.
An image designed for the CDHB for use on the web. The image depicts an 'All Rightie' and reads, "Welcome to Canterbury DHB".